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Catalog Data

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Serra, Richard  Search this
Levai, Pierre  Search this
Aycock, Alice  Search this
Acconci, Vito  Search this
Lipski, Donald  Search this
Warhol, Andy  Search this
Sonnier, Keith  Search this
Nauman, Bruce  Search this
Irwin, Robert  Search this
Biennale di Venezia  Search this
Olympic Games  Search this
Type:
Sound recordings
Interviews
Place of publication, production, or execution:
New York (State)
Physical Description:
49 Pages, Transcript
General Note:
Originally recorded on 4 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 31 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
Summary:
An interview of Dennis Oppenheim conducted 2009 June 23-24, by Judith Olch Richards, for the Archives of American Art, at Oppenheim's studio, in New York, N.Y. Oppenheim speaks of his work in the past 15 years; the evolution of his work and its lack of continuity; his use of writing as a catalyst for constructing works and the importance of language in conceptual art; the role of the audience and the effects of positive reaction to one's work; the risks involved in moving away from successful work to find another avenue; experimentation and the ability to exhibit failures; the emotionality and detached qualities of Abstract Expressionism during the 1950s; the experimental side of studio art in comparison to public art; the seniority felt by fine artists over the applied arts, such as architecture, during the 1950s and 1960s; listening to the public opinion, including those that do not come from the art world; the theoretical progression of works such as, "Jump and Twist," [1999], and "Device to Root Out Evil," [1997]; how to react to controversial work; his lack of representation by galleries and dealers; his staff of assistants and his more theoretical role in the operation; his lack of fellowship with other artists and his dislike of collaboration; the Venice Biennale in 1997; the Olymics in Beijing in 2008; his current work and on-going commissions. Oppenheim also recalls Andy Warhol, Pierre Levai, Vito Acconci, Bruce Nauman, Robert Irwin, Richard Serra, Alice Aycock, Keith Sonnier, and Donald Lipski.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dennis Oppenheim, 2009 June 23-24. Archives of American Art, Smithsonian Institution.
Funding:
Funding for this interview provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Dennis Oppenheim (1938- ) is a conceptual artist and sculptor in New York, N.Y. Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y. Oppenheim was educated at California College of Arts and Crafts and Stanford University.
Language Note:
English .
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)15693
(DSI-AAA_SIRISBib)283437
AAA_collcode_oppenh09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283437