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McCausland, Elizabeth, 1899-1965  Search this
Stieglitz, Alfred  Search this
Morgan, Barbara Brooks  Search this
Weston, Edward  Search this
Dove, Arthur Garfield  Search this
Lawrence, Jacob  Search this
Henri, Robert  Search this
Hartley, Marsden  Search this
Hawthorne, Charles Webster  Search this
Hine, Lewis Wickes  Search this
Henry, Edward Lamson  Search this
Kleinholz, Frank  Search this
Weegee  Search this
Abbott, Berenice  Search this
Inness, George  Search this
Maurer, Alfred Henry  Search this
American Art Research Council  Search this
Federal Art Project (U.S.)  Search this
United States.Farm Security Administration  Search this
Barnard College  Search this
Place of publication, production, or execution:
Physical Description:
45.0 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45.0 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the "Changing New York" book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.<br /> McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for "The Springfield Republican" in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.<br /> The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the "Changing New York" book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book, "Careers in Art" (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.<br /> Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.<br /> Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to "The Springfield Republican," from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, "Changing New York"), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.<br /> Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects "Art in America," "Conversations with March," and "Frank Kleinholz"; and printed materials, including reprints of critical essays and articles by McCausland.
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Additional Forms:
The bulk of this collection was digitized in 2008 and 2015 and is available on the Archives of American Art's website.
Materials generally not scanned include some news clippings and publications that were either too fragile or not relevant, although some publications that appeared to be of interest to her were scanned. Other items that typically were not scanned include McCausland's student records, auction catalogs, proofs and multiple drafts of published articles, copy prints and negatives of photographs made by the Archives, photographs of works of art (except for those in the catalogue raisonne files of the Marsden Hartley series), duplicate material, and any published material that is widely available elsewhere. In some cases, only the cover and title pages for publications were scanned.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Related Materials:
Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.
Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.
Biography Note:
Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas, in 1899. Taught at Barnard College, New School for Social Research, and Sarah Lawrence College; art critic for Springfield Sunday Union and Republican, late 1920s; author of text for Berenice Abbott's "Changing New York" (1939), "The Life and Work of Edward Lamson Henry, N.A., 1841-1919" (1945), "A. H. Maurer" (1951), "George Inness, An American Landscape Painter" (1946), "Charles W. Hawthorne, an American Figure Painter" (1947), "Careers in the Arts, Fine and Applied" (1950), "Art Professions in the United States," and other books, articles and catalogs. Organized Lewis Hine exhibition, 1939. She spent the last fifteen years of her life extensively researching painter Marsden Hartley.
Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.
Digitization Note:
The papers of Elizabeth McCausland in the Archives of American Art were digitized in 2008 and 2015. The bulk of the papers have been scanned and total 52,884 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Springfield republican  Search this
Art, Modern  Search this
Art criticism  Search this
Art historians  Search this
Art  Search this
Documentary photography  Search this
Modernism (Art)  Search this
Authors  Search this
New York N.Y.  Search this
Art critics  Search this
Art, American  Search this
Federal aid to the arts  Search this
Record number:
Art Theory and Historiography
Data Source:
Archives of American Art