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Catalog Data

Maker:
Kuba artist  Search this
Medium:
Plant fiber, raffia, cloth, metal, cowrie shells, glass beads, feathers, wood
Dimensions:
H x W x D: 39.5 x 45.0 x 53.9 cm (15 9/16 x 17 11/16 x 21 1/4 in.)
Type:
Mask
Geography:
Muenshi village, Democratic Republic of the Congo
Date:
Mid-late 20th century
Label Text:
This mask was photographed by its donor, Life magazine photographer Eliot Elisofon, while being danced in Muenshi village in 1972. Made of cloth, fiber, glass beads and cowrie shells, Mukyeem is a variant on the royal mwaash a mboy mask, but can be distinguished by its projecting elephant trunk with two small tusks. It is found not among the royal Bushong clan but among the Kete and other peoples that made up the Kuba kingdom where traditionally it was a funerary mask. The materials and the elephant form convey the importance of the individual who died and the white color of the cowries also suggests the spirit world. The red parrot feathers (from the tail of the African grey parrot) at the tip of the trunk are inserted for the dance and are a nobleman's privilege.
Description:
Cap mask with leather face, and cowrie shells forming the eyes and framing the face and back of head. The trunk-like extension from top of the head alternates glass beads and cowrie shells and ends in a red feather bundle. Mask has a raffia beard ruff.
Provenance:
Eliot Elisofon, New York, collected Muenshi village, 1972-1973
Exhibition History:
Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
African Beaded Art: Power and Adornment, Smith College Museum of Art, Northampton, February 1-June 15, 2008
Celebration: A World of Art and Ritual, Renwick Gallery, Washington D.C., March 17, 1982-July 10, 1983
Published References:
Park, Edwards. 1983. Treasures of the Smithsonian. Washington, D.C.: Smithsonian Books, p. 379.
Pemberton III, John. 2008. African Beaded Art: Power and Adornment. Northampton: Smith College Museum of Art, p. 152, no. 79.
Smithsonian Institution. Office of Folklife Programs and Renwick Gallery of the National Museum of American Art. 1982. Celebration: A World of Art and Ritual. Washington, D.C.: Smithsonian Institution Press, p. 64, no. 27b, illustrated p. 20.
Turner, Jane (ed). 1996. "Africa." The Dictionary of Art, Vol. 1. New York: Grove, p. 301, no. 58.
Content Statement:
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests:
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Topic:
Funerary  Search this
elephant  Search this
Male use  Search this
male  Search this
Credit Line:
Bequest of Eliot Elisofon
Object number:
73-7-440
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7fe759e12-3700-403d-9db6-e142eb3116c0
EDAN-URL:
edanmdm:nmafa_73-7-440