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Coffin, William A. (William Anderson), 1855-1925  Search this
Stella, Joseph  Search this
Warren, Whitney  Search this
Mauer, Alfred  Search this
Benson, Frank Weston  Search this
Blashfield, Edwin Howland  Search this
Zorach, William  Search this
Gay, Walter  Search this
Gussow, Bernard  Search this
Bouché, Louis  Search this
Cortissoz, Royal  Search this
Pan-American Exposition  Search this
Société des artistes français  Search this
Exposition d'artistes de l'école Américaine  Search this
American Rights Committee  Search this
American Artists' Committee of One Hundred  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Place of publication, production, or execution:
United States
Physical Description:
1.6 Linear feet
The collection is arranged as 8 series: Series 1: Biographical Material, 1916-1922 (2 folders; Box 1) Series 2: Correspondence, 1915-1924 (8 folders; Box 1) Series 3: Project File for the Pan-American Exposition in Buffalo, New York, 1900-1901 (0.3 linear feet; Box 1-2) Series 4: Project File for the American Artists' Committee of One Hundred, 1914-1923 (14 folders; Box 1) Series 5: Project File for the Exhibition of Works by American Artists at the Luxembourg Museum in Paris, 1919-1920 (11 folders; Box 1) Series 6: Scrapbooks of Clippings of Articles Written by Coffin, 1886-1913 (0.3 linear feet; Box 2) Series 7: Printed Material, 1912-1924 (6 folders; Box 1) Series 8: Photographs, 1905-1923 (10 folders; Box 1)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
The papers of New York painter and art critic William Anderson Coffin date from 1886 to 1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence; project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris; three additional scrapbooks; printed material; and photographs.<br /> Scattered biographical material includes membership cards and an autobiographical essay. Correspondence is with colleagues and related generally to receptions and events, including an invitation to the launch of the U. S. Battleship <em>Arizona</em>. There are one or two letters each from Frank W. Benson, Edwin Howland Blashfield, Royal Cortissoz, Walter Gay, and Whitney Warren.<br /> Three series of project files document Coffin's work for the Fine Arts Division of the Pan-American Exposition in Buffalo, the American Artists' Committee of One Hundred that established a relief fund for families of French soldier-artists, and an exhibition of artwork by American Artists at the Luxembourg Museum in Paris. Files contain a variety of materials, such as letters, drafts of reports, meeting minutes, photographs, catalogs and brochures, and other materials. There are two oversized scrapbooks for the Buffalo Pan-American Exposition. The files for the Luxembourg Museum exhibition include a letter signed by Louis Bouché, Bernard Gussow, Alfred H. Maurer, Joseph Stella, and William Zorach protesting the exclusion of their work.<br /> Three additional scrapbooks contain clippings of articles written by Coffin when he was employed as an art critic for <em>The New York Evening Post</em>, <em>Harper's Weekly</em>, and <em>The New York Sun</em>.<br /> Printed material consists of miscellaneous clippings primarily about Coffin, programs from American Rights Committee exercises, a Dixie Club of New York concert, a Lotos Club concert, the Lafayette-Marne Anniversary exercises, and souvenir tickets to various art-related events including several Paris Salon Vernissage events sponsored by the Société des Artistes Francais.<br /> Photographs include an album of photographs of Coffin, various family members, and residences; a photograph of Coffin posing with an unidentified group of his colleagues; and photographs of family friends. Project files also contain photographs.
William Anderson Coffin papers, 1886-1924. Archives of American Art, Smithsonian Institution.
Additional Forms:
The collection was digitized in its entirety in 2016 and is available on the Archives of American Art's website.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Use Note:
The William Anderson Coffin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Biography Note:
William Anderson Coffin (1855-1925) of New York City was a landscape and figure painter and art critic. He organized several notable exhibitions and art-related charitable events for relief work in post-World War I France.
The William Anderson Coffin papers were donated in 1970 by Stewart Klonis to whom the papers were given by Mrs. DeWitt M. Lockman of Manorville, Long Island, New York.
Digitization Note:
This site provides access to the papers of William A. (William Anderson) Coffin in the Archives of American Art that were digitized in 2016, and total 1,682 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Harper's Weekly  Search this
New York Post  Search this
Art Exhibitions France Paris  Search this
Art critics -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918 -- Civilian relief -- France  Search this
Art critics -- France -- Paris  Search this
Record number:
Lives of American Artists
Data Source:
Archives of American Art