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Catalog Data

Hurtado, Luchita, 1920-2020  Search this
Winter, Amy H. (Amy Harriet), 1948-  Search this
Karlstrom, Paul J  Search this
Bloch, Lucienne  Search this
D'Harnoncourt, Rene  Search this
Kozloff, Joyce  Search this
Moholy-Nagy, Sibyl  Search this
Mullican, Lee  Search this
Mullican, Matt  Search this
Noguchi, Isamu  Search this
Paalen, Wolfgang  Search this
Varda, Jean  Search this
Wescher, Mary  Search this
Wescher, Paul  Search this
Place of publication, production, or execution:
Physical Description:
4 Sound cassettes, Sound recording (4 hrs., 15 min.), analog; 120 Pages, Transcript
Access Note / Rights:
Transcript available on the Archives of American Art website.
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Quotes and excerpts must be cited as follows: Oral history interview with Luchita Hurtado, 1994 May 1-1995 Apr. 13. Archives of American Art, Smithsonian Institution.
The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Biography Note:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Language Note:
English .
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Surrealism  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Latino and Latin American  Search this
Women  Search this
Record number:
Latino and Latin American
Data Source:
Archives of American Art