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Josef Albers, Interaction of color

Creator:
New Haven Jewish Community Center
Subject:
Albers, Josef
Physical description:
1 exhibition announcement : ill. ; 23 x 16 cm.
Type:
Printed/Published Materials
Date:
1966
Topic:
Artists at or with their work
Record number:
(DSI-AAA)12378
Summary:
Mailer for an exhibit by Albers at the center gallery of the New Haven Jewish Community Center, Mar. 6 - 30. Includes a halftone photographic print of Albers with one of his prints.
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Josef Albers papers, 1929-1970
Data Source:
Archives of American Art
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Josef Albers

Artist:
Josef Breitenbach, 1896 - 1984
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976
Medium:
Gelatin silver print
Type:
Photograph
Date:
1944
Topic:
Interior
Artwork\Painting
Josef Albers: Visual Arts\Artist\Painter
Josef Albers: Education\Educator\Professor\University
Josef Albers: Visual Arts\Art Instructor
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.91.51
Rights:
©The Joseph and Yaye Breitenbach Trust, NY
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National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Josef Albers

Artist:
Hans Namuth, 17 Mar 1915 - 13 Oct 1990
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976
Medium:
Gelatin silver print
Type:
Photograph
Date:
1971
Topic:
Interior
Clothing & Apparel\Dress Accessory\Eyeglasses
Artwork\Painting
Josef Albers: Visual Arts\Artist\Painter
Josef Albers: Education\Educator\Professor\University
Josef Albers: Visual Arts\Art Instructor
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Estate of Hans Namuth
Object number:
NPG.95.123
Rights:
© Hans Namuth Ltd.
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National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Josef Albers

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976
Medium:
Gelatin silver print
Type:
Photograph
Place:
United States\Connecticut\New Haven\New Haven
Date:
1966
Topic:
Home Furnishings\Furniture\Seating\Chair
Clothing & Apparel\Dress Accessory\Eyeglasses
Artwork
Interior\Domestic
Artwork\Painting\Abstract
Josef Albers: Visual Arts\Artist\Painter
Josef Albers: Education\Educator\Professor\University
Josef Albers: Visual Arts\Art Instructor
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.2
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National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Josef Albers Honors the Hirshhorn Museum and Sculpture Garden (I)

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Serigraph on paper
Dimensions:
sheet: 25 x 35 1/16 in. (63.4 x 89.1 cm) image: 15 x 15 in. (38.1 x 38.1 cm)
Type:
Print/portfolio
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.87.1
Provenance:
Ives-Sillman, New Haven, Connecticut, 1973
Joseph H. Hirshhorn, New York and Washington, 1973(?)-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Josef Albers Honors the Hirshhorn Museum and Sculpture Garden (II)

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Serigraph on paper
Dimensions:
sheet: 25 x 35 1/16 in. (63.4 x 89.1 cm) image: 15 1/16 x 15 1/16 in. (38.3 x 38.3 cm)
Type:
Print/portfolio
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.87.2
Provenance:
Ives-Sillman, New Haven, Connecticut, 1973
Joseph H. Hirshhorn, New York and Washington, 1973(?)-31 August 1981
(Estate of Joseph H. Hirshhorn, 1981-1986)
Joseph H. Hirshhorn Bequest, 1981
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Josef Albers and Ken Tyler

Subject:
Albers, Josef
Tyler, Kenneth E.
Physical description:
1 photographic print : b&w ; 11 x 13 cm.
Type:
Photographs
Date:
196-
Topic:
Artists at or with their work
Artists in groups
Printmaking
Record number:
(DSI-AAA)1935
Summary:
Identification on verso (stamped): Josef Albers pin registers one of his prints with Tamarind artisan Ken Tyler.
Date based on dates on other photos of artists in the Tamarind Lithography Workshop records.
See more items in:
Tamarind Lithography Workshop records, 1954-1984
Data Source:
Archives of American Art
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Josef Albers Honors the Hirshhorn Museum and Sculpture Garden (JHM-I)

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Color serigraph on paper
Dimensions:
sheet: 25 x 35 1/16 in. (63.5 x 89.1 cm) image: 15 x 15 in. (38.1 x 38.1 cm)
Type:
Print/portfolio
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of HKL Ltd. and Parasol Press, through Vera List, 1974
Accession Number:
74.210.1
Provenance:
Commissioned from the artist, 1973
Gift of HKL Ltd. and Parasol Press (via Vera G. List), New York, 26 April 1974
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington D.C. Josef Albers, 27 September 1979-23 March 1980, no cat.
Published References:
UNSIGNED. Newsletter of the Hirshhorn Museum and Sculpture Garden (Washington D.C.: Smithsonian Institution, July 1974) p. 1-2.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Josef Albers Honors the Hirshhorn Museum and Sculpture Garden (JHM-II)

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Color serigraph on paper
Dimensions:
sheet: 25 x 35 1/16 in. (63.5 x 89.1 cm) image: 15 1/16 x 15 1/16 in. (38.3 x 38.3 cm)
Type:
Print/portfolio
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of HKL Ltd. and Parasol Press, through Vera List, 1974
Accession Number:
74.210.2
Provenance:
Commissioned from the artist, 1973
Gift of HKL Ltd. and Parasol Press (via Vera G. List), New York, 26 April 1974
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington D.C. Josef Albers, 27 September 1979-23 March 1980, no cat.
Published References:
UNSIGNED. Newsletter of the Hirshhorn Museum and Sculpture Garden (Washington D.C.: Smithsonian Institution, July 1974) p. 1-2.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Josef Albers, Black Mountain, N.C. postcard to Marcel Breuer, Cambridge, Mass.

Creator:
Albers, Josef, 1888-1976
Breuer, Marcel, 1888-1976
Physical description:
1 postcard : ill. ; 14 x 9 cm.
Type:
Correspondence
Place:
Tenn.
Date:
1938 or 1939
Record number:
(DSI-AAA)994
Summary:
New Year's greeting from painter and Bauhaus teacher Joseph Albers.
The postcard is a commercial color photograph of "The Loop," a section of winding road near Newfound Gap in the Great Smoky Mountains National Park. Over the existing image Albers has stencilled in paint, "a good '39." The "3" in 39 is formed by the road.
See more items in:
Marcel Breuer papers, 1920-1986
Data Source:
Archives of American Art
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Oral history interview with Josef Albers, 1968 June 22-July 5

Creator:
Albers, Josef
Interviewer:
Fesci, Sevim
Subject:
Heckel, Erich 1883-1970
Itten, Johannes 1888-1967
Kirchner, Ernst Ludwig 1880-1938
Schmidt-Rottluff, Karl 1884-1976
Stuck, Franz Ritter von 1863-1928
Bauhaus
Physical description:
Sound recordings: 1 sound tape ; 7 in
Transcript: 24 p
Type:
Sound recordings
Interviews
Place:
Connecticut
New Haven
Date:
1968
1968 June 22-July 5
Topic:
Art, American
Art teachers
Collagists
Die Brücke (Dresden)
Painters
Stained glass artists
Local number:
AAA
AAA
AAA albersj68
Notes:
Painter, educator; New Haven, Conn
Summary:
An interview of Josef Albers conducted 1968 June 22-July 5, by Sevim Fesci, for the Archives of American Art
This interview was conducted in New Haven, Connecticut. Albers speaks of his childhood in the industrial area of Westphalia, Germany; his father's influence as a house painter and set designer; his young interest in technical toys; his educational history, beginning at the Royal Art School, an art teacher prep school; his education in art history in conjunction with fine arts; his brief experience teaching in public schools; his time studying at the Applied Art School in Essen while living and teaching in Berlin; and the beginning of professional career after having passed his exam in Berlin in 1915
He discusses the influence of the European movements/artists, Die Brucke; Schmidt-Rottluff, Heckel, and Kirchner; his move to Munich and time spent working with Stuck (the teacher of Kandinsky and Klee); his eventual shift to the Bauhaus working in collage and stained glass under Itten; his refusal to do the traditional apprenticeship at the Bauhaus and surprising success with stained glass while striking out on his own; his initial experiments while working in the new studio for stained glass at the Bauhaus with frosting (a.k.a. thermometer style); his move from collage to montage; his disbelief in the use of past art as a source for current art; his distaste for the concept of art as self-expression; his use of repetitive forms in his painting as a method of "solving the problem;" his belief that the spectator makes the vision of the artist more lively; his belief that he teaches philosophy (how to see) not technique (how to paint); the fine line between influencing students and creating disciples; color as the most relative medium in art and a study of ourselves; his use of squares (the most man-made form), beginning in 1949; the role of art in society to reveal visually the attitude of our mentality; and his belief as to the future of art as being a further consideration of order
Data Source:
Archives of American Art
Visitor Tag(s):

Variant

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Acrylic on fiberboard
Dimensions:
48 x 96 in. (121.9 x 243.7 cm)
Type:
Painting
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.12
Provenance:
The artist and Estate of the artist, Orange, Connecticut, 1973-79
Gift of the Josef Albers Foundation, Inc. and Anni Albers, Orange, Connecticut, 7 May 1979
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Josef Albers: Glass, Color, and Light," 3 November 1994-8 January 1995.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Variant

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Acrylic on fiberboard
Dimensions:
47 7/8 x 96 1/8 in. (121.6 x 244.2 cm)
Type:
Painting
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.13
Provenance:
The artist and Estate of the artist, Orange, Connecticut, 1973-79
Gift of the Josef Albers Foundation, Inc. and Anni Albers, Orange, Connecticut, 7 May 1979
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
IVAM CENTRE JULIO GONZALEZ, Valencia, Spain. "Josef Albers: Glass, Color, and Light," 3 November 1994-8 January 1995.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Self-Portrait (Left Profile)

Josef Albers Self-Portrait
Artist:
Josef Albers, 19 Mar 1888 - 25 Mar 1976
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976
Medium:
Lithograph on paper
Type:
Print
Date:
1916
Topic:
Self-portrait
Josef Albers: Visual Arts\Artist\Painter
Josef Albers: Education\Educator\Professor\University
Josef Albers: Visual Arts\Art Instructor
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection
Object number:
NPG.2002.188
Exhibition Label:
Created early in his career, Josef Albers's boldly experimental 1916 self-portrait lithograph reflects the young artist's interest in the new trends, particularly expressionism and cubism. Indeed, for Albers, self-portraiture provided critical terrain for artistic experimentation. This print serves more as an exercise in the development of form than a psychological study. Although the intensity of the subject's expression is striking, one can also read in this fragmented self-representation something of the strains of World War I. Living in Germany, Albers surely observed the bandaged faces and mutilated bodies of returning veterans. With this self-portrait, he not only suggests his mastery of recent modern art, but also his focus on the future and his capacity to lead in the development of new artistic idioms.
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National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Study for "Variant"

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Oil on fiberboard
Dimensions:
12 5/8 x 16 7/8 in. (32 x 42.8 cm)
Type:
Painting
Date:
1948-1951
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.15
Provenance:
The artist, Orange, Connecticut, 1948-76
Estate of the artist, Orange, Connecticut, 1976-79
Gift of the Josef Albers Foundation, Inc., and Anni Albers, Orange, Connecticut, 7 May 1979
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
Published References:
"La Chronique des Arts: Principales Acquisitions des Musees en 1979," Gazette des Beaux Arts no. 1334 (March 1980).
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
Visitor Tag(s):

Study for "Variant"

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Oil on fiberboard
Dimensions:
18 x 22 in. (45.8 x 55.9 cm)
Type:
Painting
Date:
1956
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.16
Provenance:
The artist, Connecticut, 1955-76
Estate of the artist, Orange, Connecticut, 1976-79
Gift of the Josef Albers Foundation, Inc. and Anni Albers, 7 May 1979
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
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Study for "Homage to the Square: From the Soil"

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Oil on fiberboard
Dimensions:
17 15/16 x 17 15/16 in. (45.6 x 45.5 cm)
Type:
Painting
Date:
1954
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.18
Provenance:
The artist, Connecticut, 1954-1976
Estate of the artist, Orange, Connecticut, 1976-1979
Gift of the Josef Albers Foundation, Inc. and Anni Albers, 7 May 1979
Exhibition History:
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
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Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
Visitor Tag(s):

Study for "Homage to the Square: Last Century"

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Oil on fiberboard
Dimensions:
17 1/2 x 17 9/16 in. (44.4 x 44.6 cm)
Type:
Painting
Date:
1956
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Josef Albers Foundation and Anni Albers, 1979
Accession Number:
79.17
Provenance:
The artist, Connecticut, 1956-76
Estate of the artist, Orange, Connecticut, 1976-79
Gift of the Josef Albers Foundation, Inc. and Anni Albers, 7 May 1979
Exhibition History:
MUSEUM OF MODERN ART, New York, International Council travelling exhibition. "Josef Albers: Homage to the Square," Doubleday, 1964, no. 10 (possibly another, related work).
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers," 27 September 1979-23 March 1980, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
Published References:
"La Chronique des Arts: Principales Acquisitions des Musees en 1979," Gazette des Beaux Arts no. 1334 (March 1980) p. 77.
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
Visitor Tag(s):

Four Xs in Red

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Oil on fiberboard
Dimensions:
18 1/8 x 18 1/8in. (46 x 46cm) frame: 21 3/4 x 21 3/4 x 1 1/2 in. (55.2 x 55.2 x 3.8 cm)
Type:
Painting
Date:
1938
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1974
Accession Number:
74.9
Provenance:
The Artist, Black Mountain College, North Carolina, 1938- Orange, Connecticut, June/July 1968
Joseph H. Hirshhorn (via Sidney Janis Gallery, New York, 30 July 1968), 30 July 1968-1974
Gift of the Joseph H. Hirshhorn Foundation, 1974
Exhibition History:
Compiled by V. Fletcher 1979-80, amended 2009:
ARTIST'S GALLERY, NY. "Josef Albers," 6-31 Dec 1938, no. 12 (lent by the artist).
NEW ART CIRCLE, NY. "Josef Albers," 2-17 Jan 1945, no. 4.
MEMPHIS ACADEMY OF ARTS. "Twenty-Five Paintings by Josef Albers," 15-28 Jan 1947, no. 11.
CALIFORNIA PALACE OF THE LEGION OF HONOR, San Francisco. "Josef Albers," September 1947.
CINCINNATI ART MUSEUM. "Josef Albers," Oct 1949, no. 5 (lent by artist).
ALLEN R. HITE ART INSTITUTE, UNIVERSITY OF LOUISVILLE, KY. "Josef Albers," 17 April-27 May 1950, ill. on cover, listed (no. 2).
ALEXANDRIA STUDIO GROTTO (location unknown). "Josef Albers," May 1951, no. 11.
WADSWORTH ATHENEUM, Hartford. "Josef & Anni Albers," 8 July-2 August 1953, no. 11.
YALE UNIVERSITY ART GALLERY, New Haven. "Josef Albers," 25 April-18 June 1956, no. 18, catalog essay by George H. Hamilton, fig. 28, pp. 26, 47.
NORTH CAROLINA MUSEUM OF ART, Raleigh. "Josef Albers," 3 Feb-11 March 1962, no. 1 (signed LR: "A" dated 1938; lent by the artist, New Haven, 18 x 18 inches).
WASHINGTON GALLERY OF MODERN ART, Washington, DC. "Josef Albers: The American Years," 30 Oct-31 Dec 1965, no. 15. TOUR: ISSAC DELGADO MUSEUM OF ART, New Orleans, 23 Jan-27 Feb 1966; SAN FRANCISCO MUSEUM OF ART, 2-26 June; ART GALLERY, University of California, Santa Barbara, 8 July-7 Sept; ROSE ART MUSEUM, Brandeis University, Waltham, MA, 23 Sept-29 Oct 1966.
ART MUSEUM, PRINCETON UNIVERSITY, New Jersey. "Josef Albers: Paintings and Graphics 1917-1970," 5-26 Jan 1971, essay by Peter Morrin, no. 4, p. 12.
AMERICAN FEDERATION OF ARTS, New York. "Geometric Abstraction of the 1930's," 5 November-3 December 1972, no. 1. TOUR: BUTLER INSTITUTE OF AMERICAN ART, Youngstown, Ohio, 25 February-18 March 1973.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington DC. "Josef Albers," 27 September 1979-18 February 1980, no cat.
ANTIGUO COLEGIO DE SAN ILDEFONSO, Mexico City, "Anni and Josef Albers: Latin American Journeys," 6 November 2007-23 April 2008.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
Published References:
UNSIGNED. L'Art Abstrait (Paris, Maeght, 1950), ill. (upside down).
GOMRINGER, EUGEN. Josef Albers (New York: Wittenborn, 1968), pp. 63-64, color pl. p. 72.
UNSIGNED. "Josef Albers on Tour," The New Republic (21 September 1965), p. 34.
FINKELSTEIN, IRVING. The Life and Art of Josef Albers (New York University, Ph. D., 1967), vol. 1, pp. 125-127, fig. 95 (as 1938, 18 1/2 x 12 1/2 inches, collection of the artist).
UNSIGNED. Art Museum, Princeton University, New Jersey, Newsletter (January 1971), ill. of installation with our work in foreground.
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
Visitor Tag(s):

Homage to the Square: Plus II (Instrumentation)

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976
Medium:
Serigraph on paper
Dimensions:
sheet: 19 x 19 in. (48.2 x 48.2 cm) image: 11 x 11 in. (28 x 28 cm)
Type:
Print
Date:
1975
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Josef Albers Foundation and Anni Albers, by exchange, 1981
Accession Number:
81.246
Provenance:
Joseph Albers Foundation, Orange, Connecticut, 10 November 1981
Exhibition History:
SMITHSONIAN CASTLE BUILDING, Smithsonian Institution, Washington, DC. "Castle Exhibition I," 27 March-27 September 1986, no cat.
HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Josef Albers: Innovation and Inspiration," 13 February-11 April 2010, no cat.
Published References:
UNSIGNED. "La Chronique des Arts: Principales Acquisitions des Musees en 1981," Gazette des Beaux Arts no. 1358 (March 1982) p. 86.
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
Visitor Tag(s):

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