Due to the small size of this collection the papers are arranged as one series.
Access Note / Rights:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Summary:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Citation:
Jan Matulka papers, circa 1920. Archives of American Art, Smithsonian Institution.
Additional Forms:
The collection was digitized in 2023 and is available on the Archives of American Art website.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
The Archives of American Art also holds microfilm of material that was part of Matulka's donation including clippings, exhibition notices, and miscellany. This material was microfilmed on Reel D251 and was transferred to the Smithsonian American Art Museum for the museum's vertical files and is not described in the collection container inventory.
Biography Note:
Czech-born painter, printmaker, and educator Jan Matulka (1890-1972) was one of the pioneers of American modernist painting during the 1920s and 1930s.
Matulka emigrated to the United States from Bohemia in 1907 and studied at the National Academy of Design from 1911-1916. He subsequently taught at the Art Students League and passed on his understanding of avant garde developments in progressive painting to a generation of important artists including Francis Criss, Dorothy Dehner, Burgoyne Diller, I. Rice Pereira, and David Smith.
Language Note:
English .
Provenance:
The collection was donated by Jan Matulka in 1966.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
