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Interviewee:
Ashton, Dore  Search this
Sampson, George E., 1951-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Harvard University -- Students  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
New York Times Company  Search this
De Kooning, Willem, 1904-1997  Search this
Devree, Howard, 1891-1966  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Klüver, Billy, 1927-2004  Search this
Motherwell, Robert  Search this
Orlovsky, Peter, 1933-2010  Search this
Paz, Octavio, 1914-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynal, Jeanne, 1903-  Search this
Rothko, Mark, 1903-1970  Search this
Selz, Peter Howard, 1919-2019  Search this
Smith, David, 1906-1965  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 21 - 2011 March 9
Scope and Contents:
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
Ashton talks about growing up politically active; protesting the internment of the Japanese Americans during WWII; attending The New School and then Harvard University; briefly working as a gallery receptionist; writing her first reviews for Art Digest; Howard Devree hiring her as a writer for The New York Times; travels and living in Europe; writing feature pieces about individual artists for The New York Times; writing for Cahiers d'art; her relationships Franz Kline, Willem de Kooning, Mark Rothko, Philip Guston, Robert Motherwell, Billy Kluver, Robert Rauschenberg, Octavio Paz, and others; marriage to Adja Yunkers; teaching at Cooper Union; interest in Latin American Art; flirting; being a "dedicated reader of Nietzsche"; visits to the Cedar Tavern; being a peacenik; and other topics. She recalls Jeanne Reynal, Mario Pedrosa, Alger Hiss, Peter Selz, Peter Orlovsky, David Smith, and others.
Biographical / Historical:
Dore Ashton (1928-2017) was an art historian in New York, New York. George W. Sampson (1951-) is an arts administrator in Charlottesville, Virginia.
General:
Originally recorded on 2 memory cards. Duration is 2 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Artists -- Political activity  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ashton10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ashton10