H x W (image): 92.3 × 30.9 cm (36 3/8 × 12 3/16 in)
Type:
Painting
Origin:
Japan
Date:
early 19th-late 19th century
Period:
Edo period or Meiji era
School/Tradition:
Shijo
Provenance:
To 1898
Edward S. Hull Jr., New York to 1898 [1]
From 1898 to 1919
Charles Lang Freer (1854-1919), purchased from Edward S. Hull Jr. in 1898 [2]
From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
Notes:
[1] See Reserved Kakemono List, R. 146, pg. 5, as well as Voucher No. 27, June 1898, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Edward S. Hull Jr. was Ernest Francisco Fenollosa’s (1853-1908) lawyer. Hull often acted as an agent, facilitating purchases of objects consigned to him by Fenollosa, as well as purchases of objects consigned to him by Fenollosa's
well-known associate, Bunshichi Kobayashi (see correspondence, Hull to Freer, 1898-1900, as well as invoices from E.S. Hull Jr., 1898-1900, Freer Gallery of Art and Arthur M. Sackler Gallery Archives). See also, Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pgs. 15 and 34. See further, Thomas Lawton and Linda Merrill, Freer: A Legacy of Art, (Washington, DC and New York: Freer Gallery of Art and H. N. Abrams, 1993), pgs. 133-134.
[2] See note 1.
[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
Collection:
Freer Gallery of Art Collection
Exhibition History:
Birds and Beasts in Japanese Art (January 31 to July 18, 2004)
Japanese and Chinese Lacquer (September 22, 1982 to June 30, 1983)
Japanese Lacquer (18 May 1980 to 15 June 1980)
Japanese Lacquer (April 16, 1979 to October 8, 1980)
