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Catalog Data

Creator:
Glackens, Ira, 1907-1990  Search this
Subject:
Prendergast, Maurice Brazil  Search this
Perlman, Bennard B.  Search this
Prendergast, Eugénie  Search this
Schwab, Arnold T.  Search this
Shinn, Everett  Search this
Sloan, Helen Farr  Search this
Luks, George Benjamin  Search this
Glackens, William J.  Search this
Barnes, Laura L.  Search this
Barnes, Albert C. (Albert Coombs)  Search this
Bullard, E. John (Edgar John)  Search this
Buckley, Charles E.  Search this
Dimock, Ira  Search this
Glackens, Edith  Search this
Fitzgerald, Irene Dimock  Search this
Kuhn, Walt  Search this
Liff, Vivian  Search this
Morse, Stearns  Search this
National Gallery of Art (U.S.)  Search this
Kraushaar Galleries  Search this
Williams College. Museum of Art.  Search this
Delaware Art Museum  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Type:
Photographs
Sound recordings
Writings
Place of publication, production, or execution:
United States
Physical Description:
2.3 Linear feet
Arrangement:
The collection is arranged as 8 series. Series 1: Biographical Information, circa 1900-1990 (Box 1; 2 folders) Series 2: Correspondence, 1902-1989 (Box 1; 0.7 linear feet) Series 3: Writings, 1963-1982 (Boxes 1, 3; 0.2 linear feet) Series 4: Sansom Foundation, Inc., 1957-1973 (Box 2; 0.2 linear feet) Series 5: Printed Material, 1903-1989 (Boxes 2-3; 0.6 linear feet) Series 6: Scrapbook, 1956-1980 (Box 3; 0.1 linear feet) Series 7: Photographs, circa 1900-1986 (Box 2; 0.3 linear feet) Series 8: Card Index of William Glackens' Paintings, circa 1940-1949 (Box 3; 0.2 linear feet)
Access Note / Rights:
Use of original papers requires an appointment.
Summary:
The Ira and William Glackens papers, circa 1900-1990, measure 2.3 linear feet. The collection consists primarily of the papers of Ira Glackens relating to the artwork of his father, William Glackens, but also contains scattered correspondence of William and his wife Edith, including letters from Albert Barnes. Ira Glackens' papers include books written by Ira; exhibition catalogs and clippings about William and others; photographs of the Glackens family and friends, of Ira, and of the Glackens residence; and an audio recording of William Glackens' remarks upon accepting an award at the Carnegie International Exhibition in 1936. There are also records of the Sansom Foundation, which was set up by Ira Glackens and his wife Nancy.
Citation:
Ira and William Glackens papers, circa 1900-1990. Archives of American Art, Smithsonian Institution.
Additional Forms:
The bulk of this collection was digitized in 2015 and is available on the Archives of American Art's website. Materials which have not been scanned include photographs of works of art; duplicates; routine banking records; blank pages in bound volumes; blank versos of photographs; and exhibition catalogs of other artists. In some cases, exhibition catalogs and other publications have had their covers, title pages, and relevant pages scanned.
The sound recording in this collection was digitized for research access in 2009 and is available at the Archives of American Art offices. Researchers may view the original recording for the archival notations on it, but the original sound disc is not available for playback due to fragility.
Funding:
Funding for the digitization of this collection was provided by the Sansom Foundation.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
The Archives also holds several collections related to Ira and William Glackens, including the Ira Glackens letters to Jane Wasey; the Illustrations by William Glackens and letter from Ira Glackens; the Lillian E. Travis papers relating to William Glackens and Charles Prendergast; and the Thomas Hart Benton and Ira Glackens letters. Substantial correspondence between William Glackens and the Kraushaar Gallery can also be found in the Kraushaar Galleries records. Published books not authored by Glackens family members or related to Glackens' family members were transferred to the Smithsonian's American Art Museum Library in 2007. A few pieces of artwork were given to Williams College, also in 2007.
Biography Note:
Ira Dimock Glackens (1907-1990), the first child of painter and illustrator William Glackens and Edith Dimock Glackens, was born in New York City. Raised in the art world, he was well acquainted with his father's friends and colleagues. Upon his father's death in 1938, Ira became responsible for managing and administering the art remaining in William Glackens's estate.
Educated at the Choate School, Ira Glackens became a writer. He published two books about his father: William Glackens and the Ashcan Group: The Emergence of Realism in American Art (1957) and William Glackens and the Eight: The Artists who Freed American Art (1984). An opera expert, Ira Glackens was also the author of Yankee Diva: Lillian Nordica and the Golden Days of Opera (1963) and an authority on apples.
William Glackens (1870-1938) was born in Philadelphia and studied at the Pennsylvania Academy of the Fine Arts with Robert Henri while working as an illustrator for local newspapers, including the Philadelphia Press . In 1895, he departed for a year in Paris and then moved to New York City where he continued to work as an illustrator for various newspapers and periodicals. Before long, Glackens began to focus on scenes of city life and street crowds and, in 1908, he participated in the groundbreaking exhibition of The Eight at the Macbeth Gallery in New York City.
Between 1925 and 1932 William Glackens lived and worked in France and his painting was strongly influenced by Renoir. He spent the remainder of his life in New York City, exhibiting widely from 1894 on. Glackens was named an Associate of the National Academy of Design and was the recipient of several awards including those of the 1901 Pan-American Exposition (gold), the 1904 St. Louis Exposition, the 1915 Pan-Pacific Exposition, the 1933 Society of Independent Artists Exhibition, and the 1936 Carnegie International Exhibition.
Language Note:
English .
Provenance:
The Ira and William Glackens papers were donated to the Archives of American Art by Ira Glackens in 1987, and by his estate in 1991. In 2007 a small cache of papers found in the Glackens home was donated by Susan Corn Conway, who had purchased the Glackens' house.
Digitization Note:
This site provides access to the papers of Ira and William Glackens in the Archives of American Art that were digitized in 2015, and total 4,065 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Illustrators -- Pennsylvania -- Philadelphia  Search this
Authors -- Pennsylvania -- Philadelphia  Search this
Painting, American  Search this
Eight (Group of American artists)  Search this
Art -- Collectors and collecting  Search this
Painting, Modern -- 20th century -- United States  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7175
(DSI-AAA_SIRISBib)209312
AAA_collcode_glacwill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209312