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Catalog Data

Interviewee:
Noffke, Gary L., 1943-  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Subject:
Brown, William J. (William Joseph)  Search this
Coulter, Lane  Search this
DeRuiter, Garret  Search this
Dreisbach, Fritz  Search this
Ebendorf, Robert  Search this
Erbe, Gary T.  Search this
Fike, Phillip G.  Search this
Gingras, Toms  Search this
Hu, Mary Lee  Search this
Kington, L. Brent (Louis Brent)  Search this
Loloma, Charles  Search this
Merrit, Barry  Search this
Messersmith, Fred  Search this
Nettles, Dickie  Search this
Norell, Lydia  Search this
Pujol, Elliot  Search this
Streetman, Evon  Search this
Wilde, Sue  Search this
Zelmanoff, Marci  Search this
Cranbrook Academy of Art  Search this
Eastern Illinois University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Southern Illinois University (System)  Search this
Stetson University  Search this
University of Iowa  Search this
National Ring Show  Search this
Type:
Sound recordings
Interviews
Place of publication, production, or execution:
Georgia
Physical Description:
106 Pages, Transcript; 4 Items, Sound recording: 4 sound files (4 hr., 49 min.), digital, wav
General Note:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 49 min.
Summary:
An interview of Gary L. Noffke conducted 2010 December 4 and 5, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Noffke's home, in Farmington, Georgia.
Noffke speaks of growing up in Sullivan, Illinois; disliking school; the absence of formal art education before college and doing art on his own; his grandfather's farm; attending Eastern Illinois University to study painting, receiving a BS and MS in education with a major in art; what classes he took and his professors; his opinion about art programs in universities; the influence of the Vietnam draft; attending the University of Iowa and his introduction to metals; transferring to Southern Illinois University and his peers; learning techniques with metals; early metal work; working at Stetson University in Deland, Florida; working with colleagues and students and its influence on work; experimenting with different techniques; transition from graduate school to professional life; developing different methods for metal work, and motivations; how the notion of form and function has changed in design, especially regarding metal work and artists; the dynamics of working with students throughout the years; discusses in detail individual works and his approaches and anecdotes; his attraction to rings, simple hardware, and traditional, ancient forms; other teaching jobs before landing at the University of Georgia; building his house and studio; working in the Italy program at Cortona; his experiences at Cranbrook, Michigan and Summervale, Colorado; current and past exhibitions including the National Ring Shows; entering competitions; how the hand-made motif is important in his work; the connotation of labels of craft artist; his casual approach to the art market and formalities in the art world. Noffke also recalls Garret DeRuiter, Brent Kington, Elliot Pujol, May Lee Hu, Marci Zelmanoff, Dickie Nettles, Robert Ebendorf, Gary Erbe, Phil Fike, Bill Brown, Evon Streetman, Lane Coulter, Sue Wilde, Lydia Norell, Fred Messersmith, Tom Gingras, Charles Loloma, Fritz Dreisbach, Barry Merrit, and others.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gary L. Noffke, 2010 December 4-5. Archives of American Art, Smithsonian Institution.
Funding:
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Biography Note:
Gary L. Noffke (1943- ) is a goldsmith in Farmington, Georgia. Mary Douglas (1956- ) is a curator and artist in Statesville, North Carolina.
Language Note:
English .
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Metal-work  Search this
Record number:
(DSI-AAA_CollID)15921
(DSI-AAA_SIRISBib)297227
AAA_collcode_noffke10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_297227