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Oral history interview with Katharine Kuh, 1982 Mar. 18-1983 Mar. 24

Interviewee:
Kuh, Katharine, 1904-1994  Search this
Interviewer:
Berman, Avis  Search this
Subject:
Rothko, Mark  Search this
Adams, Ansel  Search this
Albers, Josef  Search this
Albright, Ivan  Search this
Archipenko, Alexander  Search this
Arensberg, Walter  Search this
Arensberg, Louise S. (Louise Stevenson)  Search this
Avery, Milton  Search this
Barr, Alfred H., Jr.  Search this
Berenson, Bernard  Search this
Davis, Stuart  Search this
De Kooning, Willem  Search this
Ernst, Max  Search this
Duchamp, Marcel  Search this
Hofmann, Hans  Search this
Kepes, Gyorgy  Search this
Klee, Paul  Search this
Léger, Fernand  Search this
Mérida, Carlos  Search this
Mies van der Rohe, Ludwig  Search this
Moholy-Nagy, László  Search this
Newman, Barnett  Search this
Noguchi, Isamu  Search this
Paepcke, Walter Paul  Search this
Porter, Eliot  Search this
Ray, Man  Search this
Rich, Daniel Catton  Search this
Smith, David  Search this
Stamos, Theodoros  Search this
Stieglitz, Alfred  Search this
Still, Clyfford  Search this
Tamayo, Rufino  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Weston, Edward  Search this
Art Institute of Chicago  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
First National Bank of Chicago  Search this
Vassar College  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Katharine Kuh, 1982 Mar. 18-1983 Mar. 24. Archives of American Art, Smithsonian Institution.
Topic:
Saturday review  Search this
Abstract expressionism  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12186
(DSI-AAA_SIRISBib)215638
AAA_collcode_kuh82
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215638

Oral history interview with Alison Knowles, 2010 June 1-2

Interviewee:
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Subject:
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Gordon, Coco  Search this
Gottlieb, Adolph  Search this
Hamilton, Richard  Search this
Hendricks, Jon  Search this
Higgins, Dick  Search this
Johnson, Ray  Search this
Jones, Joe  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard  Search this
Maciunas, George  Search this
Mac Low, Jackson  Search this
Moorman, Charlotte  Search this
Ono, Y?ko  Search this
Paik, Nam June  Search this
Pollock, Jackson  Search this
Rauschenberg, Robert  Search this
Saito, Takako  Search this
Schapiro, Miriam  Search this
Schneemann, Carolee  Search this
Schöning, Klaus  Search this
Silverman, Gilbert  Search this
Shiomi, Mieko  Search this
Spoerri, Daniel  Search this
Tenney, James  Search this
Teitelbaum, Richard  Search this
Wa?ko, Ryszard  Search this
California Institute of the Arts  Search this
Middlebury College  Search this
Pratt Institute. Art School  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Alison Knowles, 2010 June 1-2. Archives of American Art, Smithsonian Institution.
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15822
(DSI-AAA_SIRISBib)290220
AAA_collcode_knowle10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_290220

Raymond Jonson papers

Creator:
Jonson, Raymond, 1891-1982  Search this
Names:
Federal Art Project (N.M.)  Search this
Jonson Gallery  Search this
United States. Department of the Treasury. Section of Fine Arts  Search this
Albers, Josef  Search this
Bisttram, Emil, 1895-1976  Search this
Bloch, Albert  Search this
Cheney, Sheldon, 1886-  Search this
Dasburg, Andrew, 1887-1979  Search this
De Kooning, Elaine  Search this
Hiler, Hilaire, 1898-1966  Search this
Levy, Beatrice S. (Beatrice Sophia), 1892-1974  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
O'Hara, Eliot, 1890-1969  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pelton, Agnes, 1881-1961  Search this
Wells, Cady, 1904-1954  Search this
Xceron, Jean, 1890-1967  Search this
Extent:
10 Linear feet ((partially microfilmed on 13 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1910-1964
Scope and Contents:
Photographs, correspondence, exhibition materials, sketchbooks, diaries, scrapbooks, slides, and an untranscribed interview.
REEL NDA 14: Photographs of Jonson's murals for the Public Works of Art Project in Albuquerque, N.M. and a chart showing the relative sizes of the murals.
REELS RJ 1-RJ 10: Biographical data; correspondence with family members, artists, and others, including Josef Albers, Emil Bisttram, Albert Bloch, Sheldon Cheney, Andrew Dasburg, Elaine de Kooning, Hilaire Hiler, Beatrice S. Levy, B.J.O. Nordfeldt, Eliot O'Hara, Georgia O'Keeffe, Agnes Pelton, Cady Wells, Jean Xceron, and others; diaries, 1919-1926, with sketches; notebooks; scrapbooks; lectures; photographs; and exhibition records.
REEL 76: Catalogs; photographs; slides and schedule of exhibits, 1922-1962, of the Jonson Gallery, University of New Mexico; and photographs of Jonson.
UNMICROFILMED: Photocopies of correspondence with administrators of the WPA Federal Art Project in New Mexico and the Treasury Section of Fine Arts regarding the design and execution of murals by Jonson and Willard Nash for the Library of the University of New Mexico; an untranscribed tape of an interview of Jonson conducted by Ed Garman, undated; and two color charts, one a color circle and the other showing the main colors Jonson used, both used by Jonson to illustrate a lecture delivered at the Chili Club, December 6, 1948 [lecture is on reel RJ 9, fr. 6343-6346.]
Biographical / Historical:
Painter; Albuquerque, N.M. Painted murals for the WPA Federal Art Project and other New Deal art programs. He taught at the University of New Mexico where the Jonson Gallery was erected in his honor, housing the most complete permanent collection of Jonson's work.
Related Materials:
Raymond Jonson papers also at Syracuse University.
Provenance:
Material on reels RJ 1-10 was lent for microilming by Jonson c/o the Jonson Gallery, 1964-1965; all other material donated, 1966-1975, by Jonson and his brother Arthur, through the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Muralists -- New Mexico -- Albuquerque  Search this
Topic:
Federal aid to the arts -- New Mexico -- Albuquerque  Search this
Art and state -- New Mexico -- Albuquerque  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Albuquerque  Search this
Art, Modern -- 20th century -- New Mexico -- Albuquerque  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jonsraym
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c51b5e3c-1deb-4198-bb95-b7f3b95490ab
EDAN-URL:
ead_collection:sova-aaa-jonsraym

Jack Stewart papers, 1926-2010

Creator:
Stewart, Jack Thomas, 1926-2005  Search this
Subject:
Thomas, Steffen  Search this
Kahn, Wolf  Search this
Townsend, Rodman  Search this
Romano, Clare  Search this
Toney, Anthony  Search this
Egan, Charles  Search this
Weiner, Sam  Search this
Baxter, Violet  Search this
Walker, Herbert Brooks  Search this
Goulet, Lorrie  Search this
Gold, Nancy  Search this
New York City Transit Authority  Search this
World Trade Center (New York, N.Y.)  Search this
Yale University  Search this
Type:
Drawings
Sound recordings
Paintings
Sketchbooks
Interviews
Transcripts
Video recordings
Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
Topic:
Street art  Search this
Muralists -- New York (State) -- New York  Search this
Mail art  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Graffiti art  Search this
Designers -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)15863
(DSI-AAA_SIRISBib)294349
AAA_collcode_stewjack
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_294349
Online Media:

Correspondence

Collection Creator:
Mason, Alice Trumbull, 1904-1971  Search this
Extent:
0.4 Linear feet (Box 1)
Type:
Archival materials
Date:
1922-1977
Scope and Contents note:
This series contains Alice Trumbull Mason's personal and professional correspondence. Almost all of the letters prior to 1940 are to and from family and friends; the earliest are from friends she made while in Europe during 1921 and 1922. Also found is correspondence with her sister Edith, also known as "Edi" and "Buddah", her brother Jack, and her parents, sharing family news during Mason's travels abroad. There are letters to and from her sister Margaret (Margie), also an artist, discussing Mason's views on art, including her opinions on surrealism, her desire to paint, and other intimate thoughts. Also found here are numerous letters between Mason and her husband Warwood written while he was working as a merchant seaman. These very detailed letters discuss news of their children Emily and Jonathan (Jo), her current paintings, early meetings of the American Abstract Artists group in 1937, political problems within the group, and her participation in exhibitions. One interesting letter describes her reaction to Orson Welles 1938 broadcast of War of the Worlds. In their later correspondence, Warwood is often called "Po".

Professional correspondence includes some letters regarding Mason's work within the American Abstract Artists Group, including two letters from Josef Albers about AAA exhibitions. Other letters concern the selection of her artwork for exhibitions or prizes, exhibition venues and schedules, curators' visits to her studio, and the sale of her artwork to galleries and museums. Additional correspondence also discusses her participation in other art organizations, such as the Society of American Graphic Artists and the Print Club. Correspondents throughout the series include L. Alcopley, Dore Ashton, Joseph Fiore, László Moholy-Nagy, Knute Stiles, Carl Zigrosser, and others.

Also found are numerous letters from friend and fellow founding member of the American Abstract Artists, Paul Kelpe, dating from 1953 to 1970. In these letters Kelpe discusses his current artwork, his teaching career, participation in exhibitions, and professional and financial struggles. Most of the correspondence after 1967 is of a personal nature with Kelpe, her husband, and her daughter Emily. There are many letters between Mason and her daughter Emily and son Jonathan, discussing their activities, including Emily's early career as an artist.
Arrangement note:
Series is arranged chronologically.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Trumbull Mason papers, 1921-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.masoalic, Series 2
See more items in:
Alice Trumbull Mason papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95b56eef8-472a-42f4-b33a-487d019f5d23
EDAN-URL:
ead_component:sova-aaa-masoalic-ref32

Jack Stewart papers

Creator:
Stewart, Jack, 1926-2005  Search this
Names:
New York City Transit Authority  Search this
World Trade Center (New York, N.Y.)  Search this
Yale University -- Students  Search this
Baxter, Violet  Search this
Egan, Charles, 1911-  Search this
Gold, Nancy  Search this
Goulet, Lorrie, 1925-  Search this
Kahn, Wolf, 1927-  Search this
Romano, Clare  Search this
Thomas, Steffen, 1906-  Search this
Toney, Anthony  Search this
Townsend, Rodman  Search this
Walker, Herbert Brooks, 1927-  Search this
Weiner, Sam  Search this
Extent:
9.9 Linear feet
7.31 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sound recordings
Paintings
Sketchbooks
Interviews
Transcripts
Video recordings
Date:
1926-2010
Summary:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.
Scope and Content Note:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)
Biographical Note:
Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.
Related Materials:
Jack Stewart papers, 1926-2015, are located at Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library.
Provenance:
Donated in 2010 by Regina Stewart, widow of Jack Stewart.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Street art  Search this
Muralists -- New York (State) -- New York  Search this
Mail art  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Graffiti art  Search this
Designers -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sound recordings
Paintings
Sketchbooks
Interviews
Transcripts
Video recordings
Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stewjack
See more items in:
Jack Stewart papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c355e0c-59b2-47e7-ab80-c8ea7d8bf859
EDAN-URL:
ead_collection:sova-aaa-stewjack

Search versus re-search three lectures by Josef Albers at Trinity College, April 1965

Author:
Albers, Josef  Search this
Physical description:
85 p illustrations (part color) 27 cm
Type:
Books
Date:
1969
Topic:
Art--Study and teaching  Search this
Art--Étude et enseignement  Search this
Art education  Search this
Call number:
N40.1.A33 A1
N40.1.A33A1
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7015

Marian Gore "Art Scene" interviews and papers, 1958-1969

Creator:
Gore, Marian L.  Search this
Subject:
Mallary, Robert  Search this
Lebrun, Rico  Search this
Kuntz, Roger  Search this
Luna, Mario  Search this
Leavitt, Thomas W.  Search this
Gerchik, Paul  Search this
Greene, Balcomb  Search this
Hopps, Walter  Search this
Hansen, Jurgen  Search this
Goeritz, Mathias  Search this
Elliot, James  Search this
Carter, Earl  Search this
Lipchitz, Jacques  Search this
Cremean, Robert  Search this
Brigante, Nicholas P.  Search this
Blair, Streeter  Search this
Ankrum, Joan  Search this
Albers, Josef  Search this
Siqueiros, David Alfaro  Search this
Albert, Michel (artist)  Search this
Wayne, June  Search this
Nevelson, Louise  Search this
Geoffrey, J. Iqbal  Search this
Vicente, Esteban  Search this
Wark, Robert R.  Search this
Schwaderer, Fritz (Fritz Karl)  Search this
Tamayo, Rufino  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Cuevas, José Luis  Search this
Ortiz, Emilio  Search this
Falkenstein, Claire  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Type:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
Marian Gore "Art Scene" interviews and papers, 1958-1969. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)6118
(DSI-AAA_SIRISBib)216328
AAA_collcode_goremari
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216328
Online Media:

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro, 1896-1974  Search this
Tamayo, Rufino, 1899-1991  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Missing Title

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8a530a5-0d06-4fcc-95c4-d1f0648c0264
EDAN-URL:
ead_collection:sova-aaa-goremari

Research

Collection Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Container:
Box 15, Folder 57
Type:
Archival materials
Date:
1975
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art / Series 4: Exhibition Files / "James Brooks Retrospective" (1975)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901b78c13-47d1-48de-86cd-6bf4409dc533
EDAN-URL:
ead_component:sova-aaa-finccoll-ref1957
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Josef Albers

Collection Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Container:
Box 3, Folder 4
Type:
Archival materials
Date:
1964-1971
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art / Series 2: Artist Files / General
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bcaacfa2-bdb3-4ffd-9624-2c71fc2f5151
EDAN-URL:
ead_component:sova-aaa-finccoll-ref99

Clemens Kalischer papers

Creator:
Kalischer, Clemens, 1921-  Search this
Names:
Bennington College  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
MacDowell Colony  Search this
Abate, Peter  Search this
Abe, Kongō, 1900-1968  Search this
Abel, Cora-Beth  Search this
Adler, Samuel, 1898-1979  Search this
Albers, Josef  Search this
Aschenbach, Paul, 1921-  Search this
Bengtz, Ture, 1907-1973  Search this
Borowski, Wiesław  Search this
Coonhan, Ms  Search this
Cox, Jan, 1919-1980  Search this
Cunningham, Merce  Search this
De Kooning, Elaine  Search this
Dehner, Dorothy, 1901-1994  Search this
Der Hovanesian, Garabed  Search this
Dombek, Blanche, 1914-  Search this
Doubrova, Jan, 1912-  Search this
Epping, Franc, 1910-  Search this
Fimple, Vernon  Search this
Forst, Miles, 1923-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gil, David  Search this
Glickman, Maurice, 1906-  Search this
Granda, Julio  Search this
Grausman, Philip, 1935-  Search this
Gray, Cleve  Search this
Hayter, Stanley William, 1901-1988  Search this
Kilbourn, Victoria  Search this
Lieberman, Alexander  Search this
Mazur, Michael, 1935-2009  Search this
Meštrović, Ivan, 1883-1962  Search this
Morris, George L. K., 1905-1975  Search this
Motherwell, Robert  Search this
Neel, Alice, 1900-1984  Search this
Noland, Kenneth, 1924-2010  Search this
Okubo, Miné  Search this
Prestopino, Gregorio  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenberg, Jakob, 1893-  Search this
Smith, David, 1906-1965  Search this
Torres, John, 1939-  Search this
Tsʻai, Wen-ying, 1928-  Search this
Voulis, Asapia  Search this
Whitecross, Iain  Search this
Wildenhain, Marguerite  Search this
Extent:
276 Items ((on one microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
ca.1946-1966
Scope and Contents:
276 photographs, ca. 1946-1966, taken by Kalisher of artists teaching at Bennington College, Bennington, Vermont, Black Mountain College, North Carolina, and the MacDowell Colony, Peterborough, New Hampshire.
Artists include: Peter Abate, Kongo Abe, Cora-Beth Abel, Samuel M. Adler, Paul Aschenbach, Josef Albers, Ture Bengtz, Wieslaw Borowski, Ms. Coonhan, Jan Cox, Merce Cunningham, Dorothy Dehner, Elaine de Kooning, Garabed der Hovanesian, Blanche Dombek, Jan Doubrova, Franc Epping, Vernon Fimple, Miles Forst, Helen Frankenthaler, Buckminster Fuller, David Gil, Maurice Glickman, Julio Granda, Philip Grausman, Cleve Gray, Stanley William Hayter, Victoria Kilbourn, Oskar Kokoschka, Alexander Lieberman, Michael Mazur, ? McKenzie, Ivan Mestrovic, George L. K. Morris, Robert Motherwell, Alice Neel, Kenneth Noland, Mine Okubo, Gregorio Prestopino, Norman Rockwell, Jakob Rosenberg, David Smith, John Torres, Wen Ying Tsai, Asapia Voulis, Iain Whitecross, Marguerite Wildenhain, and ? Zhermansky.
Biographical / Historical:
Photographer.
Provenance:
Lent for microfilming 1982 by Clemens Kalischer.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Photographers  Search this
Topic:
Artists -- United States -- Photographs  Search this
Artist colonies -- Photographs  Search this
Function:
Artist colonies
Identifier:
AAA.kaliclem
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955662f44-58c5-4a43-a039-3bf7013ee4c6
EDAN-URL:
ead_collection:sova-aaa-kaliclem

Irwin Rubin papers, 1930-2004, bulk 1950-2000

Creator:
Rubin, Irwin, 1930-2006  Search this
Subject:
Albers, Josef  Search this
Cooper Union for the Advancement of Science and Art  Search this
Type:
Interviews
Citation:
Irwin Rubin papers, 1930-2004, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22235
AAA_collcode_rubiirwi
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22235

Irwin Rubin papers

Creator:
Rubin, Irwin, 1930-2006  Search this
Names:
Cooper Union for the Advancement of Science and Art  Search this
Albers, Josef  Search this
Extent:
2.6 Linear feet
9.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Date:
1930-2004
bulk 1950-2000
Scope and Contents:
The papers of Irwin Rubin measure 2.6 linear feet and date from 1930 to 2004, with the bulk from the late 1940s to the early 2000s. The collection documents Rubin's work as a professional artist and educator through biographical material, personal and professional correspondence, writings, interviews, personal business records, gallery and exhibition files, project files, photographic material, printed material, and artwork.

Biographical material includes school records and diplomas, resumes, address book, and assorted life documents. Correspondence primarily reflects relationships with former classmates and students, as well as his teacher Josef Albers. Writings include a manuscript of Rubin's Yale MFA thesis, two interview transcripts (1997, 2004), and two sketchbooks from the 1950s. Photographic materials include documentation (prints and slides) of Rubin's artwork as well as photos of the artist, studio, family, and friends. Also included are sales records from the Bertha Schaefer Gallery, publications and printed materials featuring Rubin's work, teaching materials from his long tenure at The Cooper Union (1967-2001), and print editions by colleagues from Cooper Union and Pratt Institute. Also included is a USB drive containing digital materials gathered between 2019 and 2022 by Rubin's former student Carmelle Safdie. These research materials relate to Rubin's exhibition and publication history, works in public and private collections, and Rubin's own collection of antiquities and global artifacts, correspondence with former students, museum staff, and private collectors.
Biographical / Historical:
Irwin Rubin (1930-2006) was an artist, educator, and collector in New York. A student of Josef Albers at Yale, Rubin taught drawing and color theory from 1967-2001 at The Cooper Union. Rubin was represented by Bertha Schaefer Gallery and the Stable Gallery in New York, and Galerie Iris Clert in Paris.
Provenance:
Donated in 2023 by Christina Rubin, Irwin Rubin's widow.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Genre/Form:
Interviews
Identifier:
AAA.rubiirwi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97cf30b11-6a08-42e7-85e1-ed861e8543f3
EDAN-URL:
ead_collection:sova-aaa-rubiirwi

Dam

Artist:
Robert Rauschenberg, American, b. Port Arthur, Texas, 1925–2008  Search this
Medium:
Oil, repurposed papers, cloth, and metal on canvas
Dimensions:
75 1/2 × 61 5/8 in. (191.7 × 156.5 cm)
Type:
Collage
Date:
1959
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4187
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Precursors
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py247bdcfd6-da22-4d97-88fa-8543ae92d74f
EDAN-URL:
edanmdm:hmsg_66.4187

Abstract Painting

Artist:
Ad Reinhardt, American, b. Buffalo, New York, 1913–1967  Search this
Medium:
Oil on canvas
Dimensions:
80 1/4 x 40 1/4 in. (203.7 x 102.2 cm)
Type:
Painting
Date:
1956
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4203
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22a3526a1-7ccb-4d64-9d67-99cfd78086ea
EDAN-URL:
edanmdm:hmsg_66.4203

José de Creeft papers, 1871-2004, bulk 1910-1990

Creator:
De Creeft, José, 1884-1982  Search this
Subject:
Neumann, J. B. (Jsrael Ber)  Search this
Dickinson, Edwin Walter  Search this
Lawrence, Gertrude  Search this
De Diego, Julio  Search this
Diederich, William Hunt  Search this
Dodd, Lamar  Search this
Lipchitz, Jacques  Search this
Gropius, Walter  Search this
Escuder, Joseph  Search this
Gómez Gil, Alfredo  Search this
Rattner, Abraham  Search this
Soyer, Raphael  Search this
Roszak, Theodore  Search this
Zorach, William  Search this
Sweeney, James Johnson  Search this
Albers, Josef  Search this
De Creeft, William  Search this
Calder, Alexander  Search this
Nivola, Costantino  Search this
Lipchitz, Jacques  Search this
Gross, Chaim  Search this
Campos, Jules  Search this
Goulet, Lorrie  Search this
New School for Social Research (New York, N.Y.)  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Sketchbooks
Citation:
José de Creeft papers, 1871-2004, bulk 1910-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Stone Mountain Memorial (Ga.)  Search this
Latino and Latin American artists  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7406
(DSI-AAA_SIRISBib)209563
AAA_collcode_decrjose
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209563
Online Media:

Raymond Jonson papers, 1910-1964

Creator:
Jonson, Raymond, 1891-1982  Search this
Subject:
Albers, Josef  Search this
Bisttram, Emil  Search this
Bloch, Albert  Search this
Cheney, Sheldon  Search this
Dasburg, Andrew  Search this
De Kooning, Elaine  Search this
Hiler, Hilaire  Search this
Levy, Beatrice S. (Beatrice Sophia)  Search this
Nordfeldt, Bror Julius Olsson  Search this
O'Hara, Eliot  Search this
O'Keeffe, Georgia  Search this
Pelton, Agnes  Search this
Wells, Cady  Search this
Xceron, Jean  Search this
Federal Art Project (N.M.)  Search this
United States. Department of the Treasury. Section of Fine Arts  Search this
Jonson Gallery  Search this
Type:
Scrapbooks
Citation:
Raymond Jonson papers, 1910-1964. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts -- New Mexico -- Albuquerque  Search this
Art and state -- New Mexico -- Albuquerque  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Albuquerque  Search this
Art, Modern -- 20th century -- New Mexico -- Albuquerque  Search this
Theme:
Diaries  Search this
New Deal  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9289
(DSI-AAA_SIRISBib)211484
AAA_collcode_jonsraym
Theme:
Diaries
New Deal
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211484

Oral history interview with Richard Anuszkiewicz, 1971 December 28 - 1972 January 7

Interviewee:
Anuszkiewicz, Richard, 1930-2020  Search this
Interviewer:
Cummings, Paul  Search this
Subject:
Albers, Josef  Search this
Hensche, Henry  Search this
Stanczak, Julian  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Anuszkiewicz, 1971 December 28 - 1972 January 7. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12959
(DSI-AAA_SIRISBib)211932
AAA_collcode_anuszk71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211932

Oral history interview with Richard Lippold, 1971 Dec. 1

Interviewee:
Lippold, Richard, 1915-2002  Search this
Interviewer:
Cummings, Paul  Search this
Subject:
Albers, Josef  Search this
Arp, Jean  Search this
Callahan, Harry M.  Search this
Gabo, Naum  Search this
Johnson, Ray  Search this
Valentiner, Wilhelm Reinhold  Search this
Zettler, Emil Robert  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Lippold, 1971 Dec. 1. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture -- Technique  Search this
Sculptors -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12454
(DSI-AAA_SIRISBib)211970
AAA_collcode_lippol71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211970

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