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Ethel Fisher papers

Creator:
Fisher, Ethel, 1923-  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brentwood Art Center  Search this
Barnet, Will, 1911-2012  Search this
Boxer, Stanley  Search this
Coleborn, Keith  Search this
Ehrenkranz, Elaine  Search this
Fernandez, Rafael  Search this
Fine, Irving, 1914-1962  Search this
Getz, Ilse, 1917-  Search this
Jones, Keri  Search this
Kitaj, Sandra Fisher  Search this
Kott, Seymour  Search this
Lassaw, Ibram, 1913-2003  Search this
Pearson, Henry, 1914-2006  Search this
Thek, Paul  Search this
Extent:
12.5 Linear feet
0.558 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Date:
1930-2017
Summary:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.
Scope and Contents:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

Biographical material includes Art Students League records, address books and business cards, artist statements and resumes, an interview transcript and sound cassette, and other miscellaneous documents.

Correspondence is with family, friends, colleagues, artists, galleries, and museums. The bulk of the correspondence is with daughter Sandra Fisher and husband Seymour Kott. Notable correspondents include Will Barnet, Keith Coleborn, Elaine Ehrenkranz, Rafael Fernandez, Henry Pearson, and others. There are also greeting cards and postcards, inluding numerous illustrated cards from Fisher to her husband Seymour.

Writings mostly consist of annotated appointment calendars and travel diaries along with some writings by others, such as a travel diary by Keith Coleborn and a graduate thesis by Keri Jones.

Project files include correspondence, grant applications, printed and digital material, and publication agreements for art projects, commissions, studio tours, auctions, and speaking engagements. Notable projects include material on the NBC-TV film Family Ties, art loans for the Showtime movie Town of the Eighties, and teaching material from Brentwood Art Center.

Exhibition files contain exhibition announcements, catalogs, publicity, reviews, correspondence, exhibition lists, price lists of artwork, and other material for Ethel Fisher's group and solo shows.

Artists' files include printed material about and limited correspondence with various artists in which Fisher was interested or with whom she was friends, including Stanley Boxer, Irving Fine, Ilse Getz, Ibram Lassaw, and Paul Thek.

Personal business records include consignments, price lists, loan agreements, receipts, donations, and sales documentation.

Printed material includes exhibition catalogs, announcements, magazines, and clippings about Ethel Fisher and other artists. There are also books inscribed to Fisher.

The artwork series includes sketchbooks, drawings, watercolors, and loose sketches.

Photographic material consists of photographs, digital photographs, slides, and negatives of Ethel Fisher, her artwork, exhibitions, events, family, friends, artists, studios, and travel. There are also "reference photos" of people, places, and objects which Fisher used for her portraits and paintings.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1939-2014 (0.3 linear feet; Boxes 1, 13)

Series 2: Correspondence, 1930-2017 (5.4 linear feet; Boxes 1-6, 13, 15)

Series 3: Writings, 1965-2014 (0.8 linear feet; Boxes 6-7, 13)

Series 4: Project Files, 1954-2011 (0.5 linear feet; Boxes 7, 12, 0.128 GB; ER01)

Series 5: Exhibition Files, 1945-2006 (0.6 linear feet; Boxes 7-8)

Series 6: Artists' Files, 1952-2010 (0.4 linear feet; Boxes 8, 12)

Series 7: Personal Business Records, 1959-2017 (0.3 linear feet; Boxes 8, 13)

Series 8: Printed Material, 1940-2016 (1.0 linear feet; Boxes 8-9, 12-13)

Series 9: Artwork and Sketchbooks, 1944-2014 (1.0 linear feet; Boxes 9, 12-15, OV16)

Series 10: Photographic Materials, 1942-2014 (2.2 linear feet;Boxes 9-11, 14, 0.430 GB; ER02)
Biographical / Historical:
Ethel Fisher (1923-2017) was a painter who lived in Pacific Palisades, California.

Ethel Fisher was born in Galveston, Texas in 1923. She studied art at the University of Houston, University of Texas, and Washington University in St. Louis, Missouri. After college, she moved to New York City and attended The Art Students League on scholarship from 1943-1946. In New York, she studied with painter Will Barnet, Morris Kantor, and Robert Beverly Hale, and befriended many people in the art world. She married Gene Fisher and their first daughter Sandra was born. Sandra also became a painter and later married artist R. B. Kitaj.

Fisher and her family moved to Miami in 1948 where her daughter Margaret was born. Upon her divorce, Fisher travelled in Europe for about a year before returning to New York City in the early 1960s, where she continued to paint and maintained 2 studios for her artwork. She married art historian Seymour Kott in 1963.

In 1970, Fisher and her husband moved to Pacific Palisades in Los Angeles, California. Throughout her career as a painter, Ethel Fisher has had solo and group exhibitions at galleries in Havana, Cuba; West Palm Beach, Florida; Atlanta, Georgia; New York City, New York; and San Francisco and Los Angeles, California. She has been the recipient of numerous awards and continues to paint. In 2003, Fisher had solo exhibit of portraits at Platt Gallery in Los Angeles.
Provenance:
The Ethel Fisher papers were donated by Ethel Fisher in two installments in 1997 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fishethe
See more items in:
Ethel Fisher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7e887a2-bffd-4c8e-ad17-16d3139bc61f
EDAN-URL:
ead_collection:sova-aaa-fishethe
Online Media:

Binney & Smith, Inc. Records

Creator:
Binney & Smith, Inc.  Search this
Names:
Binney, Edwin  Search this
Smith, Harold  Search this
Extent:
24 Cubic feet (64 boxes and 1 oversize folder)
Type:
Collection descriptions
Archival materials
Catalogs
Color charts
Annual reports
Price lists
Newsletters
Photographs
Date:
1897-1998
Summary:
Collection documents Binney & Smith, Inc. creators and manufacturers of Crayola crayons. Includes documentation on 20th century advertising, commercial packaging, commercial imagery, and retail merchandising: newsletters, annual reports, research and development records, color charts, advertising materials, and product information, including catalogs and price lists.
Scope and Contents:
The Binney & Smith Inc. Records, document twentieth century advertising, commercial packaging, commercial imagery, and retail merchandising. They are a major source for research on American consumer culture. This collection is divided into thirteen (13) series.

Series 1:Historical Background, 1956-1994 contains documentation on the corporate history of Binney & Smith, and general background on how crayons are made. The Story of the Rainbow (editions 1947, 1956, and 1961) provide corporate historical highglights and a history of the company. See also Series 5: Newsletters and Publications, 1948-1955 for information about the company.

Series 2: Executive Records, 1897-1995, consists of annual and corporate reports, by-laws, minutes, correspondence, annual reports, stockholder materials and the attempted merger of Binney & Smith by Cheeseborough-Ponds in the early 1970s and the Kellogg Co., ca. 1979.

Series 3: Financial, Sales, and Marketing Records, 1902-1990, consists primarily of sales information and statistics for crayons and other products. The correspondence, 1913-1931, includes documentation on monthly sales with explanations and analysis. Binney & Smith created comparative data on a yearly basis for products and salesmen. The salesmen data, 1919-1932, contains the amount of sales, expenses, percentages, time periods, and increases and decreases in business. Specific salesmen are cited in reports. All of the sales information should be consulted as there is considerable overlap.

Series 4: Employee/Personnel Records, 1917-1993, contains payroll rate books, employee reports and miscellaneous documentation. The payroll rate books include the names of employees and the rate at which they were paid per hour. In some instances it is noted if the employee left the company.

Series 5: Newsletters and Publications, 1948-1995, include newsletters and other publications produced by Binney & Smith, Inc. Arranged alphabetically, this series contains publications intended for both internal distribution such as the Rainbow Insider and external distribution such as the Art Educationist and Drawing Teacher. This series provides valuable information on the history of the company, how it operates, the types of products produced, and the employees. The Art Educationist, formerly known as the Drawing Teacher, which began publication in 1926, was a publication for art teachers that promoted the value of art in schools. It contains editorials, comments from teachers, and suggested art activities.

Series 6: Research and Development Records, 1905-1987, includes a wide variety of materials documenting the Research and Development Department. The bulk of the materials include crayon formulas. Other formulas for products such as chalk exist.

Series 7: Advertising and Marketing Records, 1918-1998, contains several subseries with the bulk of the material being documentation on labeling and packaging. The advertising accounts are arranged chronologically and then within each year, alphabetically by the name of the journal or magazine in which Binney & Smith advertised. The cards provide the name, address, date of contract, date of expiration, space allotted, rate, subject of the ad, and remarks if applicable. Information on distribution and "specials" is available for some years. The promotional materials consist of licensing information, press kits, and printed literature, particularly Promotional Plans which describe the details of each promotion offered for each product along with suggestions for merchandising activities.

Series 8: Catalogs, 1916-1995, and Series 9: Price Lists, 1916-1995, are arranged alphabetically by division within Binney & Smith, Inc. Both series provide documentation on the types of products available to the consumer and costs associated with each product.

Series 10: Product Information, 1918-1995, consists of printed literature on a variety of products produced by Binney & Smith, Inc. The series is arranged alphabetically. The product inventories, 1920-1925, are arranged by product number in sequential order. There are three distinct inventories--those arranged by product number (#1-#7026); those arranged alpha-numerically (#04-#04Y); and those arranged alphabetically.

Series 11: Competitors, 1918-1992, contains published catalogs and advertising of crayon competitors. There is a scrapbook of competitors advertising contains correspondence, product information, advertisements, and newspaper clippings for the American Crayon Co., Art Crayon Co., Botts Mfg., Eberhard Faber Co., Ferst Brothers, Joseph Dixon Crucible Co., Milton-Bradley Co., and National Crayon Co.

Series 12: Photographs and Scrapbooks, circa 1900s-1997, includes several subseries documenting buildings and office spaces,displays, employees and machinery, products, portraits, photo albums, and oversized. The oversized photographs contain some panoramic shots of Binney & Smith company "annual outings." The photograph albums consist of several albums including the Middletown Township Workshop, 1952, an art workshop sponsored by Binney & Smith, Inc. Three albums contain photographs of various construction and expansion projects from the 1960s to 1975. Of note is the photo album containing photographs and newspaper clippings from the 1959 California Pacific Crayon Company fire. Also, there are Binney & Smith company albums, 1949-1976, that document a variety of activities within the company. Each album was photographed by W. H. Milliken, Jr., and specified the location, date, and number of photographs in the album. The albums cover topics such as art shows, trade shows, suppers, dinner parties, office shots, employee anniversaries, and retirement parties. The scrapbooks span the years 1962-1975, and contain both newspaper clippings and some black and white photographs documenting various company activities and its employees.

Series 13: Audio-Visual Materials, circa 1980s-1998, contain two 1/2" VHS tapes documenting the 40th anniversary of the Crayola 64 box and Silly Putty.
Arrangement:
Series 1: Historical Background

Series 2: Executive Records, 1897-1995

Series 3: Financial, Sales, and Marketing Records, 1902-1990

Series 4: Employee/Personnel Records, 1917-1993

Series 5: Newsletters and Publications, 1948-1995

Series 6: Research and Development Records, 1905-1987

Series 7: Advertising and Promotional Records, 1918-1998

Series 8: Catalogs, 1916-1995

Series 9: Price Lists, 1916-1925

Series 10: Product Information, 1918-1925

Series 11: Competitors, 1918-1992

Series 12: Photographs and Scrapbooks, circa 1900s-1997

Series 13: Audiovisual Materials, circa 1980-1998.
Series 1: Historical Background, 1956-1990s

Series 2: Executive Records, 1897-1995

Series 3: Financial, Sales and Marketing Records, 1902-1990

Series 4: Employee and Personnel Records, 1917-1993

Series 5: Newsletters and Publications, 1948-1995

Series 6: Research and Development Records, 1905-1987

Series 7: Advertising and Promotional Records, 1918-1998

Series 8: Catalogs, 1916-1995

Series 9: Price Lists, 1916-1995

Series 10: Product Information, 1918-1995

Series 11: Competitors, 1918-1992

Series 12: Photographs and Scrapbooks, circa 1900s-1997

Series 13: Audio-Visual Materials, circa 1980-1998
Biographical / Historical:
In 1864, Joseph W. Binney (1836-1898), began a small chemical works in Peekskill, New York. He ground and packaged hardwood charcoal and manufactured small quantities of lamp black from whale oil. In 1880, he opened a New York City office taking on his nephew, C. Harold Smith (1860-1931) as a salesman. Later, Joseph Binney's son, Edwin Binney (1866-1934), joined the business. The organization was known as the Peekskill Chemical Co. Joseph W. Binney retired and in May 1885, Edwin Binney and C. Harold Smith formed a partnership, Binney & Smith. Their early products included red oxide pigment used in barn paint and carbon for black tires. In 1900, the company began producing slate school pencils in its Easton, Pennsylvania mill. With the assistance of John Ketchum, the owner of a talc mine in North Carolina, Binney began combining old slate waste with cement and the talc supplied by Ketchum to produce slate pencils. Two years later, Binney & Smith introduced their white dustless blackboard chalk, "Au-Du-Septic" and in 1903, the company produced a box of eight crayons, which sold for a nickel. The word "Crayola" coined by Edwin Binney's wife, Alice, comes from "craie" the French word for chalk, and "ola," from oleaginous, meaning oily or pertaining to oil. Binney & Smith's best known product is Crayola crayons. However, its product line now includes: tempera, washable, and fabric paints, Liquitex acrylic paints, Magic Marker, chalk, clay, and Jazzy fashion and craft accessories. Binney & Smith acquired Silly Putty in 1977 and in 1984, became a subsidiary of Hallmark Cards, Inc. Products are still manufactured in Easton, Pennsylvania (world headquarters), as well as Mexico, and Indonesia and are available in twelve languages. In 2007, the company changed its name to Crayola LLC.
Separated Materials:
Artifacts were donated to the National Museum of American History, Division of Cultural History (now Division of Cultural and Community Life) on November 18, 1997 and March 15, 1998. The artifacts consist of more than 150 objects, including 79 boxes of Crayola crayons from the 1900s to 1998; 24 boxes of chalk from the 1890s to 1998, 18 art kits; 10 sets of EDU-CARDS from the 1960s and 1970s; and 10 packages of Silly Putty from the 1950s to the 1990s.
Provenance:
This collection was donated to the National Museum of American History, Archives Center on November 18, 1997, by Binney & Smith through Patrick Morris. Additional materials were donated in March 1998, by Binney & Smith through Tracey Muldoon Moran and in February 2000 through Stacy Gabrielle.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Chalk -- 1910-2000  Search this
Crayons -- 1910-2000  Search this
Packaging -- 20th century  Search this
Paint -- 1910-2000  Search this
Genre/Form:
Catalogs -- 1910-2000
Color charts -- 1910-2000
Annual reports -- 20th century
Price lists
Newsletters -- 20th century
Photographs -- 20th century
Citation:
Binney & Smith, Inc., Records, 1897-1998, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0624
See more items in:
Binney & Smith, Inc. Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83d89efad-4f9c-4716-a7f1-c91baf2fab5e
EDAN-URL:
ead_collection:sova-nmah-ac-0624
Online Media:

Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

Donald Sewell Lopez Collection

Creator:
Lopez, Donald S.,, 1923-2008  Search this
Extent:
.19 Cubic feet
3.218 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Dvds
16mm films
Digital images
Date:
1940s-2006
Summary:
Donald Sewell Lopez (1923-2008) was a legendary figure in aviation having had a remarkable career as a fighter pilot in World War II and the Korean War, contributing significantly to aeronautical engineering and education, and playing critical roles in the planning and development of the National Air and Space Museum (NASM). This collection includes slides, digital images, and audio-visual material maintained by Donald S. Lopez during his time as the NASM Deputy Director.
Scope and Contents:
This collection consists of 48 slides, some of which are duplicates, mostly relating to Lopez's service in World War II. The slides, most of which are black and white, depict various aircraft including Lockheed P-38M Lightning, Curtiss C-46 Commando, Curtiss P-40 Warhawk, Dornier Do 215 B-5 Kauz 3 (Screech Owl)(Night Fighter Modification), Douglas P-70, Bell P-39 Airacobra, Nakajima J1N1-S Gekko (Moonlight) Irving (Night Fighter Model 11), North American P-51 Mustang, and Northrop P-61 Black Widow. The slides also depict Lopez and a number of people who served with him in China including Lieutenant Jessie Gray, and Lieutenant Oswin "Moose" Elker. One slide also depicts the crash of a North American B-25 Mitchell that occured in Chihkiang on January 19, 1945. There are also images of Lopez at work in the Museum and of his wife, Glindel Lopez in her wedding gown. Finally, there is an image of the William S. Phillips painting, "Into the Teeth of the Tiger," showing Lopez in combat (this piece is owned by the Lopez family). A number of these images were used in Lopez's book "Into the Teeth of the Tiger."

The collection also includes a DVD of a panel lecture at the Udvar-Hazy Center on the Northrop P-61 Black Widow on June 8, 2006 featuring Donald S. Lopez, Robert Bolinder, Louis Bost, Avery J. Miller, Robert Ferguson as speakers and Dik Daso as moderator; a CD of photographs taken at EAA AirVenture Oshkosh, Oshkosh, Wisconsin in 2000 showing Lopez and other NASM staff as well as figures such as Charles Elwood "Chuck" Yeager, Robert A. "Bob" Hoover, Patricia "Patty" Rosalie Kearns Combs Wagstaff, James A. "Jim" Lovell, Robert L. "Hoot" Gibson, and Frank Borman; and a reel of 16mm color film, with sound, entitled Reunions: Memories of an American Experience.
Arrangement:
Arranged in original order.
Biographical / Historical:
Donald Sewell Lopez (1923-2008) joined the staff of the Smithsonian Institution in 1972 as part of the team responsible for planning the construction and opening of the National Air and Space Museum (NASM). As assistant director for Aeronautics, Lopez was instrumental in developing the exhibits that welcomed visitors at the museum's opening on July 1, 1976. Lopez became deputy director of NASM in 1983, a position he held until 1990. He served as senior advisor to the director before retiring in 1993, holding a position as senior advisor emeritus until he was again appointed deputy director in 1996, a position he held until his death. Before coming to the Smithsonian, Lopez was already an aviation legend: he was a fighter pilot in the 23rd Fighter Group of the 14th Air Force - successors of the legendary Flying Tigers - in China. He flew Curtiss P-40s and North American P-51 Mustangs, demonstrating his extraordinary flying skills under the leadership of famous war heroes Col. Tex Hill and Gen. Claire Chennault. During his two years in China, Lopez flew 101 missions and tallied up five victories, the required number to be recognized as an "Ace." Lopez was awarded the Silver Star, Distinguished Flying Cross, and three Air Medals for his service during World War II. After the War, Lopez became an Air Force test pilot and then served in combat again during the Korean War flying North American F-86s. Lopez then served at the Pentagon, during which time he also earned a bachelor's degree in aeronautical engineering at the Air Force Institute of Technology and a master's degree in aeronautics from the California Institute of Technology. Lopez served at the US Air Force Academy as an associate professor of aeronautics and chief of academic counseling before retiring from the US Air Force in 1964 at the rank of lieutenant colonel. Lopez then worked as a Systems Engineer on the Apollo-Saturn Launch Vehicle and the Skylab Orbital Workshop for Bellcomm, Inc. Lopez was a member of the American Fighter Aces Association, the Experimental Aircraft Association and was a Fellow of the Royal Aeronautical Society. Lopez was the recipient of many honors and awards, including being named an Elder Statesman of Aviation by the National Aeronautic Association (1995); the Federal Hispanic Heritage Month Excellence in Leadership Award recipient (1999); the Frank G. Brewer Trophy in Museum Education recipient; being inducted as a fellow by the Society of Experimental Test Pilots (2006); and being honored as one of the living legends at the Gathering of Mustangs and Legends at Rickenbacker Field in Columbus, Ohio (2007). Lopez's publications include Into the Teeth of the Tiger (Bantam, 1986), The National Air and Space Museum: A Visit in Pictures (Smithsonian Institution Press, 1989) and Fighter Pilot's Heaven: Flight Testing the Early Jets (Smithsonian Institution Press, 1995).
Provenance:
Donald S. Lopez, Transfer, 2008, NASM.2008.0042
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Genre/Form:
DVDs
16mm films
Digital images
Citation:
Donald Sewell Lopez Collection, NASM.2008.0042, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2008.0042
See more items in:
Donald Sewell Lopez Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg298a1da39-2edc-4594-a9c4-0c11c346239f
EDAN-URL:
ead_collection:sova-nasm-2008-0042
Online Media:

Stefan Hirsch and Elsa Rogo papers

Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Names:
Bard College -- Faculty  Search this
Bennington College -- Faculty  Search this
Downtown Gallery (New York, N.Y.)  Search this
United States. Office of the Coordinator of Inter-American Affairs  Search this
Albers, Josef  Search this
Anguiano, Raúl, 1915-2006  Search this
Bier, Justus, 1899-1990  Search this
Field, Hamilton Easter  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mumford, Lewis, 1895-1990  Search this
Mérida, Carlos, 1891-1984  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
19.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Place:
Mexico -- Photographs
Date:
1851-1986
bulk 1920-1960
Summary:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.
Scope and Contents:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

Biographical materials include address lists, resumes and biographical sketches, identification cards, material relating to Hirsch's military service, and legal documents. Two sound recordings, one personal and another of Rogo on Spanish National Radio, are also found here.

Correspondence is both professional and personal. Professional correspondence concerns commissions, exhibitions, travel, and teaching. Notable correspondents include Josef Albers, Justus Bier, Downtown Gallery (Edith Halpert), Carlos Mérida, Lewis Mumford, Ben Shahn, and many others. Personal correspondence is largely between Hirsch and Rogo. Writings are found for both Hirsch and Rogo and include notebooks, diary fragments and transcripts, lectures, essays on art, articles, and notes. A manuscript by Hamilton Easter Field is also found and a writing by an unknown author. Professional files document teaching positions, projects, commissions, memberships, and other professional activities undertaken by Hirsch and Rogo. They document Hirsch's teaching career at Bard College, Bennington College, and his mural work in South Carolina and Mississippi. Files concerning Rogo's work with the Office of the Coordinator of Inter-American Affairs are found here, as well as files documenting their professional and personal travel. These contain a wide variety of materials, such as correspondence, printed material, meeting minutes, photographs, and writings. Also found are scattered files relating to general areas of interest.

Hirsch's and Rogo's business records include contracts concerning Elsa Rogo's book agreements, records settling the estate of the Hirsch family in Nürnberg (Nuremberg), Germany, insurance records, a lease, price lists, and general receipts and invoices. Also found are personal art collection records including a sales agreement and a list of Latin American art owned by Hirsch and Rogo. Printed materials include books, brochures, clippings, exhibition announcements and catalogs for Stefan Hirsch and others, issues of magazines and other periodicals, copies of published writings by Hirsch and Rogo, and a dismantled printed materials scrapbook.

Photographs are extensive and include personal photos of Stefan Hirsch and Elsa Rogo, their family, friends, and colleagues. Numerous travel photos were taken by Rogo in her role as a journalist in Latin American and the United States. The bulk of the professional travel photos were taken in Mexico in the 1930s to the 1960s and show events, cities, and cultural activities. Also found are glass plate negatives, photographs of works of art, and sixteen reels of motion picture film taken in Mexico, Bard College, and Oqunquit, Maine.

Eighteen sketchbooks are largely unsigned but are likely by Stefan Hirsch. Additional artwork includes sketches and etchings by Hirsch, sketches by Elsa Rogo, and works by others including Raul Anquiano and Efren Villalobos.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1899-1986 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1920s-1960s (3.2 linear feet; Boxes 1-4)

Series 3: Writings and Notes, circa 1920-1960s (1.2 linear feet: Boxes 4-5)

Series 4: Professional Files, 1912-1966 (2.8 linear feet; Boxes 6-8)

Series 5: Personal Business Records, 1927-1957 (0.5 linear feet; Boxes 8-9)

Series 6: Printed Material, 1851-1964 (2.9 linear feet; Boxes 9-12, 19)

Series 7: Photographs and Motion Picture Film, circa 1870-1960s (6.9 linear feet; Boxes 12-17, 20, FC 21-29)

Series 8: Sketchbooks, circa 1930s-circa 1940s (0.6 linear feet; Box 18)

Series 9: Artwork and Artifacts, 1916-1982 (0.5 linear feet; Boxes 18-19)
Biographical / Historical:
German-born Stefan Hirsch (1899-1964) was a painter and educator. Elsa Rogo (1901-1966) was married to Hirsch and was an artist, educator and journalist. They were active in Annandale-on-Hudson, New York, and Vermont, and traveled extensively throughout Mexico and Latin America where they documented local arts and crafts, village life, and befriended prominent Mexican artists.

Born in Nurnberg, Germany, Stefan Hirsch grew up in Europe and studied art at the University of Zurich. After settling in the United States in 1919, he took summer courses under Hamilton Easter Field in Ogunquit, Maine. Hirsch developed a Precisionist style combined with Social Realism but much of his work was difficult to restrict to one specific style. Hirsch was a founder and exhibitor at the avant-garde Salons of America which served as an alternative to the Society of Independent Artists. During the 1930s and 1940s, Hirsch participated in the U.S. government's Federal Art Project and painted murals in Aiken, South Carolina and Booneville, Mississippi. Hirsch began his teaching career in 1937 at Bennington College in Vermont, and later accepted a position at Bard College where he served as the chairman of the art department until he retired in 1961.

In 1930, Hirsch married Elsa Rogo. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. They befriended prominent Mexican artists like Diego Rivera and David Siqueiros. As a journalist, Rogo documented Mexican life, events, and art extensively through photographs. Rogo also served in the U.S. Office of the Coordinator of Inter-American Affairs, established in 1940 to promote cultural diplomacy and solidarity primarily in Latin America. In Taxaco, Mexico, she taught art to school children. Her book, Walls and Volcanos: The Creative Impulse of the Mexican People, was published in 1937.

Stefan Hirsch died in 1964. Elsa Rogo died in 1966.
Provenance:
Portions of the Stefan Hirsch and Elsa Rogo papers were donated in 1996 by the Elsa Rogo estate, via Sylvia Siskin, executrix. Additions were donated 2002, 2014, and 2019 by professor James Oles, Art Department, Wellesley College, Wellesley, Massachusetts on behalf of Sylvia Siskin.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Art teachers  Search this
Journalists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Mural painting and decoration, Mexican -- Photographs  Search this
Mural painting and decoration -- South Carolina  Search this
Mural painting and decoration -- Mississippi  Search this
Latino and Latin American artists  Search this
Genre/Form:
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hirsstef
See more items in:
Stefan Hirsch and Elsa Rogo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ab444b5-7fc2-4e6b-ad62-a18f38f904f9
EDAN-URL:
ead_collection:sova-aaa-hirsstef
Online Media:

Apparitions 妖怪図

Artist:
Ogata Gekko 尾形月耕 (1859-1920)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 112.1 × 50 cm (44 1/8 × 19 11/16 in)
Type:
Painting
Origin:
Japan
Topic:
woman  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
S2023.11.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d141637b-90a9-4794-919b-ede41d55a6df
EDAN-URL:
edanmdm:fsg_S2023.11.1
Online Media:

At the Café カフェにて

Artist:
Nonagase Banka 野長瀬晩花 (1889-1964)  Search this
Takehisa Yumeji 竹久夢二 (1884-1934)  Search this
Hada Teruo 秦テルヲ (1887-1945)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (image): 132.2 × 30 cm (52 1/16 × 11 13/16 in)
Type:
Painting
Origin:
Japan
Date:
1910s
Topic:
woman  Search this
man  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
S2023.11.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye353fbc435-4568-4835-a615-6549883676e8
EDAN-URL:
edanmdm:fsg_S2023.11.11
Online Media:

Villa in the Bamboo Grove 竹裡荘

Artist:
Ochi Shokan 大智勝観 (1882-1958)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 146.7 × 49.8 cm (57 3/4 × 19 5/8 in)
Type:
Painting
Origin:
Japan
Date:
1920s
Topic:
bamboo  Search this
villa  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
S2023.11.8
Restrictions & Rights:
Usage conditions apply
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Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37932ed31-ce55-462a-86e5-4d83c3644f59
EDAN-URL:
edanmdm:fsg_S2023.11.8
Online Media:

Jizō and Enma 地蔵閻魔和合之図

Artist:
Ki no Hironari 紀廣成 (1777-1839)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (Overall): 206.5 × 72 cm (81 5/16 × 28 3/8 in)
Type:
Painting
Origin:
Japan
Date:
1839
Topic:
Buddhism  Search this
bodhisattva  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.10
Restrictions & Rights:
Usage conditions apply
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Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye34d031ea7-6849-487c-891b-12c1f9643b55
EDAN-URL:
edanmdm:fsg_F2023.3.10
Online Media:

Landscape/Calligraphy Screens 山水書画屏風

Medium:
Ink and light color on paper
Dimensions:
H x W (F2023.3.17.1 overall): 169.5 × 363.2 cm (66 3/4 × 143 in)
H x W (F2023.3.17.2 overall): 169.5 × 363.2 cm (66 3/4 × 143 in)
Type:
Painting
Origin:
Japan
Date:
1863
Topic:
landscape  Search this
mountain  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.17.1-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3398541e8-d02e-4e4f-9701-7669b37e7b7e
EDAN-URL:
edanmdm:fsg_F2023.3.17.1-2
Online Media:

Aibika 黄蜀葵図

Artist:
Amano Hoko 天野方壺 (1824-1894)  Search this
Medium:
Ink on silk
Dimensions:
H x W (Overall): 206.5 × 72 cm (81 5/16 × 28 3/8 in)
Type:
Painting
Origin:
Japan
Date:
19th century
Topic:
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.19
Restrictions & Rights:
Usage conditions apply
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Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3c3471a3f-af56-497d-9320-a0e23f99deb1
EDAN-URL:
edanmdm:fsg_F2023.3.19
Online Media:

Plum Blossom Studio 梅花書屋図

Artist:
Tomioka Tessai 富岡鉄斎 (1836-1924)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (Image): 145.8 × 42.5 cm (57 7/16 × 16 3/4 in)
Type:
Painting
Origin:
Japan
Date:
1911
Topic:
plum blossom  Search this
mountain  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.26
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye35690aaa5-8936-4dc4-b9a4-f4b7015a12b4
EDAN-URL:
edanmdm:fsg_F2023.3.26
Online Media:

Abode of Peace and Happiness 安楽窩図

Artist:
Tomioka Tessai 富岡鉄斎 (1836-1924)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (Overall): 208.5 × 72 cm (82 1/8 × 28 3/8 in)
Type:
Painting
Origin:
Japan
Date:
1915
Topic:
landscape  Search this
mountain  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.27
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37946a466-90ab-482b-ab75-19557ff987f7
EDAN-URL:
edanmdm:fsg_F2023.3.27
Online Media:

Illustrated History of Selling Tea 賣茶畫談

Artist:
Tomioka Tessai 富岡鉄斎 (1836-1924)  Search this
Medium:
Ink and light color on paper
Dimensions:
H x W (Overall): 28.5 × 456.9 cm (11 1/4 × 179 15/16 in)
Type:
Painting
Origin:
Japan
Date:
1916
Topic:
man  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.28
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3c66f1d54-bf91-4099-966c-b782256bba57
EDAN-URL:
edanmdm:fsg_F2023.3.28
Online Media:

Xianglu Peak 香爐峰之図

Artist:
Sakaki Hyakusen 彭城百川 (1697-1752)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (Overall): 198.2 × 45.7 cm (78 1/16 × 18 in)
Type:
Painting
Origin:
Japan
Date:
1744
Topic:
landscape  Search this
mountain  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3da511c03-bfe2-4f95-926b-1e7325d4409f
EDAN-URL:
edanmdm:fsg_F2023.3.3
Online Media:

Hanshan 寒山子

Artist:
Kosugi Misei 小杉未醒 (1881-1964)  Search this
Medium:
Ink and light color on paper
Dimensions:
H x W (Overall): 219.7 × 46.4 cm (86 1/2 × 18 1/4 in)
Type:
Painting
Origin:
Japan
Date:
late 1910s
Topic:
man  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.32
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3dd80239a-0f4a-4415-ac1b-92b1a6e25aeb
EDAN-URL:
edanmdm:fsg_F2023.3.32
Online Media:

Grazing Ox 放牛

Artist:
Ono Bakufu 大野麥風 (1888-1976)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (Overall): 198.1 × 70.5 cm (78 × 27 3/4 in)
Type:
Painting
Origin:
Japan
Date:
1910s
Topic:
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Mary and Cheney Cowles
Accession Number:
F2023.3.37
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31c57daab-3779-481c-b7a2-fea426c48e5d
EDAN-URL:
edanmdm:fsg_F2023.3.37
Online Media:

Frame for Homer's Early Evening

Medium:
Gilded wood
Dimensions:
H x W x D: 116.6 x 132.7 x 11.8 cm (45 7/8 x 52 1/4 x 4 5/8 in)
Type:
Frame
Origin:
New York, United States
Date:
1907-1908
Topic:
gilding  Search this
flower  Search this
United States  Search this
American Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1908.14b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye329b57803-51f6-441d-979f-42a58a62088f
EDAN-URL:
edanmdm:fsg_F1908.14b

Maquette for Tilted Arc

Artist:
Richard Serra, born San Francisco, CA 1939-died Orient, NY 2024  Search this
Medium:
bent and incised steel
Dimensions:
3 x 30 x 1/8 in. (7.6 x 76.1 x 0.2 cm)
Type:
Sculpture-Maquette
Date:
1980
Topic:
Abstract\geometric  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1981.188
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7220fbea2-1392-4a57-b6ac-f9f9341e93cc
EDAN-URL:
edanmdm:saam_1981.188

5000 Won, South Korea, ca 2006

Physical Description:
paper (overall material)
Measurements:
overall: 6.8 cm x 14.15 cm x .01 cm; 2 11/16 in x 5 9/16 in x in
Object Name:
note
Place made:
South Korea
Date made:
ca 2006
Credit Line:
Maria Sachiko Cecire
ID Number:
2014.0273.1
Accession number:
2014.0273
Catalog number:
2014.0273.1
Serial number:
FC0478928C
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-0c6b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1693200
Online Media:

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