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Catalog Data

Anderson, Edgar, 1922-  Search this
Gold, Donna, 1953-  Search this
Anderson, Joyce, 1925-  Search this
Campbell, David Robert  Search this
Cooke, Edward S.  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Larsen, Jack Lenor  Search this
Malarcher, Patricia  Search this
Maloof, Sam  Search this
McPhee, John  Search this
Meier, Richard  Search this
Milan, Emil  Search this
Smith, Paul J.  Search this
Stocksdale, Bob  Search this
Takaezu, Toshiko  Search this
Tibbs, Thomas S.  Search this
Webb, Aileen O.  Search this
Wegner, Hans J.  Search this
Wirkkala, Tapio  Search this
Wyman, William  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
American Craft Council  Search this
Chilton Professional Automotive (Firm)  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
United States. Agency for International Development  Search this
Sound recordings
World Trade Center Site (New York, N.Y.)
Honduras -- description and travel
Place of publication, production, or execution:
New Jersey
Physical Description:
143 Pages, Transcript; 34 Items, Sound recording: 34 sound files (5 hr., 56 min.), digital, wav
General Note:
Originally recorded 5 sound discs. Reformatted in 2010 as 34 digital wav files. Duration is 5 hr., 56 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
An interview of Edgar and Joyce Anderson conducted 2002 September 17-19, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Morristown, New Jersey.
The interview begins in the home of their frequent patrons, Sandra and Lou Grotta, in Harding Township, New Jersey. The Grottas are not present. They discuss several of their pieces in situ, including tables, beds, a piano bench, the grandfather clock (carved in the shape of Edgar's arm wearing a wristwatch), and the Knight table. Many of these pieces are discussed in detail in terms of their design and construction. They also allude briefly to other pieces in the Grotta's collection by Toshiko Takaezu, Hans Wegner, Bill Wyman, Sam Maloof, and Bob Stocksdale. The Grotta's house, designed by architect Richard Meier, is also discussed. Edgar recalls that Meier designed the house to accommodate the collection. They also talk about the Grotta's participation in the American Craft Council, and the relationship among collectors. The interview continues at the artists' home Harding Township, New Jersey. They discuss several projects for other clients, and they reflect on the relationships that developed. These include: a gaming table for Doug Dayton of Monteath Lumber Company, a jewelry chest for Thelma Newman, collaboration with Newman on a book for Chilton Publishing Company (not published), and a figural chest for Mako Stewart, which is still in the artists' private collection. They reflect on their private and professional partnership and the balance of skills they shared. They recall that their early success was bolstered by a New York Times article by Betty Pepis. This publicity led to new clients, such as Reverend John Mason of the Episcopal Chapel at the University of Maine, who is discussed in detail along with his wife Elizabeth Mason. They explain their expertise in humidity and wood shrinkage, including their work as consultants for the Museum of Contemporary Crafts, before it became the American Craft Museum. There is lengthy discussion of the Andersons' own house, which they designed and built themselves over a period of years. Frank Lloyd Wright was an influence. They discuss other church commissions in general, speaking of the influence of their spirituality. St. Luke's Episcopal Church, Haworth, New Jersey, is discussed in some detail. Edgar briefly talks about a local World Trade Center memorial which he has been working on. They recall the importance of the support of the American Craft Museum, Aileen Osborne (Vanderbilt) Webb, and David Campbell. They discuss in depth their time in Honduras, under the sponsorship of the USAID program, teaching craft techniques to local inhabitants. Joyce describes this as a Kennedy era demonstration program. Other participants in the Honduras program included Dave Chapman, Roy Ginstrom, Bill Wyman, and Emil Milan. They also recall participating in a similar program in Antigua. They also recall Herb and Marje Noyes, Ruth Martin, Patricia Malarcher, John Geraci, Mike Langan, Bob and Rowena MacPhail, Sterling North, Zelda Strecker, Paul Smith, Tom Tibbs, Walker Weed, Lois Moran, Toshiko Takaezu, Tapio Wirkkala, Jack Lenor Larsen, Edward Cooke, Michael Stone, John McPhee, and Dot Blanchard.
Quotes and excerpts must be cited as follows: Oral history interview with Edgar and Joyce Anderson, 2002 September 17-19. Archives of American Art, Smithsonian Institution.
Additional Forms:
Transcript available online.
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Edgar Anderson (1922- ) and Joyce Anderson (1923- ) are woodworkers from Morristown, New Jersey.
Language Note:
English .
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Woodworkers -- New Jersey -- Interviews.  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Craft  Search this
Record number:
Data Source:
Archives of American Art