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Catalog Data

Saltonstall, Elizabeth, 1900-1990  Search this
Brown, Robert F  Search this
Benson, Frank Weston  Search this
Bosley, Frederick A.  Search this
Chase, Frank Swift  Search this
Clark, Henry Hunt  Search this
Cross, Anson K.  Search this
Hale, Philip Leslie  Search this
James, Alexander  Search this
Miller, George Charles  Search this
Presser, Josef  Search this
Saltonstall, Nathaniel  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow  Search this
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
Windsor School (Boston, Mass.)  Search this
Sound recordings
Place of publication, production, or execution:
United States
Physical Description:
34 Pages Transcript
General Note:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.<br /> Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Quotes and excerpts must be cited as follows: Oral history interview with Elizabeth Saltonstall, 1981 November 18. Archives of American Art, Smithsonian Institution.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Art teachers -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Women artists -- Massachusetts -- Interviews  Search this
Record number:
Data Source:
Archives of American Art