Originally recorded 3 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 5 hr., 24 min.
An interview of Elmer Bischoff conducted 1977 August 10-September 1, by Paul J. Karlstrom, for the Archives of American Art.<br /> Bischoff speaks of his family background; the influence of art teachers and attitudes at the University of California, Berkeley in the 1930s; his years of teaching at the California School of Fine Arts (San Francisco Art Institute), first under the directorship of Douglas MacAgy and then under Ernst Mundt and Gurdon Woods; his fellow faculty members Clyfford Still, David Park, Clay Spohn and Hassel Smith, and their work in abstract expressionism. He recalls some of his most successful students, including Joan Brown, Manuel Neri, and William T. Wiley.<br /> Bischoff explains his turning away from abstract expressionism toward figurative painting, and cites the influence of David Park. He credits George Staempfli as the first New York art dealer to be interested in Bay Area figurative painting. He discusses the origins of the Bay Area funk movement. He speaks of teaching at the University of California, Berkeley, and reflects on the differences between teaching in a university environment and an art school. He discusses his move away from the figure to large scale abstraction.
Quotes and excerpts must be cited as follows: Oral history interview with Elmer Bischoff, 1977 August 10-September 1. Archives of American Art, Smithsonian Institution.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Elmer Bischoff (1916-1991) was a painter and educator from San Francisco, California.
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001