2-D - Unframed (H x W): 101.6 × 63.5cm (3 ft. 4 in. × 2 ft. 1 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Physical Description:
Color photographic print advertising Unitred Airlines service to the eastern United States, including Philadelphia, Boston, and Washington, D.C. An assemblage of objects is arranged and represents the revolutionary break of the Thirteen Colonies from British control and the beginning of the United States of America. Each city is represented by an object in the image - Philadelphia by a map of its layout, Boston by a whaling ship, and Washington, D.C. by a sextant. The poster also features other elements recalling New England - autumn leaves, a Betsy Ross Flag with needles and thread, and small die cast toys of Revolutionary War soldiers, cannon, and eagle upon a wood background. "The Historic East" appears as if carved or burned into an Early American Colonial wood furnishing element. Offset Photolithograph.
Summary:
Fly Now: The National Air and Space Museum Poster Collection
Throughout their history, posters have been a significant means of mass communication, often with striking visual effect. Wendy Wick Reaves, the Smithsonian Portrait Gallery Curator of Prints and Drawings, comments that "sometimes a pictorial poster is a decorative masterpiece-something I can't walk by without a jolt of aesthetic pleasure. Another might strike me as extremely clever advertising … But collectively, these 'pictures of persuasion,' as we might call them, offer a wealth of art, history, design, and popular culture for us to understand. The poster is a familiar part of our world, and we intuitively understand its role as propaganda, promotion, announcement, or advertisement."
Reaves' observations are especially relevant for the impressive array of aviation posters in the National Air and Space Museum's 1300+ artifact collection. Quite possibly the largest publicly-held collection of its kind in the United States, the National Air and Space Museum's posters focus primarily on advertising for aviation-related products and activities. Among other areas, the collection includes 19th-century ballooning exhibition posters, early 20th-century airplane exhibition and meet posters, and twentieth-century airline advertisements.
The posters in the collection represent printing technologies that include original lithography, silkscreen, photolithography, and computer-generated imagery. The collection is significant both for its aesthetic value and because it is a unique representation of the cultural, commercial and military history of aviation. The collection represents an intense interest in flight, both public and private, during a significant period of its technological and social development.
