The collection is arranged into ten series. Series are arranged by type of material; materials within series are arranged alphabetically by name or by type of material and then chronologically. Series 10 is unprocessed. Series 1: Biographical Materials, 1912-2000, n.d. (Box 1; 9 folders) Series 2: Correspondence, 1959-2001, n.d. (Boxes 1-3, OV 8; 2.9 linear feet) Series 3: Project Files, 1968-1997, n.d. (Boxes 3-4; 1 linear foot) Series 4: : Exhibition Files, 1965-1993, n.d. (Boxes 4-5, OV 8; 0.6 linear feet) Series 5: Writings, 1951-1992, n.d. (Box 5; 0.2 linear feet) Series 6: Address and Appointment Books, 1972-1997, n.d. (Boxes 5-6; 0.3 linear feet) Series 7: Business and Financial Records, 1962-1998, n.d. (Box 6; 0.4 linear feet) Series 8: Printed Material, 1954-1999, n.d. (Boxes 6-7, OV 8; 1.2 linear feet) Series 9: Photographs, 1966-1981, n.d. (Box 7; 0.2 linear feet) Series 10: Sound and Moving Image Material, 1972-1990 (Box 9, FC 10; 1.2 linear feet, ER01-ER13; 21.83 GB)
Access Note / Rights:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Summary:
The papers of painter and sculptor George Sugarman measure 12.22 linear feet and 21.83 GB and date from 1912 to 2001, with the bulk of the material dating from 1959 to 1999. The collection documents Sugarman's career as a sculptor primarily through correspondence, project files, exhibition files, writings, and photographs. The collection also includes address and appointment books, business and financial records, and printed material. A partially processed addition consisting of audio (3 sound cassettes) and video recordings (1 video reel, 1/2", 11 videocassettes, 7 U-matic and 4 VHS), and one Super 8 mm motion picture film, as well as digital copies of the film and video recordings, includes lectures by Sugarman, documentaries about Sugarman and his sculptures, and radio and television appearances by Sugarman.
Citation:
George Sugarman papers, 1912-2001. Archives of American Art, Smithsonian Institution.
Additional Forms:
Portions of the collection and material lent for microfilming are available on 35mm microfilm reels N70-50 and N70-51 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the collection as described in this finding aid does not reflect the order of the collection on microfilm.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
The transcript and audiotapes of an interview with George Sugarman conducted by Paul Cummings in 1974 for the Archives of American Art's Oral History Program is available at the Archives of American Art, Smithsonian Institution. The Archives of American Art also holds materials lent for microfilming. Reel N70-50 and N70-51 includes biographical material, an essay about George Sugarman, exhibition catalogs and announcements dating from 1954 to 1960, a certificate, writings by Sugarman, and correspondence dating 1953-1970. The originals of most of these materials were included in later donations. Reel N70-50 also contains a substantial number of photographs of Sugarman's natural wood sculptures from the late 1950s, his early works in wood, clay, and plaster dating from 1951 to 1958, his drawings and paintings from the late 1960s, installations and works in progress from 1960 to 1970, and photographs of Sugarman working in the studio in the 1960s. There are also twelve sketchbooks and loose pages dating from 1943 to 1958, which document Sugarman's travels to the South Pacific, New York City, France, Spain, and North Africa. Lent material not included in later gifts remain with the lender and are not described in the collection container inventory.
Biography Note:
George Sugarman was a painter and sculptor who disliked labels because he believed they oversimplified the complexity of art, and Sugarman's artwork, like the artist himself, resists classification and oversimplification. Although he was influenced by Surrealist imagery, Cubist ideas of space, Baroque sculpture, and Abstract Expressionism, Sugarman's sculptures also display a musical quality, reflecting his interest in jazz music and improvisation. Sugarman was a pioneer in the use of color in sculpture and is probably best known for his large, polychrome aluminum sculptures.
Language Note:
English .
Provenance:
In 1970, George Sugarman lent material to the Archives of American Art for microfilming. In 1980 and 1983, George Sugarman donated portions of the material previously lent, along with additional materials. Additional materials were donated by Sugarman's niece, Arden Sugarman Eilopolous, in 1999 and 2000. In 2006, the Sugarman Foundation via Arden Sugarman donated the audio and video recordings.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Sculptors -- New York (State) -- New York -- Interviews Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York Search this
