Cast-iron center support section for a bench. The back and seat have spaces for wooden planks to be inserted to construct the bench. The armrest features a pierced design with C scrolls. The hand rest is in the form of an eagle’s head with open beak. The eagle was popular subject for American Empire style designs. The most popular style of the late eighteenth and early nineteenth century leading up to the Victorian era (1837-1901) was Neoclassicism. In America it has been called the American Empire style, Greek Revival, or Grecian style and was called Regency or Empire style in Europe. Neoclassicism was seen in painting, sculpture, furnishings, architecture, fashion, and even politics. This revival of classical taste was encouraged by the increased interest in classical, ancient, and antique forms inspired by recent excavations of in Italy, Greece, and Egypt. Neoclassicism pulled motifs, ornamentation, and forms from antiquity, as well as the Renaissance interpretation of the classical world. Elements of neoclassical design included fretwork, columns, palmettes, pilasters, acanthus leaves, tulips and lotus motifs, grotesque masks, processional reliefs, mythical creatures, laurel garlands, fruit swags, scrolls, tassels, fringe, passementerie, frieze decoration, lyres, and vases; as well as accurate depictions of flora, fauna, birds, and insects; and repeating patterns such as the Greek key and egg-and-dart. A characteristic of Neoclassical designs is strict symmetry of all the elements.
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In the nineteenth century, cast iron manufactories were able to achieve a high enough temperature to produce fluid iron that was poured into intricate molds of compressed sand. Once the iron had cooled, it was removed from the mold. Rough places and sharp edges were then filed away before the piece was bolted together. It would then be painted, varnished, galvanized, or bronzed several times to prevent rust. Settees and benches were cast multiple sections, which were then assembled and bolted together. Customers had the ability to select from a broad range of different finishes, components, and design motifs. Designs followed the trends of the time with natural forms, ornamental motifs pulled from historic revival styles, and complicated shapes. Numerous combinations were possible, and pieces could be varied with the addition of a different leg, seat, arm, or back section. Ends could be attached to cast-iron backrests and seat grates, wood panels, or boards.
