The materials in the subseries consists of black and white silver gelatin negatives.
Matrices, color separation
Color separation negatives
Dye transfer process
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Washington (D.C.) -- Small business -- 20th century
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents note:
The materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities.
There is not a clear system of arrangement within the subseries.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.12 forms part of Series 4, within the Scurlock Studio Records group.
Scurlock Studio Records
Series 1: Black and White Photographs
Series 2: Color Photographs
Series 3: Framed Prints
Series 4: Black-and-White Silver Gelatin Negatives
Series 5: Color Negatives
Series 6: Color Transparencies, Slides, and Other Formats
Series 7: Black-and-White Color Separation Negatives and Matrices
Series 8: Scurlock Studio Business Records
Series 9: Custom Craft Business Records
Series 10: Capitol School of Photography
Series 11: Washington Stock
Series 12: Background Materials and Publications
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American entertainers -- 20th century Search this
African Americans -- History -- 20th century Search this
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.