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Lippard, Lucy R., 1937-  Search this
Heinemann, Sue  Search this
Ashton, Dore  Search this
Chicago, Judy  Search this
Hammond, Harmony  Search this
Judd, Donald  Search this
LeWitt, Sol  Search this
Miss, Mary  Search this
Reinhardt, Ad  Search this
Ryman, Robert  Search this
Schneemann, Carolee  Search this
Sholette, Gregory  Search this
Stevens, May  Search this
Art Workers Coalition  Search this
Guerilla Art Action Group  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution  Search this
Smith College  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Sound recordings
Place of publication, production, or execution:
New Mexico
Physical Description:
4 Items memory cards (4 hr., 29 min.) 97 Pages Transcript
General Note:
Originally recorded on Edirol R-09HR on 4 secure digital memory cards. Duration is 4 hr., 29 min.
Access Note / Rights:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.<br /> Lippard discusses her childhood summers in Maine; growing up in New Orleans, La., and Charlottesville, Va.; attending the Abbot Academy and Smith College; her junior year in Paris; working in the Museum of Modern Art Library; living on Avenue D; meeting Bob Ryman and Sol Lewitt; birth of her son Ethan; Dore Ashton as a role model; involvement with various groups and political causes including the Angry Arts movement, the Art Workers' Coalition, Women Artists' Committee, Guerilla Art Action Group, Womanhouse, Political Art Documentation and Distribution (PAD/D), the Ad Hoc Women Artists Committee, and others; the development of Heresies Collective; her publications including, "From the Center: Feminist Essays on Women's Art," (1976), "On the Beaten Track: Tourism, Art and Place," (1999), "Mixed Blessings: New Art in a Multicultural America," (1990, 2000), "The Lure of the Local: Sense of Place in a Multicentered Society," (1997), and "Overlay: Contemporary Art and the Art of Prehistory," (1983) ; curating exhibitions; travels to Argentina and Mexico; moving to Galisteo, N.M.; interest in the Galisteo Basin; teaching; and other topics. She recalls Ad Reinhardt, Donald Judd, Harmony Hammond, Judy Chicago, Gregory Sholette, Carolee Schneemann, Max Koszloff, Joyce Koszloff, May Stevens, Betsy Hess, Mary Miss, and others.
Quotes and excerpts must be cited as follows: Oral history interview with Lucy Lippard, 2011 Mar. 15. Archives of American Art, Smithsonian Institution.
Additional Forms:
Transcript is available on the Archives of American Art's website.
This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.
Biography Note:
Lucy R. Lippard (1937- ) is a writer and art critic in New York, N.Y. and Galisteo, N.M.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Art critics -- New York (State) -- New York -- Interviews  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Art historians -- New Mexico -- Santa Fe -- Interviews  Search this
Curators -- Interviews  Search this
Record number:
Data Source:
Archives of American Art