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Catalog Data

Beach, Chester, 1881-1956  Search this
Winter, Ezra  Search this
Olmsted, Frederick Law  Search this
MacMonnies, Frederick William  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Piexotto, Jessica B.  Search this
Couper, William  Search this
Käsebier, Gertrude  Search this
Carrington, Fitz Roy  Search this
Blumenschein, Ernest Leonard  Search this
Greacen, Edmund W.  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester  Search this
Kuhn, Brenda  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul  Search this
Hancock, Walker Kirtland  Search this
Mora, F. Luis (Francis Luis)  Search this
Leibig, Bonnie  Search this
Nelson, Laurence  Search this
Nisbet, Robert H.  Search this
Kuhn, Walt  Search this
Salmagundi Club  Search this
American Academy in Rome  Search this
National Academy of Design (U.S.)  Search this
Frontier Art Colony  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Salon d'automne  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Mark Hopkins Institute of Art  Search this
National Sculpture Society (U.S.)  Search this
Christmas cards
Place of publication, production, or execution:
United States
Physical Description:
7.32 Linear feet
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers. Series 1: Biographical Material, 1910-1947 (4 folders; Box 1) Series 2: Project Files, 1846-1999 (1.6 linear feet; Boxes 1-2, 11, OV 12-13) Series 3: Business Records, circa 1900-1958 (0.4 linear feet; Boxes 2-3) Series 4: Writings, 1913-1935 (2 folders; Box 3) Series 5: Correspondence, 1875, 1933-1996 (0.5 linear feet; Box 3) Series 6: Christmas Cards, 1909-1961 (0.7 linear feet; Boxes 3-4) Series 7: Artwork, circa 1900-1955 (0.3 linear feet; Boxes 4, 11) Series 8: Scrapbooks, 1903-1972 (0.3 linear feet; Box 10) Series 9: Printed Material, 1910-1997 (0.4 linear feet; Box 4) Series 10: Photographs, circa 1885-circa 1960s (3.1 linear feet; Boxes 4-9, 11, 14)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and closed to researchers.
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.<br /> Biographical material consists of biographical notes, identification cards, and a membership certificate.<br /> Project files contain correspondence, financial records, notes, drawings and plans, research materials, printed matter, and photographs that document commissions for sculpture, medals and coins, monuments, and Beach's own projects. Among the most thoroughly documented projects are a fountain sculpture for the grounds of the Cleveland Museum of Art (<em>Sun</em>, <em>Earth</em>, <em>Fountain of the Waters</em>, and <em>Zodiac</em>) and the <em>Edward W. Bok Memorial</em> in Mountain Lake, Florida; both commissions were executed in conjunction with the firm of Frederick Law Olmsted.<br /> Business records include Chester Beach's general business correspondence and correspondence concerning consignments. An address book records names, addresses, and occasionally indicates prices of services and supplies used by the sculptor. Other record books detail expenses and income of the studio building Beach owned, with a list of the effects of the former owner, sculptor William Couper; bronzes cast; sales, with titles, prices, and buyers; names and addresses of clients, dealers, and suppliers; and instructions for cleaning and bronzing plaster.<br /> Family correspondence consists mainly of letters, many mentioning Chester Beach, and addressed to Mrs. Chester Beach and daughter Eleanor Beach Fitchen. Estate correspondence and related documents concern efforts to exhibit, sell, and research Beach's remaining work. These records, for the most part, were created by Mrs. Fitchen who acted as sales agent, ran the Chester Beach Memorial Studio, and maintained the Beach archive. Of particular interest is a series of letters from Brenda Kuhn that relate what she learned from handling the estate of her father, Walt Kuhn; in addition, she offered ideas and advice about exhibitions, the Memorial Studio, and the Beach Centennial.<br /> Beach designed his family's annual Christmas cards, most of which incorporate images of their three daughters. A complete set, preserved in an album, includes a few later cards that reproduce artwork by his widow. Many of the cards received - some with original artwork - are from artist friends, among them: Ernest Blumenschein, Edward W. Greacen, Hazel Brill Jackson, Paul Jennewein, Bonnie Leibig, F. Luis Mora, Robert Nisbet, and Ezra Winter. Also of note are a card from Walker Hancock bearing a photograph of his studio; a painting of Beach's <em>Sylvan</em> at Brookgreen Gardens, reproduced on Anna Hyatt Huntington's card; and a card from Beach patron Mary Jester Allen containing a brief note about the Frontier Art Colony she had established near Cody, Wyoming.<br /> Among the drawings and sketches by Chester Beach are student work, designs for some of his Christmas cards, and a sketchbook containing drawings of sculpture. Work by other artists consists of prints, including one by Ezra Winter.<br /> Three scrapbooks, largely comprised of newspaper clippings and other printed material, contain a variety of other items, including: letters from the American Academy in Rome, Architectural League of New York, Ecole des Beaux Arts, Daniel Chester French, Hazel Brill Jackson, Frederick MacMonnies, National Academy of Design, National Sculpture Society, Jessica B. Piexotto, and Salon d'Autome. There are also awards and certificates from the National Academy of Design, Panama-Pacific International Exposition; bookplates and a place card Beach etched for Mr. and Mrs. George Davison; and an unfinished poem by FitzRoy Carrington. Photographs within the scrapbooks are of a night school class Beach attended at the Mark Hopkins Art Institute in San Francisco, Beach at work in his studio, and a portrait of him painted by G. Laurance Nelson.<br /> Printed material includes Panama-Pacific International Exposition guide books, brochures about the Chester Beach Memorial Studio in Brewster, New York, and catalogs for solo and group exhibitions.<br /> Photographs and glass plate negatives of artwork are mainly of Chester Beach's sculpture and include views of work in progress. Also found are photographs of drawings and sculpture from his student years in California and Paris. Pictures of work by other artists are portraits of Chester Beach painted by G. Laurance Nelson and by his daughter, Natalie Beach McLaury. Among the photographs of Chester Beach are several by Gertrude Kasebier, circa 1910. Other pictures show Beach in his studio, Beach with family and friends, and a "Dinner tendered to Edmund W. Greacen by Samuel T. Shaw, Salmagundi Club, March 2, 1922." Places documented are Beach's boyhood home in San Francisco, the interiors of his studios, and Brookgreen Gardens. Miscellaneous subjects are nude models.
Chester Beach papers, 1846-1999, bulk bulk 1895-1999. Archives of American Art, Smithsonian Institution.
Additional Forms:
The bulk of the collection was digitized in 2017 and is available on the Archives of American Art's website. Materials which have not been scanned include blank pages, blank versos of photographs, and duplicates. In some cases, exhibition catalogs and other publications have had their covers, title pages, and relevant pages scanned.
Materials lent for microfilming are available on 35mm microfilm reels N727-N729 and N68-11 at the Archives of American Art offices and through interlibrary loan.
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Use Note:
The Chester Beach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Related Materials:
Also in the Archives of American Art is microfilm of papers lent for microfilming (reels N727-N729 and N68-11) including passports, genealogical materials, photograph albums, travel sketches, travel diaries of Mrs. Beach, and business and family correspondence. While the obituary letters on reel N68-11 are referenced in a scrapbook in Series 8, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Biography Note:
Sculptor Chester Beach (1881-1956) was known for portrait busts, allegorical and mythological figures, coins and medallic art in the Beaux-Arts tradition. He lived and worked in New York City and Brewster, New York.
Language Note:
Chester Beach's daughter, Eleanor Beach Fitchen, lent materials for microfilming in 1967 and 1967. Subsequent papers were donated in 2009 by the estate of Eleanor Beach Fitchen, through her grandson and executor, John Fitchen.
Digitization Note:
This site provides access to the papers of Chester Beach in the Archives of American Art that were digitized in 2017, and total 6,572 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculptors -- New York (State) -- New York  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Record number:
Lives of American Artists
Data Source:
Archives of American Art