Dong Qichang 董其昌 (1555-1636), method of acquisition unknown [5]
?-by 1751
Ownership information unknown
By 1751-1911
Qing imperial collection, method of acquisition unknown [6]
?-?
Palace Museum, Peking (now Beijing), China, method of acquisition unknown from the Qing imperial collection [7]
At least 1979-1980
Yu Hsieh-chung (1898-1983), method of acquisition unknown [8]
From 1980
Freer Gallery of Art, purchased from Yu Hsieh-chung [9]
Notes:
[1] In the colophon dated 1292, the famous collector, Guo Tianxi, recounts that he acquired the rubbing in 1289 from Zhao Mengfu. See also the colophon written by Zhao Mengfu, dated 1309. In the colophon dated 1309, Zhao says that Guo kept asking for the object and to make Gou stop, Zhao finally gave it him.
Zhao Mengfu was the vice minister in the Ministry of War and is considered to be one of the greatest calligraphers of the Yuan dynasty.
[2] See note 1.
See also Guo’s collector seals on the object.
Guo Tianxi was a well-known Chinese writer, painter, and collector of calligraphy.
[3] According to Chen Conglong’s colophon, “Starting from Zi’ang [Zhao Mengfu], this rubbing has now changed hands four times until coming to Gong Benli [unidentified] of Yuzhang.” See colophon written by Chen Conglong of Changsha, dated 1357.
[4] See note 3.
[5] In the colophon written by Dong Qichang dated 1634, he says that he acquired the scroll from a Qin fellow at the entrance to the vegetable market in 1633.
Dong Qichang was a one of the greatest Ming dynasty calligrapher, painter and art connoisseur. Qichang also served as the Minister of the Board of Rites under Emperor Wanli (1563-1620; reign 1572-1620).
[6] During the Chien Lung period (1763-1795), this handscroll was in the Qing imperial collection and was included in the “Sanxitang” which presented the finest examples of calligraphy from that collection. See Liang Shizheng 梁詩正 (1697-1763) et al., comps. “Yuke Sanxitang Shiqu baoji fatie” 御刻三希 堂石渠寶笈法帖. Beijing: Imperial palace, 1751. 2:24a-33a.
See also colophon by Hongli 弘曆, the Qianlong 乾隆 emperor (1711-1799; reigned 1735-1795) dated 1751 and collector seals.
The scroll remained in the imperial collection through the end of the Qing dynasty (1644-1911). See the collector seals for Puyi 溥義, the Xuantong 宣統 emperor (1906-1967; reigned 1908-1912).
[7] According to inventories, the scroll was in the Palace Museum in Peking (now Beijing) until 1921, when it was "borrowed" together with several other works by a high official named Chu. They were returned in 1922. See curatorial remark by Thomas Lawton and Fu Shen, dated 1979, copy in object file, p. 3.
[8] See collector seal 4.
See also incoming receipt, dated August 29, 1970, copy in object file. The object was transferred from Professor H. C. Yu to the Freer Gallery of Art for acquisition consideration on August 29, 1970.
Professor Yu Hsieh-chung, also known as H.C. Yu, was a Chinese-American professor of history who had studied at Harvard University and taught history in Tianjin, China. Yu had at least two sons -- Ying-shih Yü 余英時 (1930-2021) and Paul Yu 余英華 (1941-2016). Ying-shih Yü’s mother, Chang Yun-ching, died while giving birth to him, however, he later remarried a Mrs. Yu Ya-yen. Yu also had a sister that resided in the Anhui province. In 1949 or 1950, Yu relocated to Hong Kong with his sons before moving to Ann Arbor, Michigan several years later. Both of Yu’s sons pursued career in academia. His elder son, Ying-shih Yü, became a renowned professor and scholar of Chinese history at Princeton University (1987-2001). Paul Yu was an academic administrator and served as the President of the State University of New York College at Brockport (1997-2004).
[9] See also object file for copy of H. C. Yu of Ann Arbor, Michigan, invoice to Freer Gallery of Art, dated October 23, 1980, and marked approved on October 26, 1979.
Research updated February 21, 2023
Collection:
Freer Gallery of Art Collection
Exhibition History:
Writing, Carving and Rubbing: China’s Calligraphic Arts (April 4 to October 25, 2009)
Masterpieces of Chinese Calligraphy (June 7, 1994 to March 20, 1995)
From Concept to Context: Approaches to Asian and Islamic Calligraphy (July 28, 1986 to February 6, 1987)
Chinese Calligraphy (May 9, 1980 to November 14, 1980)
