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Arnold Geissbuhler papers, 1915-1977

Catalog Data

Geissbuhler, Arnold, 1897-1993  Search this
Bourdelle, Emile Antoine  Search this
Geissbuhler, Elisabeth Chase  Search this
Giacometti, Alberto  Search this
Giacometti, Giovanni  Search this
Grafly, Charles  Search this
Richier, Germaine  Search this
Forbes, Edward Waldo  Search this
Goodyear, A. Conger (Anson Conger)  Search this
Bänninger, Otto Charles  Search this
Breeskin, Adelyn Dohme  Search this
Browne, Margaret Fitzhugh  Search this
Place of publication, production, or execution:
Physical Description:
0.3 Linear feet, (partially microfilmed on 6 reels)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.
Reels 1267-1268: Many letters (1920-1971), written by Geissbuhler to his wife Elisabeth Chase Geissbuhler, are illustrated. Other correspondents include Adelyn Breeskin, Margaret Browne, Edward W. Forbes, and A. Conger Goodyear. Art works consist of 26 sketchbooks (1915-1962), annotated in French and English, and over 600 figure studies (1922-1970). Printed material includes a Sculptors' Guild brochure, art course announcements (1958), and clippings (1924-1971). Other materials consist of 2 autobiographical accounts, an award from the Cambridge Centennial Exhibition (1946), an address book and calling cards.
Reel 1271: Printed material includes reproductions of Geissbuhler's work, an advertisement for the Academie Julian (1919), an exhibition announcement (1921), and a clipping (1925). Photographs (1919-1922) and a photograph album (1921-1929) contain images of Geissbuhler in his studio, his works, his family, and friends including Otto Banninger, Antoine Bourdelle, Alberto Giacometti, his father Giovanni Giacometti, and Germaine Richier. Sixteen photographs show art classes, primarily Bourdelle's classes (1919-1922), and Charles Graffley's studio (1921). Other materials consist of biographical notes, an award certificate and 4 sketches (1918).
Reel 1331: Correspondence consists of letters received from Antoine and Rhoda Bourdelle (1921-1977) and general correspondence concerning art business matters (1927-1971). A diary in 8 volumes (1921-1922) contains some illustrated entries. Printed material (1934-1971) consists of 40 exhibition catalogs, 8 clippings, and a school brochure. Four loose sketches are undated. Seven subject files concerning Geissbuhler's sculpture projects contain letters, business records, notes, and clippings.
Reel 1813: Photographs of Geissbuhler's work and one of his house, ca. 1924-1933.
Unfilmed: Letters (1937-1941) concern Geissbuhler's work for the WPA, Treasury Department, and the Federal Works Agency, primarily the Medford project and the Foxboro, Massachusetts, post office project. Other material consists of 3 forms, 2 exhibition catalogs, a press release concerning government projects, 2 rolled charcoal drawings and 2 photographs of the sculptural relief "Straw Cutting and Weaving" from the Foxboro, Massachusetts post office project, and notes.
Arnold Geissbuhler papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Additional Forms:
35mm microfilm reels 1267-1268, 1271, 1331, and 1813 available for use at Archives of American Art offices and through interlibrary loan.
Location of Originals:
Reels 1267-1268, 1271, 1331, and 1813: Originals returned to the lender, Arnold Geissbuhler, after microfilming.
Biography Note:
Sculptor; Dennis, Mass. Born in Delemont, Switzerland. In 1914, Geissbuhler traveled to Zurich to become a sculptor's apprentice in the studio of Otto Munch. He attended the Kunst Gewerbe School and worked as Munch's assistant until 1919. In that year, Geissbuhler went to Paris to study with Antoine Bourdelle at the Academie Julian. He maintained a studio in Paris until 1927, when he travelled to the United States and married Elisabeth Chase, a Boston sculptor whom he met in Bourdelle's class. They moved to New England in 1933, and in 1937 he became an art instructor at Wellesley College.
Language Note:
Seventy-five percent of the material is in French.
Material on reels 1267-1268, 1271, 1331 and 1813 lent for microfilming 1977-1978; unmicrofilmed material donated 1984 all by Arnold Geissbuhler.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Expatriate artists -- Massachusetts  Search this
Federal aid to the arts -- Massachusetts  Search this
Sculpture, Modern -- 20th century  Search this
Diaries  Search this
Sketches & Sketchbooks  Search this
New Deal  Search this
Lives of artists  Search this
Record number:
Sketches & Sketchbooks
New Deal
Lives of artists
Data Source:
Archives of American Art