In this early design, Maldonado employs dramatic cropping and a close-up of the horse's white legs in imitation of angular filming techniques. The 1955 film tells the story of a small tobacco farmer who faces operational and economic problems, but who is able to free himself from the exploitation of a loan shark by receiving assistance from a grower's cooperative. (From exhibition text by Marvette Perez.)
In the exhibition "Posters from the Division of Community Education (DIVEDCO) of Puerto Rico, 1948-1989," Sept. 17, 2008-Jan. 18, 2009, at the Smithsonian's S. Dillon Ripley Center.
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