United States -- Politics and government -- 1933-1945
United States -- Social conditions -- 1933-1945
Place of publication, production, or execution:
United States
Physical Description:
8.9 Linear feet
Arrangement:
The Edward Bruce collection is arranged into 7 series: Series 1: Biographical Material, circa 1904-1938 (Box 1, OV 11; 3 folders) Series 2: Correspondence, circa 1921-1957 (Boxes 1-6; 5.5 linear feet) Series 3: Writings, circa 1931-1942 (Box 6; 0.3 linear feet) Series 4: Financial Material, circa 1909-1913, circa 1928-1943(Box 6, 0.3 linear feet) Series 5: Printed Material, circa 1919, circa 1926-1943, 1960 (Box 7, 0.5 linear feet) Series 6: Scrapbooks, 1922-1941 (Box 7-8; 0.8 linear feet) Series 7: Photographs, circa 1902-1943 (Box 7, 9-10; 1.0 linear foot) Although the collection no longer matches the exact filmed order, large groups of materials have been maintained in film order, particularly the correspondence. Microfilm reel and frame number notations are provided at the folder level when known.
Access Note / Rights:
The collection is open for research. The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Summary:
The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.
Citation:
Edward Bruce papers, 1902-1960, bulk 1932-1942. Archives of American Art, Smithsonian Institution.
Additional Forms:
Much of this collection is available on 35 mm microfilm reels D82-D92 and 1817 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of material described in container inventory closely matches the arrangement of the microfilm, but not for all of the files. When known, notations have been made at the folder level in the container listing to the corresponding reel and frame numbers.
Funding:
Funding for the processing of this collection was provided by the Terra Foundation for American Art.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
Other resources in the Archives relating to Edward Bruce include an oral history interview with Margaret (Peggy) Bruce on October 11, 1963 conducted by Harlan Phillips. Miscellaneous Manuscript Collections include one file of material, 1933-1960, concerning Edward Bruce that was donated by the U.S. General Services Administration in 1986 and microfilmed on reel 3960.
Also available at the Archives are two collections of records loaned by the U.S. National Archives from their Public Buildings Administration records and the records of the Public Works of Art Project for microfilming by the Archives. Microfilm reels DC1-DC 13 and DC116-DC128 contain Edward Bruce's files and correspondence, respectively. A book <em>Art in Federal Buildings</em> by Forbes Watson and Edward Bruce was donated to AAA with Bruce's papers and microfilmed with the rest of collection on Microfilm Reel D91-D92, and then transferred to the Smithsonian American Art Museum Library.
Biography Note:
Edward Bruce was born in 1879 in Dover Plains, New York. Though he enjoyed painting at a young age, he pursued a career in law and graduated from Columbia Law School in 1904. He practiced law in New York and in Manila, Philippines and was actively involved in international issues. He became president of the Pacific Development Corporation of California, was a lobbyist for the Philippine Independence Bill, and, in 1933, attended the London Economic Conference as a silver expert.
In 1923 Bruce gave up his career in law and business and began to paint, particularly landscapes. He and his wife Peggy spent the next six years in Anticoli Carrado, Italy where he studied painting from his friend and fellow artist Maurice Sterne. Bruce returned to the United States in 1929 and settled in California, exhibiting his artwork to much public and critical praise. In addition, Bruce was an avid collector of Chinese art.
In 1933 Bruce was appointed Chief of the newly established Public Works of Art Project, a federal government New Deal program within the U.S. Treasury Department, that employed artists to decorate numerous public buildings and parks. Though this federal program lasted less than a year, Bruce worked with Secretary of the Treasury Henry Morgenthau, Jr., to establish the Treasury Department's Section of Painting and Sculpture in 1934 - later renamed the Section of Fine Arts in 1938. Bruce was appointed Director of the department and played a primary role in securing federal government support for American artists. In 1940 he was appointed to the Commission of Fine Arts by President Franklin Delano Roosevelt.
Bruce received many honors and awards during his lifetime both for his work as an artist and for his capable and dedicated administration of federal arts programs. Despite poor health, he continued his work for the Section of Fine Arts until shortly before his death in 1943.
Language Note:
English .
Provenance:
The Edward Bruce papers were donated by Margaret (Peggy) Bruce, Edward Bruce's wife, in 1962. Additional printed material, financial records, and photographs of artwork were donated by Mrs. Bruce's niece, Maria Ealand in 1979.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
