Cast-iron leg component likely for a seat or table. The straight leg has a scrolling foliate foot, which rests on an inverted blossom. This design appealed to the Victorian love of botanical subjects. Naturalism, the realistic reproduction of the beauties of nature, was a popular style in the Victorian era. Though it appears as early as the 1840’s in America, naturalistic designs continued to the 1900s. This was in part due to the influence of the natural sciences, and interest in nature and gardening, which spread through the upper and middle classes in the nineteenth century. Naturalistic designs incorporated floral, foliate, fruit, vegetal, and animal forms into furnishings and decorative objects for the home and garden. Popular subjects included grapes, cornstalks, ferns, Solomon seal or laurel leaf, passion flowers, lilies of the valley, morning glories, oak leaves, acorns, vines, and roses.
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In the nineteenth century, cast iron manufactories were able to achieve a high enough temperature to produce fluid iron that was poured into intricate molds of compressed sand. Once the iron had cooled, it was removed from the mold. Rough places and sharp edges were then filed away before the piece was bolted together. It would then be painted, varnished, galvanized, or bronzed several times to prevent rust. Settees and benches were cast multiple sections, which were then assembled and bolted together. Customers had the ability to select from a broad range of different finishes, components, and design motifs. Designs followed the trends of the time with natural forms, ornamental motifs pulled from historic revival styles, and complicated shapes. Numerous combinations were possible, and pieces could be varied with the addition of a different leg, seat, arm, or back section. Ends could be attached to cast-iron backrests and seat grates, wood panels, or boards.
