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Coburn, Ralph, 1923-  Search this
Coburn, Ralph, 1923-  Search this
Brown, Robert F  Search this
Kelly, Ellsworth  Search this
Nelson, Carl Gustaf  Search this
Netsch, Walter  Search this
Plaut, James S. (James Sachs)  Search this
Polonsky, Arthur  Search this
Saltonstall, Nathaniel  Search this
Swetzoff, Hyman Wulf  Search this
Wilson, John  Search this
Zerbe, Karl  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Massachusetts Institute of Technology  Search this
Sound recordings
Place of publication, production, or execution:
Physical Description:
48 Pages, Transcript
General Note:
Originally recorded on 2 sound cassettes as 4 digital wav files. Duration is 2 hr., 36 min.
An interview of Ralph Coburn conducted 1995 May 25 and 1995 June 23, by Robert F. Brown, for the Archives of American Art, in Coburn's home, Gloucester, Massachusetts.<br /> Coburn talks about his parents and his childhood in Miami Beach, Florida; his early schooling; and entering Massachusetts Institute of Technology, in 1941, in its 5-year architecture program. He recalls Walter Netsch, a classmate at MIT, who later became a partner at Skidmore, Owings & Merrill, who introduced Coburn to modern design and to avant-garde music. He also recalls the painter and head of painting at the Museum of Fine Arts School, Karl Zerbe, his teacher in the course of his work for advanced MIT architecture students. He talks about his return to Florida as a draftsman for an aircraft equipment company in Miami, outfitting planes for the African campaign, and his foreman, a son of Al Capone; then returning to Massachusetts to work with an electrical company making secret military components.<br /> Coburn discusses returning to and dropping out of MIT; working at the Institute of Modern Art in Boston through Hyman Swetzoff; following Swetzoff to the Boris Mirski Gallery; studying at Mirski's art school with Esther Geller and John Wilson and friends made at the school, including Ellsworth Kelly, Arthur Polonsky, and Reed Kaye. He recalls Carl Nelson, one of his teachers. He talks about the change in atmosphere at the Institute with the replacement of Thomas Metcalf by James Plaut and Nathaniel Saltonstall who changed the Institute's name to Institute of Contemporary Art and the protest surrounding the name change.
Quotes and excerpts must be cited as follows: Oral history interview with Ralph Coburn, 1995 May 25-June 23. Archives of American Art, Smithsonian Institution.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Ralph Coburn (1923- ) is an architect, painter, and designer currently living in Gloucester, Massahusetts.
Language Note:
English .
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Architecture -- Study and teaching  Search this
Designers -- Massachusetts -- Gloucester -- Interviews  Search this
Painters -- Massachusetts -- Gloucester -- Interviews  Search this
Architecture & Design  Search this
Record number:
Architecture & Design
Data Source:
Archives of American Art