H x W x D: 1.9 x 2.9 x 1.6 cm (3/4 x 1 1/8 x 5/8 in.)
Type:
Sculpture
Geography:
Ghana
Côte d'Ivoire
Date:
18th-late 19th century
Label Text:
Although often identified with the Asante, the most numerous and best known of the Akan peoples, weights for measuring gold dust were made and used throughout Ghana and Côte d'Ivoire. For more than five centuries, from about 1400 to 1900, Akan smiths cast weights of immense diversity. Their small size made them portable and easy to trade. Each weight was cast individually in the lost-wax method. What resulted was a unique piece, but one that had to be a specific weight to function. The shape or figure of a weight did not correspond to a set unit of measure: a porcupine in one set could equal an antelope in another, or a geometric form in a third. For important transactions, gold dust was placed on one side of a small, handheld balance scale, a weight on the other. Each party to the dealing verified the amount of gold dust using his or her own weights.
Visually, weights fall into two distinct categories: geometric and figurative. Stylistically they are divided into early (c. 1400-1700) and late (c. 1700-1900) periods. Although geometric weights were made in the late period, figurative weights increased in both number and variety. Generally late-period figurative weights have added details and textures beyond the basic form that would identify the subject. This object is a late-period figurative weight in the form of a stool. While individual shapes of stools have specific proverbs so associated was a personal stool with the owner's spirit that only the owner would sit on it, and when not in use it would be tipped on its side. For certain important individuals, a libation-blackened stool would become the focus of a family shrine after the person's death. All stools are a faint reminder of the Golden Stool, the gold-leaf stool that is never sat upon but which contains the spirit of the Asante kingdom.
Description:
Cast copper alloy figurative weight in the form of a stool with central rod support flanked by two flared supports.
Provenance:
Bevill Bressler & Schulman, Newark, New Jersey, -- to 1975
Content Statement:
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests:
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
