The collection is arranged into 5 series: Series 1: Correspondence, 1895-1929, undated (Box 1-5; 4.2 linear feet) Series 2: Legal Files, 1895-1911, undated (Box 5; 4 folders) Series 3: Writings and Notes, 1903-1914, undated (Box 5; 0.6 linear feet) Series 4: Art Collection Research Files, 1889, 1892, 1903-1914, undated (Box 5-7; 2.0 linear feet) Series 5: Photographs, 1904-1912, 1928-1935, undated (Box 7-8; 0.4 linear feet) Due to re-processing, the order of the collection varies slightly from the order of the collection on microfilm. References to the microfilm reel numbers have been added for researcher access.
Access Note / Rights:
The collection is open for research. Patrons must use microfilm copy. Use of materials not available on microfilm requires an appointment.
The papers of art historican August Jaccaci measure 7.2 linear feet and date from 1889 to 1935, with the bulk of the material dating from 1904 to 1914. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book <em>Noteworthy Paintings in Private American Collections</em>. More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork.<br /> Correspondents include art historians, critic, artists, and art collectors, as well as publishers, photographers, printers, and agents. These letters discuss the research of famous American art collections, writing of essays for the book, and the book production and publication. There is extensive correspondence with his co-editor John La Farge, and with his employee Carl Snyder who was working in Europe. Other correspondence is with magazines, art associations, academic institutions, and French service organizations. Also included is a small amount of personal correspondence with friends and colleagues.<br /> Legal files include contracts and legal agreements for the August F. Jaccaci Company, as well as legal agreements with John La Farge concerning the research and publication of their joint book. Writings and notes include Jaccaci's lists and notes pertaining to the <em>Noteworthy Paintings</em> project, as well as other miscellaneous notes. Also found are writings by John La Farge that include drafts of a book, lectures, and notes about his artwork. Writings by others in this series also include draft essays by many art historians for Jaccaci's book. For the <em>Noteworthy Paintings</em> project, Jaccaci created numerous research files for American art collections and collectors that would be included. These research files include lists of works of art, essays and other notes about the collection written by prominent art historians. Photographs are of works of art supporting the research files. Also found in this collection are photographs of and notes about New England stencil designs. It is unclear what the connection is between Jaccaci and the stencil designs.
August Jaccaci papers, 1889-1935, bulk bulk 1904-1914. Archives of American Art, Smithsonian Institution.
The collection is available on 35 mm microfilm reels D118-D126 at Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the material described in the container inventory does not reflect the arrangement of the collection on microfilm.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
The August Jaccaci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
August Florian Jaccaci was born in Fontainebleau, France in 1856. After traveling extensively in various countries including Mexico and Cuba, he settled in the United States in the early 1880s. He worked briefly as an artist in the Midwest, creating murals on commission, including a mural in the Capitol building in St. Paul, Minnesota. Jaccaci then moved to New York City and worked as art editor for Century magazine. Besides serving as art editor, he also wrote several articles and executed illustrations for the magazine. On the recommendation of artist Will H. Low he became art editor of McClure's magazine at its founding in 1896. A year later he wrote the book on his travels entitled, On the trail of Don Quixote: being a record of rambles in the ancient province of La Mancha [sic] . He left McClure's in 1902 and in 1903 began working on a major multi-volume book entitled Noteworthy Paintings in Private American Collections . Jaccaci envisioned a 15 volume set with essays about American art collections written by distinguished art historians. Though Jaccaci knew many writers, art critics, and artists through his magazine work, he was not a well-known art historian and asked artist John La Farge to be the co-editor of the book. La Farge's reputation provided access to major American collections of artwork. The publishing company Merrill and Baker was to publish the work, but it went bankrupt in 1904. Jaccaci then bought their property for his project and called it the August F. Jaccaci Co. The first volume was published in 1909, and John La Farge died in 1910. Though Jaccaci continued working on the next volume, the project failed in 1912. Besides working on this project, Jaccaci also served as editor of the "Art in America" section of Burlington Magazine from 1907 to 1910.
The August Jaccaci papers were purchased by the Archives of American Art from the Metropolitan Museum of Art in 1957 and microfilmed shortly after receipt.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
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