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Catalog Data

Cottingham, Robert, 1935-  Search this
Brown, Robert F  Search this
Close, Chuck  Search this
Close, Leslie  Search this
Irwin, Robert  Search this
Rawlings, John  Search this
Woelffer, Emerson  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Molly Barnes Gallery  Search this
United States. Army  Search this
Young & Rubicam Incorporated  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Sound recordings
Times Square (New York, N.Y.)
Place of publication, production, or execution:
Physical Description:
2 Sound cassettes, Sound recording (2 hr.; 8 min.), analog; 61 Pages, Transcript
General Note:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 8 min. Tape 2 (Side A) also contains last part of 4/7/98 interview with Harold Tovish.
An interview of Robert Cottingham conducted 1998 July 27, by Robert F. Brown, for the Archives of American Art, in Cottingham's studio, Newtown, Connecticut.
Cottingham speaks of being raised in Brooklyn; drawing from an early age; the New York World's Fair, 1939-1940, and the tremendous impact it had on him, as did buildings, signs, and great bustle of Times Square; lasting impact of Edward Hopper's "Sunday Morning," which he saw at the Whitney Museum; his love of using a T-square and triangle in industrial design courses at Brooklyn Technical High School and the influence on his work; working in a Manhattan advertising agency for 2 1/2 years; army service in Orleans, France as a mapmaker; working as an art director at Young and Rubicam advertising agency in Manhattan (1959-1964) which exposed him to great variety of print and graphic media; work in Young and Rubicam's Los Angeles office; first painting in NYC in 1963; painting steadily in L.A. which led to first shows (1968-1970) at Molly Barnes Gallery; use of photographs and sketches to produce paintings; avoidance of narrative, just suggestions of places, and incorporation of advertising signs beginning in the mid-1960s; living entirely on his paintings by 1970; breakthrough in 1969 to greater use of color, bolder design, and 3-D illusion; adoption of square format and depiction of fragmentary glimpses of things which led to leap of quality; and sticking with this mode ever since. Cottingham also recalls John Rawlings, Emerson Woelffer, Robert Irwin, Chuck and Leslie Close, and others.
Quotes and excerpts must be cited as follows: Oral history interview with Robert Cottingham, 1998 July 27. Archives of American Art, Smithsonian Institution.
Additional Forms:
Transcript is available on the Archives of American Art's website.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Robert Cottingham (1935- ) is a painter and printmaker from Newtown, Connecticut.
Language Note:
English .
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Printmakers -- Interviews  Search this
Record number:
Data Source:
Archives of American Art