The collection is arranged into 6 series: Series 1: Correspondence, circa 1885-1934 (Box 1; 3 folders) Series 2: Diaries, 1861-1904 (Box 1; 6 folders) Series 3: Notes and Writings, circa 1904-1977 (Box 1; 0.4 linear feet) Series 4: Printed Materials, circa 1826-1978 (Boxes 1-2; 5 folders) Series 5: Photographs, circa 1880-1977 (Boxes 1-2; 0.6 linear feet) Series 6: Artwork, circa 1879-1906 (Box 1; 3 folders)
Access Note / Rights:
The bulk of the collection has been digitized and is available online via the Archives of American Art's website. Use of material not digitized requires an appointment.
Summary:
The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826-1978, with the bulk of the material dating from 1879-1922. The collection documents aspects of the life and work of the landscape painter, printmaker, photographer and educator. Papers include correspondence, diaries, writings, lecture notes, clippings, catalogs, ephemera, artwork, and photographs.
Citation:
Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922. Archives of American Art, Smithsonian Institution.
Additional Forms:
The papers of Arthur W. (Arthur Wesley) Dow in the Archives of American Art were digitized in 2008, and total 1378 images.
Materials that generally have not been scanned include duplicates, negatives, and modern copy prints of vintage photographs as well as photographs of works of art. For some publications, such as catalogs, only the cover and title pages have been scanned.
Materials lent for microfilming are available on 35mm microfilm reels 1027, 1033-1034 ,1079, and 1271 at the Archives of American Art offices and through interlibrary loan.
Location of Originals:
Several photographs, including images of Dow, Dow family members, group photographs of classes, and landscapes, are copy prints. The original vintage prints for some of these copies, particularly group photographs of classes and landscapes, are available at the Ipswich Historical Society. The location of the other original vintage prints is unknown.
Funding:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
Also found at the Archives of American Art are the William H. Elsner papers relating to Arthur Wesley Dow, which include color photographs of Dow's works of art and correspondence regarding Dow between Frederick Moffatt and Rudolph Schaeffer. The Archives of American Art also holds microfilm of material lent for microfilming (reels 1027, 1033-1034, and 1079) including biographical material, correspondence, manuscripts, printed material, and one diary. Reel 1271 contains group photographs taken at the Académie Julian, Paris, as well as unidentified group photographs, some of the photographs and are available at the Ipswich Historical Society. All other loaned materials were returned to the lenders and are not described in the collection container inventory.
Biography Note:
Arthur Wesley Dow, landscape painter, printmaker, photographer, and influential art educator, was born in Ipswich, Massachusetts on April 6, 1857, the eldest son of Mary Patch and David Dow. As a young man, he showed interest in the colonial history of Ipswich and together with Reverend Augustine Caldwell, he produced the serial Antiquarian Papers from 1875 to 1880, which featured Dow's drawings of local colonial architecture. It was Caldwell who advised him to pursue formal art instruction and in 1880 Dow began studying in the Boston studio of James M. Stone.
Like many aspiring American artists of his generation, Dow traveled to Paris for further art instruction. Between 1884 and 1889, the artist alternated between spending time in Paris, where he had enrolled in the Académie Julian, and in Brittany where he painted landscapes en plein air . During this period he produced landscape paintings that were accepted into the Paris Salon and exhibited to moderate success back in the United States.
Shortly after his return to Ipswich, Dow took a studio in Boston, where he hoped to attract students and began an extremely fertile and successful period as an art educator. He began studying Japanese art, particularly the compositional elements employed in Japanese prints, which he synthesized with Western art techniques and utilized in teaching composition and design. In addition to seeing students in his Boston studio, he began the Ipswich Summer School of Art, which continued into 1907. Pratt Institute hired Dow as an art instructor in 1895 and he remained there until 1904, when he was appointed the Director of Fine Arts of the Columbia University Teacher's College, a position he retained until his death in 1922. Between 1897 and 1903, he also taught at the Art Students League.
In 1899 his seminal book, Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers , was published. Composition illustrated Dow's teaching method, which focused on the compositional elements of line, notan (a Japanese word for the balance of light and dark in a composition) and color. The book underwent several printings and art schools across the United States adopted the Dow method. Max Weber, Georgia O'Keeffe and the photographer Alvin Langdon Coburn were among the artists who personally benefited from Dow's instruction. Through his teaching, publications, and public speeches, Arthur Wesley Dow played an important role in shaping modern American art.
Language Note:
English .
Provenance:
Material on reels 1027 and 1033-1034 were lent for microfilming by the Ipswich Historical Society, 1975. The diary on reel 1079 was lent by the Society for Preservation of New England Antiquities, 1976. Dow's grand-niece, Mrs. George N. Wright, donated material in 1976, and lent the photographs for microfilming in 1977. Additional material was received from Frederick Moffatt in 1989, who had obtained them in preparation for his book Arthur Dow (1977).
Digitization Note:
The papers of Arthur W. (Arthur Wesley) Dow in the Archives of American Art were digitized in 2008. The bulk of the papers have been scanned and total 1,378 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
