Skip to main content Smithsonian Institution

Additional Online Media

Catalog Data

Adams, Clinton, 1918-2002  Search this
Adams, Clinton, 1918-2002  Search this
Cummings, Paul, 1933-1997  Search this
Adams, Kenneth M.  Search this
Antreasian, Garo Z.  Search this
Berman, Eugene  Search this
Charlow, Jean  Search this
Funk, Joseph  Search this
Grosman, Tatyana  Search this
Hollander, Irwin  Search this
Horak, Bohuslav  Search this
Kistler, Lynton R.  Search this
Macdonald-Wright, Stanton  Search this
Ray, Man  Search this
Sommers, John  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas  Search this
Wayne, June  Search this
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Sound recordings
Place of publication, production, or execution:
New Mexico
Physical Description:
49 Pages, Transcription
General Note:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 57 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
An interview of Clinton Adams conducted 1974 March 29, by Paul Cummings, for the Archives of American Art.<br /> Adams speaks of how he got involved with the Tamarind Lithography Workshop; how and why Tamarind came about; the lack of artists doing lithographs; the need for the artist to collaborate with the printmaker in order to make a good print; writing a book about the workshop; how in order to interest American Artists into making lithographs, there needs to be a market for it; how it was difficult collecting works of art for the University of New Mexico (UNM); the current art scene in Albuquerque; the arts programs at UNM; moving the workshop to UNM in order to make Tamarind a permanent institute and get more funding; and how more women are becoming printers. He recalls June Wayne, Lynton R. Kistler, Man Ray, Jean Charlow, Eugene Berman, Stanton Macdonald-Wright, Garo Antreasian, Joe Funk, Romas Viesulas, Tatyana Grosman, Irwin Hollander, Ken Tyler, Julie Duristo, Bohuslav Horak, Kenneth Adams, John Sommers, and many others.
Quotes and excerpts must be cited as follows: Oral history interview with Clinton Adams, 1974 March 29. Archives of American Art, Smithsonian Institution.
Funding for the transcription of this interview provided by the Smithsonian Institution's Women's Committee.
Biography Note:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator from Albuquerque, New Mexico.
Language Note:
English .
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Record number:
Data Source:
Archives of American Art