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Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
At first, it might seem like an oxymoron to talk about the "folklore" or "folklife" of one of the world's most modern cities, but daily life in New York would be impossible without this body of shared urban traditions, of collective community knowledge, customs, historical memories, and cultural understandings that constitutes the folklife of the city. lt provides the basic ground rules that shape how New Yorkers interact with their families, their colleagues, and their fellow New Yorkers. From subway etiquette to local street food to stickball games, these traditions give New York City its unique sense of place. ln addition to a shared urban culture, most New Yorkers also have one or more reservoirs of specialized traditional knowledge, which they have acquired from their ethnic and/or religious upbringing, working in a particular occupation, or living in a specific area of the city. The innumerable, multifaceted ways in which these factors interact are what make New York and New Yorkers so fascinating. Of course, it was impossible to cover all aspects of New York's culture in a single event, but by approaching city culture thematically, and by carefully selecting examples that highlight different aspects of work, life, and leisure in New York, New York City at the Smithsonian sought to acquaint Festival visitors with both the ordinary and extraordinary aspects of life in Gotham. What gives New York a sense of being different is not merely tbe myriad ethnic and interest groups that are found in the city, but the complex ways in which they overlap and interact. The physical landscape of New York - the lack of space, the reliance on mass transit by people of vastly differing backgrounds, neighborhoods which are home to both the very rich and the extremely poor - makes it impossible for New Yorkers to ignore the influence of "others." From kosher Chinese restaurants to lrish hip-hop groups to Mexican pizzas, cultures from all corners of the globe have influenced one another in New York, in part because of their physical proximity. The 2001 Smithsonian Folklife Festival celebrated just a few of the innumerable manifestations of traditional culture in New York City. More importantly, fieldwork leading up to the Festival allowed the Smithsonian, working in close collaboration with city-based cultural organizations and ethnic and occupational communities, to document daily life in New York City at the turn of the millennium. Material collected during the course of this research, as well as information recorded during and after the Festival, will significantly enrich the Smithsonian's archival holdings about New York City. A century from now, when scholars and writers want to know what it was like to live in New York in 2001, to work on Broadway, to drive a taxi, to trade stocks on Wall Street, or teach English in a school filled with recent immigrants, they can turn to the documentation collected by this project. That body of documentation - and the recordings and photographs made during the Festival itself - took on increased importance with the events of September 11, 2001, barely three months after the Festival had closed, which emphasized to all observers how the cultural values of New Yorkers, vividly on display to Festival visitors, also provided them a reservoir of resiliency to surmount those tragic events. Nancy Groce was Senior Curator for the program, supported by several Area Curators: Ray Allen, music; Marion Jacobson, urban fashion; Annie Hauck-Lawson, foodways; Cathy Ragland, music; Ethel Raim, music; Henry Sapoznik, media; Brian Thompson, Wall Street; Kay Turner, Wall Street; and Steve Zeitlin, neighborhood. Arlene Reiniger was Program Coordinator. An Advisory Committee included: Ruth Abram, Director, Lower East Side Tenement Museum; Gladys Pena Acosta, Director, RAICES; Ray Allen, Director, American Studies Program, Brooklyn College/CUNY; Gage Averill, Chair, Music Department, New York University; Fatima Bercht, Chief Curator, El Museo del Barrio; Melody Capote, Executive Director, Caribbean Culture Center/African Diaspora Institute; Barbara Cohen-Stratyner, Curator, New York Public Library for the Performing Arts; Cara De Silva, Food Historian; Miriam De Uriarte, Director of Education, El Museo del Barrio; Howard Dodson, Director, Schomburg Center for Research in Black Culture/NYPL; Sharon E. Dunn, Senior Assistant for the Arts, New York City Board of Education; Juan Flores, Professor, Black and Puerto Rican Studies, Hunter College/CUNY; Laura Hansen, Director, Place Matters, Municipal Art Society; John Haworth, Assistant Director, National Museum of the American Indian; Ellie Hisama, Director, Institute for Studies in American Music, Brooklyn College/CUNY; Barbara Kirshenblatt-Gimblett, Professor, Performance Studies Department, NYU; Leah Krauss, Program Officer, The New York Community Trust; Susana Torruella Leva!, Executive Director, El Museo del Barrio; Robert MacDonald, Executive Director, Museum of the City of New York; Fay Chew Matsuda, Executive Director, Museum of Chinese in the Americas; Ethel Raim, Executive Director, Center for Traditional Music and Dance; Jan Seidler Ramirez, Vice President of Public Affairs, New York Historical Society; Frances A. Resheske, Vice President of Public Affairs, Consolidated Edison Company; Joseph Sciarra, Academic Programs, Calandra Italian American Institute, Queens College; Gabrielle Shubert, Director, New York Transit Museum; Pravina Shukla, Assistant Professor, Folklore Department, Indiana University; John Kuo Wei Tchen, Director, Asian/Pacific/American Studies Program & Institute, NYU; Brian Thompson, Director, Museum of American Financial History; Michael Wallace, Historian and Author, CUNY; Steve Wheeler, Archivist, New York Stock Exchange; Theodora Yoshikami, Multicultural Program, American Museum of Natural History; Steven Zeitlin, Executive Director, City Lore: The Center for Urban Culture. The program was produced in collaboration with New York's Center for Traditional Music and Dance and City Lore, with major funding from the New York City Council, the New York City Department of Cultural Affairs, Howard P. Milstein, and the New York Stock Exchange. The Leadership Committee was co-chaired by The Honorable Daniel Patrick Moynihan and Elizabeth Moynihan and corporate chairman Howard P. Milstein. Major support was provided by Amtrak, Con Edison, the Recording Industries Music Performance Trust Funds, Arthur Pacheco, and the Metropolitan Transportation Authority. Major contributors included The New York Community Trust, The Coca-Cola Company, The Durst Foundation, the May & Samuel Rudin Family Foundation, Leonard Litwin, Bernard Mendik, and Stephen and Judy Gluckstern. Additional donors included Emigrant Savings Bank, Jeffrey Gural, Lester Morse, Richard Schwartz, Michael Bloomberg, Keyspan Energy, Martin Segal, and Earle Mack.
Researchers:
Jerald Albarelli, Ray Allen, Emily Botein, Lori Branston, Kathleen Condon, Martha Cooper, Amanda Dargan, Andrew Davis, Tony DeNonno, Sonia Estreich, Makale Faber, Kwali Farbes, Michael Greene, Laura Hansen, Annie Hauck-Lawson, Marion Jacobson, Denise Lynn, Elena Martinez, Cathy Ragland, Ethel Raim, Henry Sapoznik, Roberta Singer, Les Slater, Scott Spencer, Brian Thompson, Kay Turner, Tom Van Buren, Li Wangsheng, Bill Westerman, Lois Wilken, Steven Zeitlin
Presenters:
Judy Adamson, Ray Allen, Dwight Blocker Bowers, Kathleen Condon, Andrew Davis, James Early, Makale Faber, Juan Flores, Annie Hauck-Lawson, Marion Jacobson, Barbara Kirshenblatt-Gimblett, Wangsheng Li, Elena Martinez, Cathy Ragland, Ethel Raim, Kristin Richard, Henry Sapoznik, Les Slater, Brian Thompson, Kay Turner, Tom Van Buren, Meg Ventrudo, Cynthia Vidaurri, George Zavala, Steve Zeitlin
Participants:
Arts & Artists Wilfreda "Bio" Feliciano, muralist, Tats Cru Hector "Nicer" Nazario, muralist, Tats Cru Sotero "BG 183" Ortiz, muralist, Tats Cru Gaspar Ingui, neon sign maker Robbie Ingui, neon sign maker Theresa Ingui, neon sign maker Backstage Broadway Judy Adamson, costume maker, Barbara Matera Jarred Aswegan, costume maker, Barbara Matera Gary Brouwer, theatrical milliner Kimberly Cea, actress Edie Cowan, director, choreographer Brian Healy, prop maker, armorer, Costume Armour Bob Kelly, wig maker, make-up artist Polly Kinney, costume maker, Barbara Matera Janice Lorraine, actress Terry Marone, Gypsy Robe, Actors' Equity Barbara Matera, costume maker Nino Novel lino, prop maker, Costume Armour Peter Ray, prop maker, Costume Armour Woody Regan, rehearsal pianist Linda Rice, wig maker, Bob Kelly Tom Rocco, actor Tom Schneider, theatrical milliner Scott Sliger, make-up artist, Bob Kelly Josephine Spano, costume maker, Barbara Matera Patricia Sullivan, costume maker, Barbara Matera Brian Wolfe, prop maker, Costume Armour Leslie Wolfe, prop maker, Costume Armour Building Trades George Andrucki, sheet metal worker, Local 28 Stan Bernstein, sheet metal worker, Local 28 William Bush, water tank builder Adonis Cegisman, water tank builder Ryszard Danielewski, water tank builder John DeGeorge, water tank builder Robin Delk, sheet metal worker, Local 28 Nicholas Maldarelli, sheet metal worker, Local 28 Leah Rambo, sheet metal worker, Local 28 Andrew Rosenwach, water tank builder Thomas Schlitz, sheet metal worker, Local 28 George Treanor, sheet metal worker, Local 28 Arthur Tyburski, sheet metal worker, Local 28 Urban Fashion & Garment Industry Britt Bowers, window display and design, Fashion Institute of Technology Vanessa Burgos, needle trade worker, Garment Industry Development Corporation Lidia Carrera, needle trade worker, UNITE! Local 23-25 Esther Cheung, needle trade worker, Garment Industry Development Corporation Mary Costantini, mannequin sculptor Linda Dworak, director, Garment Industry Development Corporation Shiniji Horimura, window display and design, Fashion Institute of Technology Elizabeth Jacobsen, window display and design, Fashion Institute of Technology Anne Kong, window display and design, Fashion Institute of Technology Anne Liu, needle trade worker, Garment Industry Development Corporation Nicole Mata, window display and design, Fashion Institute of Technology Adrienne Muken, window display and design, Fashion Institute of Technology Ana Perez, needle trade worker, Garment Industry Development Corporation Ramon Roman, window display and design, Fashion Institute of Technology Isabel Toledo, fashion designer Ruben Toledo, fashion designer Monica Williamson, window display and design, Fashion Institute of Technology May Xian, needle trade worker, Garment Industry Development Corporation Foodways Salvator Bartolomeo, Italian cook Kam-Chung Chan, Chinese cook Cara De Silva, food researcher, writer Makale Faber, West African cook Mark Federman, Jewish appetizing Trevor Fraser, West Indian, Caribbean cook Theresa lngui, Polish, German cook Barbara Kirshenblatt-Gimblett, food historian Alana Grace Lawson, Polish cook Vertamae Grosvenor, African-American cook Molly O'Neill, food writer and chef Ming Hua Qian, Chinese cook Donald Ross, bagel and bialy maker Esta Ross, bagel and bialy maker Steve Ross, bagel and bialy maker Community Media Clay Berry, producer, African-American radio Kathleen Biggins, host, Irish-American radio Joe Franklin, host, entertainment community Debi Jackson, producer, African-American radio Hal Jackson, host, African-American radio Bill Jaker, 1939-, radio historian René Lopez, host, Latino radio Henry Sapoznik, host, Yiddish radio Music, Dance & Performance Wrickford Dalgetty, Caribbean song Julio Diaz, Latin dancer Tony DeMarco, Irish fiddle Linda Hickman, Irish flute D.J. Angola, turntablist D.J. Rehka, turntablist ABDOULAYE DIABATE & SUPER MANDEN -- ABDOULAYE DIABATE & SUPER MANDENAbdoulaye Diabate, director, vocals, guitarChiek Barry, bassMoussa Cissoko, n'goni, guitarAboubakar Diabate, djembeMamadou Diabate, 1975-, koraTapani Sissoko, vocalsAbou Sylla, bala APOLLO THEATRE, AMATEUR NIGHT AT THE APOLLO -- APOLLO THEATRE, AMATEUR NIGHT AT THE APOLLOVanessa Brown, Amateur Night assistantJoseph Gray, lead vocalsJane Harley, Kemet ProductionsMonteria Ivey, hostSteve Jones, production managerC.P. Lacey, The ExecutionerShirley Matthews, coordinating producerMoni-J, hostessDavid Rodriguez, executive director RAY CHEW & THE CREW -- RAY CHEW & THE CREWRay Chew, musical directorMike Ciro, guitarBobby Douglas, keyboardArtie Reynolds, bassRalph Rolle, drums CHERISH THE LADIES -- CHERISH THE LADIESSean Conner, step dancerDeirdre Connolly, tin whistle, vocalsMary Coogan, guitar, banjo, mandolinKatie Fox, step dancerDonna Long, piano, fiddleJoanie Madden, director, tin whistle, flute, vocalsPaul McKeown, sound engineerMary Rafferty, accordion, tin whistleMarie Reilly, fiddle CHERES UKRAINIAN FOLK ENSEMBLE -- CHERES UKRAINIAN FOLK ENSEMBLEAndriy Milavsky, leader, woodwindsVictor Cebotari, accordionGeorge Cheremush, violinAlexander Fedoriouk, cymbaly (hammered dulcimer)Oleh Ivanyschuk, contrabass DAVID DAVID -- DAVID DAVIDLauterio Polanco, director, lead vocals, accordionAdriel Espaillat, guieraAdelso Fernandez, bajoKenny Fernandez, tamboraMenecio Martinez, pianoHector Mota, saxophoneFernando Rodreguez, conga FRISNER AUGUSTIN AND LA TROUPE MAKANDAL -- FRISNER AUGUSTIN AND LA TROUPE MAKANDALFrisner Augustin, 1948-2012, lead drums, vocalsRaymond Charles, third drumSteve Deats, second drumSmith Destin, dancerKethelyne Jean-Louis, dancerKesler Pierre, percussionSandy St. Cyr, dancer HANGUK: SOUNDS OF KOREA (KOREAN TRADITIONAL PERFORMING ARTS ASSOCIATION) -- HANGUK: SOUNDS OF KOREA (KOREAN TRADITIONAL PERFORMING ARTS ASSOCIATION)Gee Soak Back, percussionHyung Joan Kim, percussionChii-Seung Kwon, percussionJi-Young Park, dancer, percussionSue Yeon Park, dancer, percussionKathy Soh, dancer, percussionMaggie Soh, percussion LOS AFORTUNADOS -- LOS AFORTUNADOSFelix Sanabria, director, congas, bata, percussionFrancisco Cotto, bassPedro Domeich, dancer, vocalsAlbert Lusink, trumpetAbraham Rodriguez, vocals, percussionMichael Rodriguez, percussionBrandon Rosser, percussionSusan Richardson Sanabria, dancerAdam Tully, tres guitar LOS MACONDOS -- LOS MACONDOSJorge L. Marquez, bajoEugenio R. Ortega, accordion, lead vocalsJuan A. Ortega, caja vallenata, vocalsDavid Pacheco, timbalesGuillermo E. Penate, guieroMario A. Rodriguez, congas LOS PLENEROS DE LA 21 -- LOS PLENEROS DE LA 21Juan J. Gutierrez, leader, tamboreroAlberto Cepeda, güiro, tamboreroRoberto Cepeda, vocals, bailador de bomba, güiro, maraca, tamboreroJose Lantigua, keyboardHector Matos, vocals, tamboreroEdgardo Miranda, cuatroDonald Nicks, bassJose Rivera, vocals, tamboreroDomingo Tanco, vocalsNellie Tanco, vocals, bailadora de bomba, tamboreraVictor Velez, vocals, tamborero MERITA HALILI & THE RAIF HYSENI ORCHESTRA -- MERITA HALILI & THE RAIF HYSENI ORCHESTRAGezim Halili, clarinet, saxophoneMerita Halili, vocalsRaif Hyseni, accordionArtan Kushi, dajreTome Lleshaj, bass guitarEdmond Xhani, laouta MESAOUDA JUDEO-ARABIC ENSEMBLE -- MESAOUDA JUDEO-ARABIC ENSEMBLEMarc Hazan, vocalsJoshua Levitt, naiHaig Manoukian, oudTomer Tzur, percussion MUKTHAMBAR FINE ARTS, INC. -- MUKTHAMBAR FINE ARTS, INC.A. Balaskandan, violinBala Ganesh, mrudangist (Asian Indian drum)Aarati Ramanand, dancerSaavitri Ramanand, vocals MUSIC FROM CHINA -- MUSIC FROM CHINASusan Cheng, director, daruanChung Bun Chiu, percussionWai Wah Law, vocalsGao Renyang, dizi, xiaoGuowei Wang, erhu, zhong hu, daohuTienjou Wang, gou hu, zhong huHerman Wong, concert managerMin Xiaofen, pipaHelen Yee, yang qinYing Ying Zhu, vocals SAU FAMILY ORCHESTRA -- SAU FAMILY ORCHESTRAZoran Muncan, keyboardErnie Sau, button accordionMichael Sau, button accordionVinnie Sau, violin SHASHMAQAM BUKHARAN JEWISH CULTURAL GROUP -- SHASHMAQAM BUKHARAN JEWISH CULTURAL GROUPAbokhay Aminov, vocals, doyra (drum)Tavriz Aronova, ensemble memberDavid Davidov, tarFiruza Junatan, dancerShumiel Kuyenov, doyra (drum)Boris Kuknariyev, accordionIzro Malakov, vocals SIMON SHAHEEN & QANTARA -- SIMON SHAHEEN & QANTARASimon Shaheen, director, oud, violinOlga Chirino, keyboardsBilly Drewes, soprano saxJamie Haddad, world percussionFrancois Moutin, contrabassAdam Rogers, acoustic and electric guitarBassam Saba, flute, naiLuis Santiago, Latin percussionNajib Shaheen, oudSteve Sheehan, world percussionSoraya, vocalsMartin Zarzar, world percussion SON MUNDANO -- SON MUNDANOBobby Allende, bongosJimmy Bosch, 1962-, tromboneNelson Gonzalez, Cuban tresNelson Gonzalez, Jr., lead vocalsOscar Hernandez, electric pianoRene Lopez, Jr., congasLuis Rosa, vocalsJoe Santiago, upright bass VISION BAND X-ECUTIONERS -- X-ECUTIONERSD.J. AngolaTotal EclipsePeter KangRoc RaiderMista SinistaRob Swift YURI YUNAKOV ENSEMBLE -- YURI YUNAKOV ENSEMBLELauren Brody, keyboard, vocalsCatherine Foster, clarinetIvan Milev, accordionGeorge Petrov, drumsCarol Silverman, vocalsYuri Yunakov, 1958-, saxophone Neighborhood & Community Life -- Neighborhood & Community LifeLori Brandston, urban sports and gamesSam Chwat, speech therapist, dialect coachMichael E. Clark, Citizens Committee for New York CitySonia Estreich, Citizens Committee for New York CityMichael Greene, urban sports and gamesLaura Hansen, Place Matters, Municipal Art SocietyRoberta Jones, storytellerJessica Katz, Citizens Committee for New York CityAnnie Lanzilloto, storyteller, performance artistMoe Maloney, community activist, "Mayor of Windsor Terrace"Rosalyn Perry, storytellerLiz Sevcenko, Memory Map, Lower East Side Tenement Museum Street Life, Festival, Celebration Mikey Enoch, steel pan tuner Richie Richardson, Caribbean carnival costume maker Les Slater, Caribbean carnival culture Transit Carissa Amash, New York Transit Museum Bruce Alexander, subway engineer, MTA Chris Creed, subway engineer, MTA Sandra Lane, subway operator, MTA Anthony Palombella, bus operator, MTA Luz Montano, New York Transit Museum Tarin Reid, subway operator, MTA Charles Sachs, Sr., curator, New York Transit Museum Gabrielle Shubert, director, New York Transit Museum Mark Watson, New York Transit Museum Wall Street Richard Anderson, Jr., stock market investor, speaker Richard Anderson, Sr., stock market investor, analyst Richard Baratz, caricaturist, stock certificate engraver, American Bank Note Company Madeline Boyd, trader, New York Stock Exchange Victoria Chukwuka, New York Metro Coordinator, Stock Market Game Joseph Cicchetti, trader, New York Mercantile Exchange Anthony DeMarco, trader, New York Board of Trade Joe Gabriel, engineer, plant manager, New York Stock Exchange Michael Geoghan, clerk, New York Mercantile Exchange John E. Herzog, founder, Museum of American Financial History Scott Hess, trader, New York Mercantile Exchange Myron Kandel, senior financial editor, CNN Michael LaBranche, specialist, New York Stock Exchange Gary Lapayover, trader, New York Mercantile Exchange Michel Mark, New York Mercantile Exchange Mark Tomasko, financial printer, engraving historian Nancy Norton Tomasko, financial printer Steve Wheeler, archivist, New York Stock Exchange Jason Zweig, columnist, -- Money -- Magazine Generations: a centennial tribute to Margaret Mead THE FLOWERS FAMILY SINGERS -- THE FLOWERS FAMILY SINGERSRev. James N. Flowers, Jr., director, vocals, Ft. Washington, MarylandAnthony Flowers, vocals, keyboard, Seat Pleasant, MarylandYolanda Flowers, vocals, Capital Heights, MarylandMarie Hickson, vocals, Capital Heights, MarylandDorothy McDowell, vocals, Upper Marlboro, MarylandMargie Pickett, vocals, Landover, MarylandErma Reed, vocals, Landover, MarylandMildred Scruggs, vocals, Capital Heights, Maryland WALKER CALHOUN AND THE RAVEN ROCK DANCERS -- WALKER CALHOUN AND THE RAVEN ROCK DANCERSWalker Calhoun, director, vocals, drum, rattle, Cherokee, North CarolinaAndrew Calhoun, dancer, Cherokee, North CarolinaJennifer Calhoun, dancer, Cherokee, North CarolinaChris Mahan, dancer, Cherokee, North CarolinaVelma Mahan, dancer, Cherokee, North CarolinaDelana Smith, dancer, Cherokee, North CarolinaPatrick Smith, dancer, vocals, Cherokee, North Carolina THE SAU FAMILY ORCHESTRA, RIDGEWOOD, QUEENS, NEW YORK -- THE SAU FAMILY ORCHESTRA, RIDGEWOOD, QUEENS, NEW YORKZoran Muncan, keyboard, Ridgewood, Queens, New YorkAksenti Sau, piano accordion, Ridgewood, Queens, New YorkErnie Sau, button accordion, Ridgewood, Queens, New YorkMichael Sau, button accordion, Ridgewood, Queens, New YorkNikica Sau, keyboard, Ridgewood, Queens, New YorkVinnie Sau, violin, Ridgewood, Queens, New York
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 4
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fa8116c3-ad1f-4df7-ae92-1bfaad7778fa
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref34