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Catalog Data

Maker:
Hervé Youmbi, b. 1973, Central African Republic (active Cameroon)  Search this
Medium:
Inkjet print on canvas
Dimensions:
H x W: 131 × 85 cm (51 9/16 × 33 7/16 in.)
Type:
Photograph
Geography:
Central African Republic
Date:
2010
Description:
Artist depicted is Soly Cissé. Variable installation consisting of stacked columns of multi-colored, padded out plastic travel bags to which stickers have been adhered that depict icons of the international art world, including Damien Hirst’s diamond crusted skull and logos for museums like Tate Modern and MoMA. These can be installed in changing configurations in terms of height and number, and combined with up to twelve photographic portraits of African artists wearing sunglasses that bear logos for what they most desire in the art world (money, work on view at the Tate, etc). Photographs can be shown on their own or with columns. Components include 12 photographs on canvas and 10 sculptural columns, sized as follows: 1 column of 16 bags (8 bags’ height); 2 columns of 12 bags (6 bags’ height); 1 column of 10 bags (5 bags’ height), 3 columns of 8 bags (4 bags’ height), 1 column of 6 bags (3 bags’ height), and 2 columns of 4 bags (2 bags’ height). Columns are made of wooden base plate, cast-concrete ballast bricks, steel-pipe central support column, trader's plastic carry bags, adhesive acrylic stickers. 12 artists selected for NMAfA’s acquisition: Senzeni Marasela; Goddy Leye; Fode Camara; Ndary Lo; Androa Mindre; Joseph Gaylard; Emeka Okereke; Hervé Yamguen; Soly Cissé; Liyolo Puanga; Roger Botembe; Thenjiwe Nkosi.
Variable installation consisting of stacked columns of multi-colored, padded out plastic travel bags to which stickers have been adhered that depict icons of the international art world, including Damien Hirst’s diamond crusted skull and logos for museums like Tate Modern and MoMA. These can be installed in changing configurations in terms of height and number, and combined with up to twelve photographic portraits of African artists wearing sunglasses that bear logos for what they most desire in the art world (money, work on view at the Tate, etc). Photographs can be shown on their own or with columns. Components include 12 photographs on canvas and 10 sculptural columns, sized as follows: 1 column of 16 bags (8 bags’ height); 2 columns of 12 bags (6 bags’ height); 1 column of 10 bags (5 bags’ height), 3 columns of 8 bags (4 bags’ height), 1 column of 6 bags (3 bags’ height), and 2 columns of 4 bags (2 bags’ height). Columns are made of wooden base plate, cast-concrete ballast bricks, steel-pipe central support column, trader's plastic carry bags, adhesive acrylic stickers. 12 artists selected for NMAfA’s acquisition: Senzeni Marasela; Goddy Leye; Fode Camara; Ndary Lo; Androa Mindre; Joseph Gaylard; Emeka Okereke; Hervé Yamguen; Soly Cissé; Liyolo Puanga; Roger Botembe; Thenjiwe Nkosi.
Components include 12 photographs on canvas and 10 sculptural columns, sized as follows: 1 column of 16 bags (8 bags’ height); 2 columns of 12 bags (6 bags’ height); 1 column of 10 bags (5 bags’ height), 3 columns of 8 bags (4 bags’ height), 1 column of 6 bags (3 bags’ height), and 2 columns of 4 bags (2 bags’ height). Columns are made of wooden base plate, cast-concrete ballast bricks, steel-pipe central support column, trader's plastic carry bags, adhesive acrylic stickers. 12 artists selected for NMAfA’s acquisition: Senzeni Marasela; Goddy Leye; Fode Camara; Ndary Lo; Androa Mindre; Joseph Gaylard; Emeka Okereke; Hervé Yamguen; Soly Cissé; Liyolo Puanga; Roger Botembe; Thenjiwe Nkosi.
12 artists selected for NMAfA’s acquisition: Senzeni Marasela; Goddy Leye; Fode Camara; Ndary Lo; Androa Mindre; Joseph Gaylard; Emeka Okereke; Hervé Yamguen; Soly Cissé; Liyolo Puanga; Roger Botembe; Thenjiwe Nkosi.
Content Statement:
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests:
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line:
Museum purchase
Object number:
2012-3-23
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7a02f46be-9ea7-488f-a245-08052baaae79
EDAN-URL:
edanmdm:nmafa_2012-3-23