An interview of Rolando Briseño conducted 2004 March 16 and 26, by Cary Cordova, for the Archives of American Art, in San Antonio, Texas.
Briseño speaks of his family background; as a child going to Mexico during the summer; growing up in San Antonio; visiting the Witte Museum, taking art classes there; Jackie von Honts, a special tutor of Briseño; scholarship to Cooper Union in New York; Catholicism; Melita del Villar and realizing "Christian mythology"; exchange program with University of Texas, Austin and La Pontifica Universidad Católica del Peru, Lima, Peru; calling himself Chicano; passion for food; traveling around Europe; politics and its influence; coming to terms with his sexuality; graduate school at Columbia University; interest in boxing; involvement in Con Safo; working on a computer as opposed to painting; and the Historic and Design Review Commission of San Antonio. Briseño also recalls Roland Mazuca, Fernando de Syzslo, Santa Barraza, Sylvia Orozco, Kathryn Kanjo, Linda Pace, Jesse Amado, Chuck Ramirez, Franco Mondini-Ruiz, and others.
Biographical / Historical:
Rolando Briseño (1952-) is an artist from San Antonio, Texas. Cary Cordova (1970-) is an art historian from Austin, Texas.
Due to technical problems the interview was recorded on both compact disc and mini disc.
Originally recorded on 2 sound discs and 2 compact discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 26 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
Painters -- Texas -- San Antonio -- Interviews Search this
This interview is part of the series "Recuerdos Orales: Interviews of the Latino Art Community in Texas," supported by Federal funds for Latino programming, administered by the Smithsonian Center for Latino Initiatives.
The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.