Skip to main content Smithsonian Institution

Online Media

Catalog Data

Creator:
Lopez, Joe, 1945-  Search this
Names:
Gallista Gallery  Search this
Extent:
1.7 Linear feet
32.93 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Scrapbooks
Date:
1966-2016
Summary:
The Joe Lopez papers and Gallista Gallery records measure 1.7 linear feet and 32.93 GB and date from 1966 to 2016. The collection is comprised of biographical records that include interviews with Lopez, autobiographical writings by Lopez and writings by others, printed and digital materials, artwork, and photographic and moving image materials. Records for the Gallista Gallery include trademark files and legal records pertaining to the lawsuit against Lopez by E and J Gallo Winery over the use of the word "gallo."
Scope and Contents:
The Joe Lopez papers and Gallista Gallery records measure 1.7 linear feet and 32.93 GB and date from 1966 to 2016. The collection is comprised of biographical records that include interviews with Lopez, autobiographical writings by Lopez and writings by others, printed and digital materials, artwork, and photographic and moving image materials. Records for the Gallista Gallery include trademark files and legal records pertaining to the lawsuit against Lopez by E and J Gallo Winery over the use of the word "gallo."
Arrangement:
The collection is arranged as six series. Series 1: Biographical Materials, 1966-2013 (Boxes 1, 3; 6 folders, ER01-ER06; 19.32 GB) Series 2: Writings, circa 1997-2002 (Box 1; 6 folders) Series 3: Gallista Gallery Records, 1990-2016 (Boxes 1, 3; 0.8 linear feet, ER07; 7.53 GB) Series 4: Printed Materials, circa 1975-2015 (Boxes 1-3; 0.4 linear feet) Series 5: Artwork, circa 1990-2008 (Boxes 2-3; 5 folders) Series 6: Photographic and Moving Image Materials, circa 1985-circa 2010 (Box 2; 0.2 linear feet, ER08-10; 6.10 GB)
Biographical / Historical:
Joe Lopez (1945- ) is a painter and founder of the Gallista Gallery (1996-2016) in San Antonio, Texas. Lopez grew up in El Barrio Escondido, a neighborhood in San Antonio. He was introduced to art through his Uncle Basilio, a folk artist. While a student at St. Anthony Shrine School, Lopez gained the attention of one of the nuns which led to a scholarship to attend the Witte Museum Art School. He also attended La Villita School of Art, the San Antonio School of Art, and was awarded a scholarship to McNay Art Museum school. Lopez trained with artists Warren Hunter, John Squire Adams, Finis Collins, and Jesus "Chista" Cantu. Because Lopez was born with one hand, artist Jesse TreviƱo was an inspiration to Lopez for his ability to paint with one hand. Lopez's paintings often feature gallos, the Spanish word for roosters, because they symbolize strength and pride in Chicano and Mexican American culture. Lopez opened his own gallery in 1996 because he was having difficulty booking exhibitions at other galleries. The original name of the gallery was Puro Gallo, and he changed the name to Gallista Gallery in 1998. Gallista was coined by Lopez to describe those who supported him during a five year court battle with E and J Gallo Winery. The wine company initiated the lawsuit against Lopez over the use of the word "gallo." The gallery became a bedrock of the community, fostering the talents of local Latino artists long after the lawsuit ended. Early in his career, Lopez worked in the art department for Dillard's and Centeno's supermarket before becoming employed in the graphics department at Fort Sam Houston, a U.S. Army post in San Antonio. He retired in 2007 from Fort Sam Houston after 22 years. Lopez's work has been exhibited at the McNay Art Museum, Laguna Gloria Art Museum, and other museums throughout Texas. His paintings have been featured on posters and covers of music albums including Taquachito Nights: Conjunto Music from South Texas produced by Smithsonian Folkways Recordings and Puro Gallo by Los Padrinos.
Provenance:
The Joe Lopez papers and Gallista Gallery records were donated by Joe Lopez in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
The donor has retained all intellectual property rights, including copyright, that he or she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Texas -- San Antonio  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Function:
Art galleries, Commercial -- Texas -- San Antonio
Genre/Form:
Interviews
Scrapbooks
Citation:
Joe Lopez papers and Gallista Gallery records, 1966-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lopejoe
See more items in:
Joe Lopez papers and Gallista Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lopejoe