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Catalog Data

Creator:
Blanch, Lucile, 1895-1981  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Date:
circa 1898-1963
Summary:
The papers of painter Lucile Blanch (1895-1981) measure 0.5 linear feet and date from circa 1898 to 1963. The scattered papers comment on Blanch's relationships with her husband Arnold Blanch, her sister Beatrice Lundquist, and fellow artists. Found are biographical material, correspondence, a diary fragment by Beatrice Lundquist, and photographs.
Scope and Contents:
The papers of painter Lucile Blanch (1895-1981) measure 0.5 linear feet and date from circa 1898 to 1963. The scattered papers comment on Blanch's relationships with her husband Arnold Blanch, her sister Beatrice Lundquist, and fellow artists. Found are biographical material, correspondence, a diary fragment by Beatrice Lundquist, and photographs.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Minnesota and New York etcher and painter Lucile Blanch (1895-1981) helped to establish the Woodstock Art Colony in Woodstock, New York. Born Lucile Lundquist in rural northern Minnesota, she studied at the Minneapolis School of Art where she met her future husband, Arnold Blanch. They moved to New York City where Lucile studied at the Art Students League. Lundquist was awarded a Guggenheim Fellowship in the mid-1930s and participated in the Works Progress Administration's Federal Art Project, creating several murals for public buildings, before teaching art classes. Lucile Blanch died in Georgia in 1981 and is buried in Woodstock, New York.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1003 including a sketchbook; 46 drawings, prints and reproductions of Blanch's work; illustrations from W. H. Hudson's Green Mansions; 3 scrapbooks containing clippings, reproductions of her work, exhibition material, photographs, and letters; and miscellaneous printed material. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
Materials on reel 1033 were lent for microfilming in 1975 by Lucile Blanch and the correspondence on frames 297-410 was subsequently donated in 1976 by Blanch. Additional correspondence, photographs and a sketch were donated in 2021 and 2023 by Nancy Lundquist, a relative of Lucile Blanch.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- Woodstock  Search this
Etchers -- New York (State) -- Woodstock  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Scrapbooks  Search this
Genre/Form:
Sketchbooks
Drawings
Citation:
Lucile Blanch papers, circa 1898-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blanluci
See more items in:
Lucile Blanch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910b6a556-fde0-47e5-8c65-3356dc867960
EDAN-URL:
ead_collection:sova-aaa-blanluci