Skip to main content Smithsonian Institution

Online Media

Catalog Data

Creator:
Cunningham, Ben, 1904-1975  Search this
Names:
Hiler, Hilaire, 1898-1966  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1904-1984
bulk 1930-1975
Summary:
The papers of artist and educator Ben Cunningham measure 2.3 linear feet and date from 1904 to 1989 with the bulk of the material dating from 1930 to 1975. The collection documents his career through professional and personal papers, writings, printed materials, artwork, and photographic materials.
Scope and Contents:
The papers of artist and educator Ben Cunningham measure 2.3 linear feet and date from 1904 to 1989 with the bulk of the material dating from 1930 to 1975. The collection documents his career through professional and personal papers, writings, printed materials, artwork, and photographic materials. Personal and professional papers include resumes, biographical summaries, audiovisual recordings of two interviews with Cunningham, papers related to the damage of Autumn Nonscape, and handmade cards by Cunningham, his wife, and others. One file concerning artist and psychologist Hilaire Hiler includes several letters by Hiler, correspondence with Hiler's daughter and son after his death, and one print made by Hiler. The series is comprised mostly of professional correspondence between Patsy and Ben Cunningham and collectors, museums, galleries, and others concerning the exhibition and sale of Cunningham's artwork. Personal correspondence includes postcards, letters about friends and current events, christmas cards, and some business topics are discussed as well. Writings include an illustated lecture on color given by Cunningham at the Art Students' League, mixed writings and notes by Cunningham, notes by Patsy on Ben's life, things he once said, his artwork, and bibliographic information. Writings by others about Cunningham, one pamphlet draft from the Newark School of Fine and Industrial Arts that incorporated Cunningham's ideas and philosophies, and a copy of "The Revision of Vision" by S. I. Hayakawa are also present. Printed materials consist of clippings about Cunningham's career, the death of Jean Varda, exhibition catalogs, announcements, posters, and invitiations, reproductions of Cunningham's artwork, two scrapbooks, and more. Artwork includes glass slides that Cunningham used to create designs, two sketches, one drawing, and a woodcut by Cunningham. Studies include those for Callipycia, Gordon Knot, Topological Conjecture, Escape Velocity, poster work for the John Lindsay's New York mayoral campaign, and more. Photographic materials depict the artist, exhibitions and events, and several snapshots of his studio. The series also includes photographs, slides, and transparencies of Cunningham's artwork; and one file of artwork made by his students at Cooper Union.
Arrangement:
The Ben Cunningham papers are arranged as five series: Series 1: Personal and Professional Papers, 1941-1984 (1.2 linear feet; Box 1-2, 5) Series 2: Writing Files, 1950s-1989 (9 folders; Box 2, 5) Series 3: Printed Materials, 1940-1981 (.8 linear feet; Box 2, 5) Series 4: Artwork, 1930-1970s (7 folders; Box 3, 5, OV 6) Series 5: Photographic Materials, 1904-1972 (.6 linear feet; Box 3-5)
Biographical / Historical:
Ben Cunningham (1904-1975) was an artist and educator who worked in San Francisco and New York. He was from Nevada and initially attended the University of Nevada to study architecture. After a year, he moved to California to attend the San Francisco Art Institute. His first one-man show was at the Beaux Arts Gallery in San Francisco in 1931, and for the next decade exhibited in solo and group shows. While in San Francisco, Cunningham also worked as a muralist and was a supervisor of mural paintings under the Federal Art Project. Cunningham moved to New York City in 1944 where he continued his work as an artist, and began teaching at the Newark School of Fine and Industrial Arts, Cooper Union, Pratt Institute, and the Art Students' League of New York. He conducted the summer workshop in advanced painting at the University of Minnesota at Duluth. His artwork can be found in the permanent collections of the Museum of Modern Art, New York, Solomon R. Guggenheim Museum, Forth Worth Art Museum, the Birla Academy of Art and Culture in Kolkata, India, and private collections.
Related Materials:
Syracuse University Libraries also holds papers of Ben Cunningham.
Provenance:
Donated 1972-1989 by the estate of Patsy and Ben Cunningham.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Ben Cunningham papers, 1904-1989, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cunnben
See more items in:
Ben Cunningham papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw918af72ce-a92b-462e-bdc5-85b44e03702b
EDAN-URL:
ead_collection:sova-aaa-cunnben