H x W x D: 0.3 x 3.2 x 3.8 cm (1/8 x 1 1/4 x 1 1/2 in.)
Type:
Sculpture
Geography:
Ghana
Côte d'Ivoire
Date:
18th-late 19th century
Label Text:
Although often identified with the Asante, the most numerous and best known of the Akan peoples, weights for measuring gold dust were made and used throughout Ghana and Côte d'Ivoire. For more than five centuries, from about 1400 to 1900, Akan smiths cast weights of immense diversity. Their small size made them portable and easy to trade. Each weight was cast individually in the lost-wax method. What resulted was a unique piece, but one that had to be a specific weight to function. The shape or figure of a weight did not correspond to a set unit of measure: a porcupine in one set could equal an antelope in another, or a geometric form in a third. For important transactions, gold dust was placed on one side of a small, handheld balance scale, a weight on the other. Each party to the dealing verified the amount of gold dust using his or her own weights.
Visually, weights fall into two distinct categories: geometric and figurative. Stylistically they are divided into early (c. 1400-1700) and late (c. 1700-1900) periods. This object is a late-period geometric weight.
Description:
Cast copper alloy geometric weight in rectangular form with two comb borders and two opposing spirals seperated by a diagonal line.
Provenance:
Mr. and Mrs. Eric de Kolb, New York, before 1970
Bevill Bressler & Schulman, Newark, New Jersey, -- to 1975
Exhibition History:
Ashanti Goldweights and Senufo Bronzes: Collection of Mr. and Mrs. Eric de Kolb, Art Gallery, University of Notre Dame, September 6-November 15, 1970
Published References:
University of Notre Dame Art Gallery. 1970. Ashanti Goldweights and Senufo Bronzes: Collection of Mr. and Mrs. Eric de Kolb. Notre Dame, no. 603.
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