The papers of Flora de Stephano regarding Robert Frederick Blum measure 0.2 linear feet and date from 1873 to 1932. Found are letters, legal records, photographs, and printed materials concerning de Stephano's relationship with Robert Blum and her claim to his estate.
Scope and Contents:
The papers of Flora de Stephano regarding Robert Frederick Blum measure 0.2 linear feet and date from 1873 to 1932. Found are letters, legal records, photographs, and printed materials concerning de Stephano's relationship with Robert Blum and her claim to his estate.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Flora de Stephano (1874- ) was often featured in the paintings of Robert Blum. After his death, she claimed to be his widow. Eventually, she received a small sum of money, some personal possessions, and three paintings by Blum from his executors.
Provenance:
The papers were given to the donor, Alan Pensler, by Webster de Stephano Smith, a descendant of Flora de Stephano. Pensler donated the papers to the Archives of American Art in 1987.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists' models -- New York (State) -- New York Search this
Citation:
Flora de Stephano papers relating to Robert Frederick Blum, 1873-1932. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
