Exposition universelle et internationale (1958 : Brussels, Belgium) Search this
Type:
Drawings
Collages
Sketchbooks
Interviews
Transcripts
Sketches
Motion pictures (visual works)
Blueprints
Photographs
Place of publication, production, or execution:
United States
Physical Description:
5.6 Linear feet
Arrangement:
The collection is arranged as 7 series: Series 1: Biographical Material, 1942-1984 (Box 1; 11 folders) Series 2: Letters, 1938-1988 (Box 1; 29 folders) Series 3: Personal Business Records, 1947-1984 (Box 1; 11 folders) Series 4: Commission Files, 1955-1977 (Box 1-2, 6-7, OVs 10-11, FC 13; 1.1 linear feet) Series 5: Art Work, 1960-1984 (Box 2, 6, OV 8; 0.9 linear feet) Series 6: Printed Material, 1931-1991 (Box 2-4, 6; 1.5 linear feet) Series 7: Photographs, 1930-1985 (Box 4-7, OV 9-OV 10, 12; 1.7 linear feet)
Access Note / Rights:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Summary:
The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.
Citation:
José de Rivera papers, 1930-1991. Archives of American Art, Smithsonian Institution.
Additional Forms:
Material lent for microfilming is available on 35mm microfilm reel N70-32 at the Archives of American Art offices and through interlibrary loan.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-32) including biographical material, correspondence, writings, drawings, printed material, and photographs. Loaned material was returned to the lender and are not described in the collection container inventory.
Biography Note:
José de Rivera (1904-1985) worked primarily in New York as an abstract expressionist sculptor known for twisting steel or bronze bands into space-defining three-dimensional shapes.
José A. Ruiz was born on September 18, 1904 in West Baton Rouge, Louisiana, the son of Joseph and Honorine Montamat Ruiz. He would later take the surname of his maternal grandmother, de Rivera. Early in his life his family moved to New Orleans where his father was a sugar mill engineer on a plantation. De Rivera became adept at repairing machinery and doing blacksmith work with his father. Shortly after completing high school in 1922, de Rivera moved to Chicago where he was employed in foundries and machine shops as a pipe fitter and tool and die maker. His 1926 marriage to Rose Covelli ended in divorce.
Beginning in 1928 de Rivera attended night drawing classes conducted at the Studio School by painter John W. Norton. De Rivera was impressed by the Egyptian collections at the Field Museum. The work of Mondrian, Brancusi, and Georges Vantongerloo also exerted a strong influence on him. In 1932, he traveled through southern Europe and North Africa visiting Spain, Italy, France, Greece, and Egypt. Upon his return to the United States he decided to become a sculptor.
From 1937-1938, de Rivera was employed by the Works Progress Administration-Federal Art Project and created the sculpture Flight for the Newark, New Jersey airport. During World War II, he first served in the U.S. Army Corps from 1942 to 1943. For the following three years, he designed and constructed ship models used as training aids in the U. S. Navy.
De Rivera's first solo exhibition was in 1946 in New York at the Mortimer Levitt Gallery. In 1953, de Rivera taught sculpture at Brooklyn College. For the following three years, he was a critic in sculpture at Yale University and taught at the School of Design at North Carolina State College from 1957 to 1960. De Rivera married Lita Jeronimo in 1955.
In 1961 de Rivera was given a retrospective exhibition at the Whitney Museum of American Art. One of his most notable works Infinity was commissioned by the Smithsonian Institution for the front of its newly built Museum of History and Technology in 1963.
José de Rivera died on March 19, 1985 in New York City.
Language Note:
English .
Provenance:
In 1970, José de Rivera loaned the Archives of Amrican Art material for microfilming. The artist and the Grace Borgenicht Gallery donated additional papers in 1982 and De Rivera's son, Joseph A. Ruiz II, gave more material in 1998.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
