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Catalog Data

Villa, Carlos, 1936-2013  Search this
Karlstrom, Paul J.  Search this
Park Place Gallery Art Research, Inc.  Search this
University of California, San Francisco. School of Fine Arts  Search this
Berman, Wallace, 1926-1976  Search this
Bischoff, Elmer, 1916-1991  Search this
Brown, Joan, 1938-1990  Search this
Diebenkorn, Richard, 1922-1993  Search this
Garcia, Rupert, 1941-  Search this
Hudson, Robert, 1938-  Search this
Neri, Manuel, 1930-  Search this
Valledor, Leo, 1936-1989  Search this
Wiley, William T., 1937-2021  Search this
134 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
1995 June 20-July 10
Scope and Contents:
An interview of Carlos Villa conducted 1995 June 20-July 10, by Paul Karlstrom, for the Archives of American Art.
Villa discusses his "progress" from Filipino background to his art world identity; the phenomena and individuals who contributed to the new awareness in the mid-1970s: "El Movimiento," Chicano "Rasquache," Rupert Garcia, Amalia Mesa-Baines; the idea of "recuperation," and the sense of Asian-American identity and community as a basis for his art. Villa recalls growing up in San Francisco; his early life; living in the Tenderloin district and his exposure to racism; the influence of his cousin, artist Leo Valledor; growing up Filipino in California and the difficulties that accompanied it. Villa discusses popular (black) culture, jazz "guapo," zoot-suit style as role models and basis for aesthetic/art; his admiration for black self-esteem; his aesthetics; viewing art as a way out of the ghetto and an escape from racism.
Villa discusses his introduction to the California School of Fine Arts (soon thereafter the San Francisco Art Institute); his need to be part of the artist community; CSFA and other students and teachers; and his self-conception as a modernist. He discusses the technical aspects of his art; the influence of various Bay Area artists on his work; his investigation of Filipino art history and his role models; the role of the women at the CSFA and women as role models. Villa recalls his first show at Pointdexter in New York; his associations with minimalists and the Park Place Gallery group; his New York minimalist phase and his need to escape the New York environment after six years. He discusses his return to the Bay Area and his use of identity/politics as subjects for his art.
Villa recalls or mentions Rupert Garcia, Leo Valledor, Manuel Neri, Joan Brown, Bill Morehouse, David Stone Martin, Wallace Berman, William Wiley, Bob and Dona Hudson, Bill Allen, Elmer Bischoff, Richard Diebenkorn, Ralph DuCass, Walter Kuhlman, Wally Hedrick, Bruce Conner, Alvin Light, Claire Falkenstein, Bob McFarlane, Hayter, Tapies, Fred Martin, Nathan Oliveira, Jennifer Bartlett, Dick Maclean, Elizabeth Murray, Alfred Neumeyer, Mark Rothko, Kenneth Noland, Sol Lewitt, Mark di Suvero, Robert Grovesnor, Tom Seligman, Kurt Schwitters, Robert Rauschenberg, Angela Davis, and Moira Roth.
Biographical / Historical:
Carlos Villa (1936-2013) was a Filipino American painter, curator, and educator in San Francisco, California.
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 7 hr., 40 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Modernism (Art)  Search this
Latino and Latin American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American curators  Search this
Asian American educators  Search this
Sound recordings
Archival Repository:
Archives of American Art