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Konti, Isidore, 1862-1938  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Daingerfield, Elliott, 1859-1932  Search this
Eickemeyer, Rudolf, 1862-1932  Search this
French, Daniel Chester, 1850-1931  Search this
Keck, Charles, 1875-1951  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
Manship, Paul, 1885-1966  Search this
Roth, Frederick George Richard, 1872-1944  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
1.8 Linear feet ((on 3 microfilm reels))
1.3 Linear feet (Addition)
Collection descriptions
Archival materials
Scope and Contents:
Letters, award certificates, contracts, drawings, clippings, printed material, 2 scrapbooks, and photographs document Konti's sculpture projects.
Reel 1208: Photographs (1904-1936) show Konti, his family and his works of art. A scrapbook (1908-1928) contains photographs of works of art, clippings, and a letter to Konti's niece, Malvina Kaeyer, from Thomas Green requesting information about a Konti bronze he owns. Another scrapbook (1908-1956) contains a 1929 blueprint of Memorial Park, clippings, photographs of the Kelahan Memorial and the Spanish-American War Monument, and 2 exhibition catalogs (1938-1947).
Reels 1210-1211: Letters (1894-1949) concern sculpture projects and were written primarily by Konti's colleagues, including Karl Bitter, Elliott Daingerfield, Rudolf Eickemeyer, Daniel Chester French, Charles Keck, Hermon MacNeil, Paul Manship, Frederick G. R. Roth, and Adolph Weinman. Business materials include award certificates (1879-1956), contracts (1900-1929), copyright cards (1907-1911), receipts (1905-1926) from the Roman Bronze Works and records of sales (1913-1926). Art works consist of 92 drawings and a sketchbook. Printed materials include clippings (1928-1946), brochures on the Yonkers Art Association (1940) and exhibition and auction catalogs (1898-1940).
Unmicrofilmed: A 1902 letter from Karl Bitter concerns the fall exhibition. Other materials include account statements and receipts from the Gorham Company (1921-1937), the constitution and by-laws (1951) and a bulletin (1954) from the Hudson River Museum, a 1926 catalog on "Small Bronzes by Great Sculptors as Prizes" and six negatives of the Estelle Weaks Reilly Memorial.
Addition Unmicrofilmed Correspondence, certificates, photographs of works of art and people, newspaper clippings, three-dimensional sculpture of a profile 2" X 2", works of art on canvas board and photo albums, letters of condolence, biographical material [c. 1901- 1974].
Biographical / Historical:
Sculptor. Born July 9, 1862 in Vienna, Austria, emigrated to New York City in 1892, eventually settling in Yonkers, N.Y., where he lived the rest of his life. Konti had studied in Vienna, under Edmund Von Hellmer and Karl Kundmann, and in Rome. Konti worked in the Beaux Arts tradition. In New York, he became an associate of Philip Martiny, a former student of Saint-Gaudens, who sent him to work on decorative models at the World's Columbia Exposition in Chicago. In 1904, Konti created the fountains of the Atlantic and Pacific for the Louisiana Purchase Exposition in St. Louis. During the following decades, he established his reputation, befriending many of the significant sculptors of the early 20th century. Died Jan. 11, 1938, Etaples, France.
The papers, originally lent for filming by the Hudson River Museum, were subsequently given by Konti's grandnephew, Richard E. Kaeyer. Loan material which was not part of the gift includes 2 oversize award certificates (Reel 1208:692 and Reel 1210:1351) and a biographical account (Reel 1211:570).
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Sculptors -- United States  Search this
Decoration and ornament, Architectural -- United States  Search this
Eclecticism in architecture -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Archival Repository:
Archives of American Art