Cast-iron and wood bench in “Squirrel” pattern. The bench ends are composed of a pierced, floral design. In the arm rest a is a squirrel enclosed in the flowers. The bottom portion of the bench ends feature a lion's head on the front legs. The bench is composed of wooden slats with a roll back and apron, which curves in a drawn out “S” shape to create a more comfortable position for rest. Benches for public spaces were usually less ornamented than those made for private gardens and were frequently made with this type of seat. This design was first created by George Smith at the Sun Foundry in Glasgow, Scotland in 1868. Its naturalistic motifs featuring animals and flowers were common in high Victorian design. Naturalism, the realistic reproduction of the beauties of nature, was a popular style in the Victorian era. Though it appears as early as the 1840’s in America, naturalistic designs continued to the 1900s. This was in part due to the influence of the natural sciences, and interest in nature and gardening, which spread through the upper and middle classes in the nineteenth century. Naturalistic designs incorporated floral, foliate, fruit, vegetal, and animal forms into furnishings and decorative objects for the home and garden. Popular subjects included grapes, cornstalks, ferns, Solomon seal or laurel leaf, passion flowers, lilies of the valley, morning glories, oak leaves, acorns, vines, and roses.
Naturalism, the realistic reproduction of the beauties of nature, was a popular style in the Victorian era. Though it appears as early as the 1840’s in America, naturalistic designs continued to the 1900s. This was in part due to the influence of the natural sciences, and interest in nature and gardening, which spread through the upper and middle classes in the nineteenth century. Naturalistic designs incorporated floral, foliate, fruit, vegetal, and animal forms into furnishings and decorative objects for the home and garden. Popular subjects included grapes, cornstalks, ferns, Solomon seal or laurel leaf, passion flowers, lilies of the valley, morning glories, oak leaves, acorns, vines, and roses.
Label Text:
Garden furnishings, also called outdoor or patio furnishings, are specifically designed for outdoor use. They are typically made of weather-resistant materials such as metal, stone, wood, wicker, and artificial stone. Cast-iron was the most popular material for garden furnishings and accessories from the mid-nineteenth to the early-twentieth century. This was in part due to systems of mass production developed in the Industrial Revolution that allowed outdoor furniture to be readily available and affordable to the public. Throughout the nineteenth century, as leisure activities increased, materials diversified, and technology was embraced, garden furnishings came to be regarded as domestic amenities and reflected changing styles. Outdoor furnishings, such as settees, chairs, fountains, urns, and tables were essential to fashionably appointed lawns, conservatories, parks, cemeteries, and gardens in America.
The garden in the nineteenth century, typical of Victorian style, tended to be excessively ornamental and complex, combining colors, textures, and materials through plants and garden ornaments. Garden furnishings, such as urns, plant stands, tables, and seating, became essential to the overall design. As an extension of the house, the garden required furniture, and outdoor seating found its way onto balconies, verandahs, and porches as well as across lawns and parks. Benches, which are seats for several people with or without a backrest and arms, were a popular feature of the Victorian garden. Most garden benches were designed to be suitable for use with a table and were frequently sold with matching suites of chairs, settees, and tables. Designs for garden benches followed the Victorian taste for eclectic styles and borrowed Classical, Gothic, Rococo, Renaissance, and Oriental motifs; or they were chosen to blend with their natural surroundings in Rustic, animal, or botanical forms. Benches and other garden furnishings were strategically placed as the focal point or an accessory to create a specific feeling for a setting. Garden furnishings were used on porches and verandahs, as well as throughout the garden, to extend the architecture of the house to the grounds, providing a link between art and nature, manmade and organic.
