Milk glass with overpainted panel design. The shape of vase has Islamic-style influences with its elevated foot and flared rim. The exterior of white vase has been enameled with pale yellow leaving four geometric panels exposed around the body of the vase. These panels have decorative borders in gold, grey, and black around a central motif featuring scrolls, flowers, geometric interlacing designs, and tassels. This design recalls the French porcelain produced in the eighteenth century yet features other historic influences as well. The major characteristics of the art, architecture, and decorative arts produced in nineteenth century are historicism, eclecticism, and mixing multiple styles together. Rococo Revival style was the most popular style of the Victorian era in the United States. It emerged as early as the 1830s and continued to be seen into the 1900s. This style was modeled after eighteenth-century French designs, yet the revival of the style pushed elements further. Rococo Revival objects tended to be highly ornamental, with more substantial, less delicate forms, and visually dense decoration. This style is defined by its sense of movement and its delicacy, as well as curvaceousness, asymmetry, and curvilinear forms. Rococo Revival motifs included floral imagery, abundant swags of fruit and foliage, shell-like waves, ‘S’ & ‘C’ scrolls, rocaille decoration, serpentine curves, frozen water forms, volutes, acanthus leaves, and cabriole legs.
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Since ancient Egyptian times, containers for plants, flowers, herbs, and edible plants have evolved according to the needs, fashions, and technology of the time. Through the centuries, these vessels have influenced the horticultural and aesthetic role of plants, and allowed for their cultivation, transportation, and display. The Industrial Revolution in the 1800s brought mechanization and mass production techniques that allowed a variety of eclectic plant containers to be produced cheaply and efficiently. Cast-iron, china, terra cotta, and wooden plant containers were readily available in variety of styles and sizes. With a long historical tradition of designs and styles of containers to draw on in the nineteenth century, Victorians displayed their plants in a diverse collection of vases depending on the family’s income and taste.
In the 1800s, vases were made in endless varieties, both of form and material, at prices to suit almost any budget. Vases are intended to hold and support bouquets of living or dried flowers, or they might be purely decorative. It is their use and not their form that makes them a vase and not something else. Some held large quantities of flowers and plants, while others were made for only a single bud. The Victorian emphasis on the “appropriate” led to many containers designed for a specific flower or foliage, whereas other containers could hold almost any variety. Floral containers were often displayed in pairs on a shelf, table, or mantelpiece or as alone as centerpiece or accent decoration. According to many publications of the time, vase of flowers was considered one of the most beautiful adornments for the home or the church.
