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Catalog Data

Photographer:
Patterson, M. Marvin Breckinridge  Search this
Names:
Hatch, Olivia Stokes  Search this
Extent:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Culture:
Shona (African people)  Search this
San (African people)  Search this
Zulu (African people)  Search this
Xhosa (African people)  Search this
Ila (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Manuscripts (document genre)
Contact sheets
Publications
Place:
Zanzibar
Congo (Democratic Republic)
Africa
Kenya
Luxor (Egypt)
Sudan
Tanzania
Uganda
Date:
1932, circa 1960s-1970s
bulk 1932
Summary:
The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.
Scope and Contents:
This collection includes 113 black and white photographic prints taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932; 3 color photographic prints taken in 1971 of mbira, pipes, and a sculpture; publications; and contact sheets. Many of the photographs from the 1932 trip were published in Olivia's African Diary: Cape Town to Cairo," (Washington, D.C.: Eastern Press, 1980). The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. Subjects include a bride and groom at Lovedale, South Africa; dancers at the Crown Mine near Johannesburg, South Africa; flower vendors in Cape Town, South Africa; two leading elders at Amanzimtoti, South Africa; a craftsman making spears; a tanner in the Sudan; miners with their wives in Katanga (now Shaba), Belgian Congo (now Democratic Republic of the Congo); schoolboys in the Sudan; a Shona man; women lining-up to receive rations in the Belgian Congo; workers pouring gold at the Crown Mine near Johannesburg, South Africa; and a Zulu woman at a market in Durban, Natal, South Africa. Depicted architecture includes the Queen Hatshepsut's room at Karnak, Luxor, Egypt; and the ruins of Great Zimbabwe. Images of the natural world include a mountain at Cape Town, South Africa; a park in Port Elizabeth, South Africa; and Victoria Falls, Southern Rhodesia (now Zimbabwe). Finally, there are numerous images of animals, including egrets, ostriches and wildebeests. Photographs from the collection were published in the Boston Herald (July 31, 1933) and the Crown Colonist (August 1933).
Arrangement note:
Arranged in three series. Series 1 is arranged by country. Series 2 is arranged in chronological order. Series 1: Photographs, 1932, 1971 (Boxes 1-3, 116 items, 0.4 cubic feet) Series 2: Publications, circa 1960s-1970s (Box 3, 4 folders) Series 3: Contact Sheets, 1932 (Box 3, 0.2 cubic feet)
Biographical/Historical note:
Photographer, broadcaster, and filmmaker Mary Marvin Breckinridge Patterson (1905-2002), grandchild of Vice President John Cabell Breckinridge, was a photographer, broadcaster and filmmaker. Following graduation from Vassar College in 1928, Breckinridge worked for the Frontier Nursing Service (a group comprised mainly of women that provided medical services to remote areas in Appalachia), earned a pilot's license (the first woman in Maine to do so), and assisted in the office of the Democratic National Committee. In 1932 she traveled to Africa where she documented the peoples and places throughout the continent. She enrolled in the Clarence White School of Photography in New York in 1933, taking trainings on photographic developing and printing. She then worked in the office of Democratic congresswoman, and distant relative, Isabella Selmes Greenway, but soon returned to the Clarence White School of Photography for a longer course of study. Following graduation, she began selling photographs and sometimes articles in several magazines, including LIFE, Harper's Bazar, and Town and Country. Her film credits include "She Goes to Vassar" (1931), a film that provides an overview of college life at Vassar, and "The Forgotten Frontier", a documentary about the activities of the Frontier Nursing Service, a group comprised mainly of women that provided medical services to remote areas in Appalachia. Travelling to Europe in 1939 on photojournalism assignments, Breckinridge was in Switzerland when the Nazis invaded Poland, starting World War II. She traveled to London to photograph the evacuation of English children, one of only four American photographers in England for the first months of the war. Edward Murrow hired her as the first female news broadcaster for the CBS World News Roundup to report from Europe. As the only female member of "The Murrow Boys", an elite group of only eleven broadcasters handpicked by Murrow, she broadcasted 50 reports from seven countries. While working in Berlin, she married Foreign Service Officer Jefferson Patterson. She resigned from CBS, hoping to resume her career in photojournalism, but State Department policies restricted her ability to publish. The couple was posted in Peru, Belgium, Egypt, the Balkans and Uruguay.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Photographs
Publications
Citation:
M. Marvin Breckinridge Patterson collection, EEPA 1985-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1985-009
See more items in:
M. Marvin Breckinridge Patterson Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1985-009