Bracelets were essential to a woman’s collection, and a simple version was often a Wolof woman’s first acquisition. Like necklaces and earrings, bracelets come in a wide variety of inventive styles, from the braided and twisted designs, which required the female client’s presence to designate the tightness of the twist, to delicate, European-inspired flowers, to Islamic-inspired half-moon bracelets.
Description:
Four bright cut gold-plated copper alloy bracelets with pierced repeating central diamond pattern flanked by swirls. The bracelets are convex and probably manufactured.
Provenance:
Marian Johnson, purchased in Dakar, Senegal, 1963-late 20th century to 2012
Exhibition History:
Good As Gold: Fashioning Senegalese Women, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 24, 2018-February 2, 2020; North Carolina Museum of Art, Raleigh, September 16, 2020-January 3, 2021
Published References:
Maples, Amanda, Ashby Johnson, Marian, and Dumouchelle, Kevin D., 2018, Good As Gold, Washington, D.C.: NMAfA, Smithsonian, p. 55, illustrated p. 57
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