Cast-iron urn in the “King No. 1” pattern on pedestal. The basin has bands around the rim and center section. The surface has a cartouche blanked by floral surrounds with coquille (shell) motifs around the bottom. The base of the bulbous shank ends in a square socle (foot) raised on a plinth that sits on a pedestal with acanthus plaques flanked by columns on each side. Two crested and scrolled ornate floral handles. Proportionately, the pedestal is quite small for this large urn. This urn design is characteristic of the Renaissance Revival style. The major characteristics of the art, architecture, and decorative arts produced in nineteenth century are historicism, eclecticism, and mixing multiple styles together. Renaissance Revival style was a popular style of the Victorian era in the United States. It emerged as early as the 1840s and experienced renewed interest in 1890s. Renaissance Revival was a continuation of the Neoclassicism of the early nineteenth century and was vaguely related to actual objects from the Renaissance period. Renaissance Revival motifs included scrolling foliage called rinceaux, fruit garlands, masks, satyrs, egg-and-dart decoration, friezes, putti, armorial shields, palmettes, scrolls, grotesques, lions, water plant motifs, anthemia, oval medallions, bosses and strapwork, dolphins, Caryatid figures, and architectural elements such as columns, pilasters, pediments, and cornices.
Label Text:
The garden in the nineteenth century, typical of Victorian style, tended to be excessively ornamental and complex, combining colors, textures, and materials through plants and garden ornaments. Garden furnishings, such as urns, plant stands, tables, and seating, became essential to the overall design. In Europe in the eighteenth century, a single urn commemorating a person or even was a popular feature in picturesque or Romantic garden style. In America, urns have been a popular feature in the garden since the mid-nineteenth century. This was in part due to systems of mass production developed in the Industrial Revolution that allowed garden urns to be readily available and affordable to the public.
An urn originally referenced a funerary vessel for storing ashes; however, in the garden, an urn refers to a container usually in a classical form, which may be used to plant flowers. An urn generally indicates a large sculptural vessel with a wide mouth and a curved body on a smaller foot that stands on an independent base and may also have handles. Urns could be exclusively decorative or utilitarian, planted with shrubs, flowers, or ornamental varieties. Victorians debated whether to plant in these garden containers, but cast-iron urns were planted more than those made of stone or earthenware. Urns were often displayed in a similar fashion to sculptures, standing on a base or pedestal. They might be single, in pairs, or groups and could be admired as a single work of art or as part of a collective statement. Because urns were more affordable than statues and fountains but created the same visual impact, urns appealed to middle class and became one of the most popular garden ornaments of the nineteenth century. They were strategically placed as the focal point or an accessory to create a specific feeling for a setting. Garden urns were used on porches and verandahs, as well as throughout the garden, to extend the architecture of the house to the grounds, providing a link between art and nature, manmade and organic.
Mark(s):
Kramer Bros. Dayton, Ohio
Inscription(s):
Maker's mark: MFG BY THE KRAMER BROS. FDY. CO. DAYTON, OHIO.
