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Catalog Data

Maker:
Tukulor artist  Search this
Medium:
Silk thread, floss, wire
Dimensions:
A: 3.5 x 3.4 x 1.6 cm (1 3/8 x 1 5/16 x 5/8 in.)
B: 3.5 x 3.4 x 1.6 cm (1 3/8 x 1 5/16 x 5/8 in.)
Type:
Jewelry
Geography:
Senegal
Mali
Date:
Mid-20th century
Label Text:
Earrings, particularly twisted gold hoops ubiquitous throughout western Africa since the first millenium AD, are an essential component of any Senegalese jewelry ensemble. Often paired with a matching pendant or necklace, the more ornate patterns reflect their European inspirations, incorporating delicate filigree work and crested with flowers and circlets of twisted wire design. These designs often bore French names, or French derivatives. Dangling versions, sometimes modeled after common necklace designs, are also popular and are known as "long-longs." Others are small hoops composed of coiled or twisted wire or gold meant to be attached permanently to the ear and worn in multiples. Originating in what is now Mali, these earrings are called "dibe" (or "sigi") and in addition to the tiny, permanent version, come in an impressive variety of shapes, sizes, thickness and tightness of twist. The earrings seen here are a more affordable version of the "dibe" rendered in red and gold silk thread wrapped around generic, hardware store wire. Their gold color is a particularly successful imitation of the real thing, which is also regularly seen paired with red thread for contrast and emphasis of the gold.
Description:
Hoop or crescent earrings of wire (typical hardware store metal or iron wire) wrapped in yellow silk thread and red floss. Bands of twisted yellow thread are wrapped around the bottom portion of the crescent with the red floss at the tops of the crescent. The wire would attach directly into the ears.
Provenance:
Marian Johnson, purchased in Dakar, Senegal, 1963-late 20th century to 2012
Exhibition History:
Good As Gold: Fashioning Senegalese Women, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 24, 2018-February 2, 2020; North Carolina Museum of Art, Raleigh, September 16, 2020-January 3, 2021
Published References:
Maples, Amanda, Ashby Johnson, Marian, and Dumouchelle, Kevin D., 2018, Good As Gold, Washington, D.C.: NMAfA, Smithsonian, p. 81, illustrated p. 84
Content Statement:
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests:
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Topic:
Adornment  Search this
Female use  Search this
crescent  Search this
male  Search this
Credit Line:
Gift of Dr. Marian Ashby Johnson
Object number:
2012-18-119
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys776e6e44f-0b9a-4d17-a310-85abde0d35ea
EDAN-URL:
edanmdm:nmafa_2012-18-119